Jimmy Stamp

@jimmystamp.bsky.social

Eisner-nominated comic writer. Architecture & design copywriter. Journalist & critic with bylines in The Guardian, Wired, Dwell, and more. Beekeeper. Mostly here for comics. 🗯️ jimmystamp.com for comics ✍️ advscopy.com for copywriting 📍 Philadelphia

Working on a comic loosely inspired by another historically minded architect, Augustus Pugin. The first arc explores Rochester Castle, but I'd love to take our heroes to Notre Dame or Carcassonne to meet Le-Duc. Here's a sneak peak of page 2 by the talented @xavierdesveaux.bsky.social

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Jimmy Stamp@jimmystamp.bsky.social · 8mo ago

Looking forward to this show. I was so surprised when I fist learned about Viollet-le-Duc's idealized and occasionally fantastical architectural restorations. It was the first thing to open my eyes to the complexities and responsibilities of preservation/restoration.

Looking forward to this show. I was so surprised when I fist learned about Viollet-le-Duc's idealized and occasionally fantastical architectural restorations. It was the first thing to open my eyes to the complexities and responsibilities of preservation/restoration.

Susan Klaiber@susanklaiber.bsky.social · 8mo ago

Would love to see this exhibition on Viollet-le-Duc in New York! Co-curated by Barry Bergdoll - should be excellent. #medieval #19thC #architecture www.theartnewspaper.com/2026/01/27/s...

The largest infrastructure projects currently being built in the US appear to be data centers and detention centers. The AI boom has coincided with ICE becoming the most heavily funded government agency. It's hard not to see a connection: This is the architectures of digital fascism

ICE Begins Buying ‘Mega’ Warehouse Detention Centers Across US

Plans for such centers and jails in nearly two dozen communities have sparked protests over suitability, proximity to homes and schools.

bloomberg.com

I've been moving my comic library and trying to weed things out. I couldn't part with these single issues, but having it all together in an omnibus is still pretty tempting. Ambitious superhero storytelling at the grandest scale.

Scott Snyder@ssnyder1835.bsky.social · last yr.

The road to Death Metal all started in the pages of JUSTICE LEAGUE from myself, @jamesthefourth.bsky.social, @jorgejimenezart.bsky.social, and more! Pre-order our second and final Omnibus before FOC today to get issues #19-39 PLUS our Year of the Villain and Batman Who Laughs stories!

0625DC247

Finished a comic script today. My first full 22-page story. It seemed so daunting after writing shorts but it clicked into place scene by scene. And a last minute breakthrough made it work as a stand-alone, which I love.

This was such a satisfying project, and one in which I realized for the first time how much my whole life had been spent in a manscape, in places where almost everything was named after men.

New York Transit Museum@nytransitmuseum.bsky.social · 2y ago

#WomensHistoryMonth: The City of Women Map is a fascinating visualization of women’s history and urban transportation. Created by Molly Roy, Rebecca Solnit, and Joshua Jelly-Schapiro, the map renames subway stops after notable women with links to that area, offering an entirely new way to view #NYC.

Great interview about process. These books are a favorite in our house and this one looks excellent! Can't wait to add it to the shelf of BSC comics. We read the originals too and every comic highlights the genius of Ann M. Martin.

Comicsbeat@comicsbeat.bsky.social · 2y ago

Process + Interview: Arley Nopra on THE BABY-SITTERS CLUB: MALLORY AND THE TROUBLE WITH TWINS Comics Beat catches up with Arley Nopra to go behind the scenes of The Baby-sitters Club: Mallory and the Trouble with Twins.

Finally reading Pillars of the Earth. What a story but my god is it brutal. Hard to read sometimes. I think I need to put it down for a while and just read about Gothic cathedrals in Pevsner's Outline of European Architecture.

I'm watching this happen in old neighborhoods outside Philly and it's infuriating. Developers & "flippers" are demolishing smaller character-rich homes and clear-cutting 100-year-old oaks to maximize the allowed buildable area for identical garage-forward monstrosities. slate.com/business/202...

They’re Sprouting Up in Every Rich Neighborhood in America—Including Mine. I Had to Know Where They Came From.

My quest to understand the 5,600-square-foot architectural curiosity that appeared next door.

slate.com