Becca Harrison

@beccaeharrison.bsky.social

Untamed academic and writer (Sight & Sound, BBC, LARB, etc). Interested in cinema, nature, labour, power, tech. New book ‘Uncovering the Star Wars World’ forthcoming with Bloomsbury, May 2027. Let's get organised. Pass me the matches. She/her.

Only last night I was complaining about class in the UK film industry and the restricted views we get of working class people and then bang! I See Buildings Fall Like Lightning comes along today to explode everything. The first film I’ve been blown away by in a long while. Cannot recommend it enough

Lobbying for ‘ethical’ ‘sustainable’ and ‘human-rights centred’ genAI via a charter is a nonstarter. First, because genAI cannot meet those conditions of use. Second, omg charters. The Athena Swan charter (gender equality in universities) has been running 21yrs and has a selection process AND YET

The Society of Authors@societyofauthors.bsky.social · 3d ago

We understand the strength of feeling this AI Charter has provoked & that more explanation is needed. We will publish a blog tomorrow detailing why, in a vacuum of regulation, this charter demands more transparency & accountability from organisations on how they are using AI now and in the future.

Just learned someone who briefly supervised my PhD (I switched uni and supervisors) has been convicted of child sex offences. No one could have known, colleagues will be shocked. But the guy was so awful (domineering, screaming at students) that he should have been out of the sector long ago

I for one can’t wait to spend ages fiddling with iPlayer settings so I can turn off the annoying planet-burning genAI that keeps trying to recommend hallucinated ‘content’ that doesn’t actually exist yet somehow has replaced the people, programmes, and platform we used to pay the license fee for

Film Stories@filmstories.bsky.social · last wk.

The BBC's director general Matt Brittin outlines a Netflix-style vision for iPlayer, including an AI agent called Iggy that speaks to users. filmstories.co.uk/news/bbc-exp...

Had forgotten til yesterday how much of an overconfident man problem London has. No, it’s not ok to accost me and keep trying to hug me. No, you cannot have a moment to ‘just say’. Thought women were meant to gain invisibility in middle age yet here I am, two weeks off 40, still being perceived

My first film of the London Film Festival was The Fox, an Australian dark comedy about… I’m not sure, exactly. It was messy as hell and never got to the heart of its hinted-at gender or species politics. But Olivia Colman and Sam Neill playing fox and magpie puppets were fun, so there’s that #LFF

I’ve lost count of arguments with vegan pals (fwiw I’m veggie) about the comparisons some make between animal welfare and torture, enslavement, gender-based violence. These equivalences are racist and misogynistic, and risk re-traumatising already marginalised people. Speciesism is not a trump card

Jack Mendel@mendeljack.bsky.social · 2w ago

‘Next stop, the gas chamber’: London bus adverts to be removed www.jewishnews.co.uk/next-stop-ga...

So I’ve just written a whole 90k-word book about why Lucasfilm definitely 100% should not do this. It has nothing to do with story arcs or Star Wars fan service and everything to do with ‘maybe we’d like a not-dying planet of our own instead of more samey-samey resource-intensive fantasy ones.’

Deadline@deadline.com · 3w ago

After eight years and countless entries in the expanding onscreen universe, 'Star Wars' is revisiting the Skywalker family with its next project.

I may not have a job and everything is terrible BUT my book (which I nearly gave up on, see above) just went into production. Following a decade of work 'Uncovering the Star Wars World: The Land, Labour and Nature of a Media Empire' will be out in May 2027. Excitement! Relief! And... copy editing.

A screenshot of a contents page laid out over two columns. The headings read: 

Introduction
	Worldbuilding
	The matter in hand
	How Star Wars works
	Reading the Star Wars world

Chapter One. Crew and Craft
	Imperial exceptionalisms 
	Arts and crafts
	Taxing issues
	Extended family
	Family affairs
	The house always wins
Close Up: Original Trilogy Tea
	Making the tea
	Drinking the tea
	Iced tea
	Spilling the tea
	Reading the leaves

Chapter Two. Material and Parts
	Oily substances
	Organic matters
	Down the mine shaft
	Scavenging parts
	Trash, de-compacted
Close Up: Looking for Artoo
	Designed for life
	Metal heads
	Over and over
	Paranoid androids 
	Dirty computers
	Short circuit 

Chapter Three. Imperial Designs
	Closing ranks
	Cultural appropriation
	Royal remixing 
	Defensive initiatives
	Imperial legacies
Close Up: The Throne Room Gown as Orientalist Couture 
	Patchwork Padmé 
	Unpicking orientalism 
	Patterns of appropriation
	Fitting for a queen
	Imperial influencer 

Chapter Four. Alien Lands
	Real-world matters
	Location, location, location
	A whole new world
	Just deserts
	Re-worlding Star Wars 
Close Up: Expanding and Enclosing Lands 
	The nature of things
	Alienated landscapes
	Facilitating shoots
	Enclosing lands
	Big trouble in Little Marlow
	It’s just… people 	

Chapter Five. Creature Discomforts
	Service animals
	Creatures of habit
	Animal matters
	Meet the flockers
	What is it like to be an orbak? 
	Wild irregularities
Close Up: No Birds Sing in Star Wars
	And they said it was pretty here
	Red in tooth, claw, and tape 
	Into the wild
	Digging deeper
	Animal instincts

Conclusion. New Beginnings at the World’s End
	Bigger or better?
	Common goals
	Worldmaking

If I were running a university where staff spent weeks and weeks of time putting grant proposals together only for UKRI to feed them into LLMs without informed consent—effectively theft of the time and work—I’d be taking serious action to defend those staff. But I’m not running a university, so

John Stott@jpsastro.bsky.social · 3w ago

Had a UKRI funded grant proposal rejected at the "AI triage stage". "This AI-based triage was used only to identify approximately 50% of the strongest proposals to take forward to full human review." 🧪 #academicsky

I am writing to let you know that, unfortunately, your application was not successful.

Review process

As part of the initial triage of the 179 proposals submitted to this call, each was assessed using an AI-based review. Every proposal was read independently by several different AI models against the same seven criteria used to shape this call (including cyber security relevance, research quality and novelty, importance of the problem addressed, feasibility of the project plan, likely outputs and impact, value for money, and responsible research practice), with each model asked to give a score and a written justification with supporting quotations from the text. To guard against any one model's idiosyncrasies, we also ran a second, independent process in which different AI models debated the merits and weaknesses of each proposal before reaching a judgement, again against the same criteria. Scores from both processes were combined to produce an overall ranking. 

This AI-based triage was used only to identify approximately 50% of the strongest proposals to take forward to full human review.  Projects selected for funding were drawn from those that progressed to the full human review stage. We recognise that AI-assisted assessment is a new and evolving part of the review process, and we are continuing to evaluate how well it aligns with the judgements of human reviewers on this call. We will soon produce a document detailing our method, so that others can build upon it and improve it.

Feedback on your application

Your application was not selected to progress beyond the AI triage stage.  To provide transparency on the outcome of this assessment, we are sharing below the scores (out of 5) from each of the two AI review processes described above, together with the mean score across the two processes.

Just found myself in the weird position of turning down an academic job offer. I’ve decided not to apply for them before (recently enquiring about a research role I was told the ‘research budget’ came out of your salary) but never encountered t&cs so awful and exploitative that I’ve declined one

Hate to be right but I called the BBC dropping Drag Race before the ‘I kissed a…’ news was announced. There was only so long they were going to bother maintaining a veneer of ‘tolerance’ Drag Race co-creator warns of TV representation 'crisis' after BBC drops show www.bbc.co.uk/news/article...

Drag Race co-creator Fenton Bailey speaks out after BBC axe

The BBC is cutting the show because of financial pressures, sparking discussion about LGBTQ+ representation on TV.

bbc.co.uk

This review is making The Uprising’s treatment of the Peasants’ Revolt sound like Maidstone’s tribute to Wat Tyler — naming a grotty stretch of the one-way system between the big Sainsbury’s and a pay-and-display car park ‘Wat Tyler Way’

Marc Morris@marcmorris.bsky.social · last mo.

Spat out my tea reading this review of The Uprising. The what of what now? Popular understanding of medieval history has taken a hell of a pounding in recent weeks. www.theguardian.com/film/2026/se...

One of the joys of finishing my book is that I can write about things that aren't Star Wars again. Here, I talk about the inescapable sadness of the very funny Coyote vs Acme - by way of corporate media, Roger Rabbit, and coyote-shaped craters in the ground. www.beccaeharrison.com/aftergloam-c...

Strange Beast: The Tragedy of the Toons and Toontown in Coyote vs Acme

In the wake of a long succession of origin stories based on studio intellectual properties that flip-reverse the hero-villain dynamic to eke out every last bit of audience cash at the box office...

beccaeharrison.com

Visit to In Other Worlds at the Barbican (on for another week). It’s packed with multimedia stories but left me flat - some of the more emotive pieces about colonialism and climate change are smothered by the project’s overall tech determinism. Enjoyed its celebration of filmic world-building though

A metallic blue-green fragment of what looks like a computer part is embedded in a piece of rock that reveals amethyst on its outer edge A pink-lit astronaut-diver figure hangs in front of a large screen on which three more of the figures dance among multicoloured clouds. A caption reads ‘We dance for the rivers whose waters have been poisoned and twisted’ Lichen appears to grow on a brightly, intensely pink-lit tree trunk Three screen shows different scenes from documentaries about technologies that are claimed to help combat climate change. The sceeens hang in a dimly lit car park

Can anyone point me to research or findings on the impacts of data centres on surrounding plants, animals, and/or fungi? Library catalogue search is showing stuff on water, heat, etc. but not specifically wildlife. Maybe I’m using the wrong search terms? Suggestions appreciated!

Yesterday we visited the Hold to This Earth exhibition at Yorkshire Sculpture Park. The pieces are expansive, detailed, moving, provocative, so many things. The indoor space felt a bit small for the scale of the show but that aside it’s so worth a trip. On til April 2027 ysp.org.uk/whats-on/exh...

Hold to This Earth: Works by Contemporary Indigenous North American Artists from Tia Collection | Yorkshire Sculpture Park

Headlining our 2026 programme is a major presentation of work by contemporary Indigenous American artists from Tia Collection. Bringing together 65 works b

ysp.org.uk

Currently writing about Coyote vs Acme, incl the tragedy of the commons by way of Who Framed Roger Rabbit, owning our narratives but not *owning* narratives via Greek myth, and what it means for a cartoon coyote to make an actual crater in the earth. The film is a strange beast, but a good one

The first album I ever owned aged 5 was a Dolly compilation. People used to think my childhood obsession with her was funny/weird. But now it seems more like evidence of her immense talent for crafting stories that spoke to so many people with so many perceived differences (age included!)