Broken Frontier

@brokenfrontier.bsky.social

Socially conscious European comics culture site exploring the comics universe, celebrating the small press and championing new creative voices since 2002. https://www.brokenfrontier.com/ Managed by @andywpoliver.bsky.social

It's been a very stark reminder to me personally that I don't need to comment on everything and that waiting for the full, or at least more contextualized, story is always a good idea. Regardless of what's happening, real people are involved & the social media push to react first, ask later = toxic.

Andy Oliver@andywpoliver.bsky.social · 14h ago

Yeah, this. I clocked the people at the time who jumped in with the most sensationalist commentary on something they could not possibly have had a full understanding of. They have not endeared themselves to me.

Enjoying all of the thoughtful posts about Tillie. I imagine the comics people whose posts I remember very clearly from the beginning of all of this are now going to be quiet on this topic. But no doubt they’ll be promoting themselves in another pile-on soon (as I’ve seen them do before). Be better.

One of my key strategies for comics events... The five-point plan I remember for any panels or interviews I’m moderating at comics events: Do the necessary prep beforehand. It’s not about you. Do the necessary prep beforehand. It’s not about you. DO THE NECESSARY PREP BEFOREHAND.

out it goes: my long post about Rachel Hope Cleves's claim that Tillie Walden plagiarised her book. It's long because Cleves's claim is much, much more bizarre than it looked on first reading. I'm not going to bury the lede here. Cleves's claim does not hold up. buttondown.com/thene/archiv...

stick a pin in this metaphor

…because these covers are a microcosm of the entire conflict; Walden's book is mostly built on writing and other objects left by Sylvia Drake, Charity Bryant, and others. Her work includes many elements from these records that Cleves does not refer to in her book, and many of her interpretations of those records are different from Cleves's interpretations, often intentionally so. In addition to her historical basis, Walden's book includes fictional dialogue and story elements that are original to her work, some of which are inspired by Walden's own life.
thene@thene.bsky.social · 2w ago

i am working on a very, very long blog post that could really have fit into a skeet: When someone posts that "this website/journal article/etc proves my dramatic claim!!!" and then does not link to the website, journal article, etc, it is because it does not in fact prove their dramatic claim.

I’m ready to weigh in on the CHARITY & SYLVIA controversy. I’ve read both books and compared & contrasted them, and their sources. Is Tillie Walden’s book a rip off of Rachel Hope Cleves’ book, as the professor claims? No. It is not. #TillieWalden #graphicnovels buttondown.com/thene/archiv...

Charity and Sylvia: the extraordinary claims of Rachel Hope Cleves

In early July, a dispute began between two writers; Rachel Hope Cleves, author of Charity and Sylvia; A Same-Sex Marriage in Early America, (2014), and...

buttondown.com

We've always had good months and bad months, but this is the furthest we've been from paying our basic rent and bills. Anything you can spare right now would really help us with some breathing space while we try and turn things around. gofund.me/4e08a72e4

Donate to Help a community cooperative bookshop pay the rent, organized by Chris Brosnahan

We really don't want to do this, but it's been a bad summer and w… Chris Brosnahan needs your support for Help a community cooperative bookshop pay the rent

gofund.me

It'll be pretty embarrassing if the dinosaurs went out with more dignity than us. They can't say they knew about the meteor for decades, knew exactly what to do about it, had all the technology and resources to stop it but didn't so five of them could own everything