Gábor Gergely

@ggergely.bsky.social

[gɑːbɔːr gɛrgɛj] Associate Professor of Film | Photo of Simplon Cinema courtesy of Fortepan/Preisich Family I refuse to consent to any use of any text by me or any image of or by me in the training of or in interaction with any AI applications.

I don't mean to snipe from the sidelines or to give impression I can't let go of the BAFTSS chair, but seeing posts from MeCCSA at Leicester, which obliterated an excellent film department, after BAFTSS went off campus in response to threats to staff in media at Bournemouth is upsetting.

Shame on Scorsese. Never liked him or his films, but this underscores the narcissism that underpins his persona as the ne plus ultra of American film auteurs. AI is useful to him because it permits greater fidelity in realizing his vision, further reducing the agency of his collaborators. Piss off.

Screenshot from AI company Black Forest Labs website of Scorsese explaining how AI technology gives him greater control over his collaborators.

Academic departments deserve to be saved, supported, resourced, allowed to grow even if they're not "best in the country," "first in the REF," "top-ranked," "at a Russell Group uni," or whatever other austerity-brained nonsense senior managers have been using to flimflam you out of solidarity

Hilarious that the minister in charge of Reform voter-baiting (the Home Secretary), who has massive responsibility for haemorrhaging voters to the Greens, is joining calls for Starmer to quit for losing voters. Hard to think of a more cynical move.

When you're mad at your father because he's emotionally distant and a lousy grandfather and you catch yourself with fat all over your face standing over the food waste bin snaffling as you scrape the last of the fat and gristle off a gnarly bone with your teeth and you realize you are him. Just me?

Hey, so I'm out of practice with 'announcements' but: I wrote a book and it's coming out in November. It's called The Sonic Surrogate and it's about sound reproduction, reproductive crisis and the proliferation of music technologies that promise to take care of us www.ucpress.edu/books/the-so...

The Sonic Surrogate by Marie Thompson - Paper

Scholarship is a powerful tool for changing how people think, plan, and govern. By giving voice to bright minds and bold ideas, we seek to foster understanding and drive progressive change.

ucpress.edu

We are pleased to announce that the conference website, including the schedule is now live: www.baftss.org/conference-2... Places are limited - register early to avoid disappointment. Deadline: 8th March 2026. Queries can be directed to baftss2026@gmail.com

BAFTSS Conference 2026

Welcome to the Homepage of the 2026 edition of the annual conference of the British Association of Film, Television and Screen Studies. This year's conference takes place at the Highcliff Marriott...

baftss.org

The 2026 @baftss.bsky.social Conference website is live. Read the full programme, register, find out about the publishers in attendance, the keynote, the conference dinner, the venue and the conference team. You can contact them via the form at the bottom of the page. www.baftss.org/conference-2...

BAFTSS Conference 2026

Welcome to the Homepage of the 2026 edition of the annual conference of the British Association of Film, Television and Screen Studies. This year's conference takes place at the Highcliff Marriott...

baftss.org

Been a while but I'm still bewildered by that elaborate SF novella call out on the 'other' Jiscmail. Talk about punching down: long-embedded in academic structures, the reply aller attacks the ECR for a dysfunction of HE: its culture of service/free labour. Who made the bed? Who shat in it? The ECR?

BAFTSS is making available 7 Conference Bursaries of up to £200 each to support attendance at the Association's annual conference for those members who are postgraduate researchers (including MA and PhD students). Complete the form: www.baftss.org/conference-b... Deadline: 20th March 2026.

Conference Bursary Fund (PGR)

Constitution | Code of Conduct | Contact Us  | Join BAFTSS / Sign In ©  British Association of Film, Television and Screen Studies (BAFTSS) 2025. Website maintained by Christina Wilkins .

baftss.org

Finally worked out a way to get over from Ireland for AWP (thanks in no small part to good friends) so if any mags or presses are interested in me reading please hit me up. Here's a picture of me with my arms out (Plz RT???)

Bild

In a sector under attack - from govt refusal to fund HE; KPI- and cuts-obsessed VCs; plagiarism engines; culture warriors - mutual support, sharing of experience and collaboration are more important than ever. Please consider participating in this important @baftss.bsky.social scheme in either role.

BAFTSS@baftss.bsky.social · 8mo ago

BAFTSS continues to run its Early Career Mentoring Scheme, which has been invaluable to helping ECRs in this increasingly precarious sector. This is a call for new mentors and mentees to take part in the scheme! For more info: www.baftss.org/early-career... #baftss #earlycareermentoringscheme

I've been thinking about multilingual scholars' practice. I use English only, to inhabit an outside-in/inside-out perspective and to force me to consider word usage carefully. When someone translates their work/publishes bilingually, I wonder how attentive they are to consistency of terminology.

Watching Frankenstein and it's hilarious how Del Toro fetishizes traditional effects and genres and their stylistic markers and professes to hate AI, but the whole film looks like an AI cheese dream. (To be fair to him, perhaps all this tells us is that AI was trained primarily on Del Toro's films?)

I think what QT's top 10 of 21st-century cinema shows is not how far he has fallen but how narrowminded, extractive and domineering his engagement with 'world cinema' always had been. Or that the list was written by AI.

Gearing up for my lecture on the noses of film villains. Funny to think that students used to bristle at the parallel I draw btw you know who and the Phantom of the Opera and the argument that the wizard school books/films reproduce racist eugenic discourses of blood, lineage, sex and race.

J