British Shakespeare Association

@bsashakespeare.bsky.social

Professional association for teachers, researchers, practitioners and writers interested in Shakespeare. https://linktr.ee/BSAShakespeare

Coming up! This free workshop on '(Re)Mapping the Canon: Embodied knowledge as decolonial practice' invites practical exploration of emotion and coloniality in Shakespeare and his afterlives. University of Sheffield, Wed 11 Nov, 1-5pm with travel support curtesy of the #BSASmallGrantsFund!

(Re)Mapping the Canon: Embodied Knowledge as Decolonial Practice

A workshop exploring how emotion and coloniality are embodied and performed in Shakespearean texts and their afterlives

eventbrite.co.uk

“I’m really hoping that people will notice how much joy is in this exhibition,” "To Hear Her Speak" exhibition curator Dr. Patricia Akhimie says. She spoke to "The Grio" about the exhibition, at the Folger now through May 2. thegrio.com/2026/10/27/b...

Black women have a 400-year history with Shakespeare. A new exhibit in D.C. finally tells their story

Curator Dr. Patricia Akhimie brings together 400 years of artifacts exploring how Black women have engaged with Shakespeare on their own terms.

thegrio.com

"It’s a performance [and theater] history but it’s also an intellectual history about Black women as writers and artists,” says Dr. Patricia Akhimie, exhibition curator for "To Hear Her Speak." More from "The Guardian": www.theguardian.com/artanddesign...

‘Shakespeare was a Black woman’: the playwright’s under-recognized connection to Black culture

A new Washington DC exhibition examines how Toni Morrison, Maya Angelou and more used the Bard’s work to help tell their own stories

theguardian.com

Patricia Akhimie, curator of the Folger exhibition "To Hear Her Speak," asks: “What do Black women and Shakespeare have to do with each other?” Read the full excerpt at the link below and visit the Folger to see "To Hear Her Speak," opening Oct. 16! www.folger.edu/blogs/shakes...

To Hear Her Speak: Black women, Shakespeare, and early modern texts | Folger Shakespeare Library

Folger Shakespeare Library is the world's largest Shakespeare collection, the ultimate resource for exploring Shakespeare and his world. Shakespeare belongs to you. His world is vast. Come explore. Jo...

folger.edu

🚨🎉🎉The catalogue for the groundbreaking @Folger.edu exhibit “‘To Hear Her Speak’: Black Women in Shakespeare” is live & open source. But if you are an academic, PLEASE ask your library to buy a copy. We need to show lasting interest in these times! asu.pressbooks.pub/to-hear-her-...

Acknowledgments – To Hear Her Speak

Recovers a previously hidden theater and performance history of Black women engaging with Shakespeare as actors, playwrights, costume designers, and directors.

asu.pressbooks.pub

In the 1860s, chess player Howard Staunton produced a photo-facsimile of Shakespeare's First Folio. It was one of the earliest attempts to use new technology to reproduce an old book. @folger.edu has Staunton’s proof sheets. I looked at them last week. If you like media/books/history, they're fun.

“How on earth came the t turned into s?!!!!”

On Howard Staunton’s photozincographic facsimile of Shakespeare’s First Folio

whitneytrettien.substack.com

2 outstanding reviews of The Oxford Handbook of Shakespeare and Early Modern Authorship! @academic.oup.com Grateful to Will Sharpe & all the contributors! 🎆 Peter Holland in Shakespeare: www.tandfonline.com/doi/full/10.... 🎆 Alexander Thom in The 17th Century: www.tandfonline.com/doi/pdf/10.1...

The Oxford handbook of Shakespeare and early modern authorship: The Seventeenth Century: Vol 0, No 0 - Get Access

Browse all journals

tandfonline.com

Elizabethan playhouses were supplied by a network of tailors, merchants & craftswomen. Their names survive in records, but little is known about their lives. I’m working on new research that brings the stories of these makers & traders centre stage. Here is the project in biscuit (cookie) form. 🍪

A photograph of eight rectangular biscuits (cookies) arranged in two rows on a square white plate. The plate is framed on all sides by a trailing vine pattern in green with pops of red. The biscuits are mostly in shades of ivory, cream, yellow, and grey, with a burst of vivid red and blue in one corner of the arrangement. Moving across the top row of biscuits from left to right, the designs include: neat lines of handwritten names in an early modern parish register; a section of a hand-drawn map from 1561 featuring St Paul’s Cathedral, with street names like ‘Carter Lane’ visible in a tiny spiky font; an extract of text from a funerary monument printed in an early modern book, ending ‘So transitory is our glory’; a section of embroidery from a funeral pall featuring metallic silver armour, crossed gold keys, and two hands holding up a crown. The biscuit designs on the bottom row include: horses prancing past shopfronts on Cheapside in the mid-sixteenth century; a receipt written in early modern secretary hand, which is difficult to read; a portrait of a stern-looking women dressed in a ruff, pearls, and sober dark clothing; swirling calligraphy and dense secretary hand featuring on a will dating from 1638.

Just a few days left to apply to be the new Membership Officer of the BSA! Join our friendly Board of Trustees and gain benefits in networking, collaboration, professional development, and the opportunity to help steer the BSA to meet the needs of our members. Apply by 30 Sept, info on our website!

British Shakespeare Association@bsashakespeare.bsky.social · 2mo ago

📢 We have extended the call for applications for our new BSA Membership Officer to 30 Sept. The position is open to those interested in supporting oversight of the BSA's membership. Doctoral students and ECRs welcome to apply!