Rendy Jones

@rendy.bsky.social

With an E and not a A | EIC of self-pub indie outlet Rendy Reviews (est. 2012) | freelance film/tv journalist | bylines: RogerEbert, Den of Geek, Yahoo Ent, Autostraddle, Gold Derby, etc.

SPIDER-MAN: BRAND NEW DAY: Once Holland hurt himself doing his own stunts, I knew Destin would cook, and man what a meal. Undeniably the best-looking (and feeling) MCU Spidey flick yet, despite occasionally contending with its own intentions. My review:

'Spider-Man: Brand New Day' Review: Tom Holland's Most Mature Spidey Adventure Swings Back to Basics

By trading multiversal chaos for personal stakes, Brand New Day spins Holland's strongest and most heartfelt Spider-Man outing yet.

rendyreviews.com

This is a painful truth many film freelancers face and little discuss on main. I haven't pitched to Vulture since the one, and only one, article I did in 2022 for the editor there ghosted me, frequently. He's far from the only one and it's more frequent than ever. Pay Jason!

Jason Bailey@jasondashbailey.com · 5d ago

Well, it’s invoicing day, and since they’re really apparently not going to pay me for something I wrote for them two months ago, I guess today is the day to post about how @vulture.com fucks over its film freelancers. Long (sorry) thread, with receipts:

Malia Pyles as Neveah Valentine put the fear of God in me in CAPE FEAR. I had to chat with her about building the original character made for the Apple TV+'s iteration from the ground up, becoming a new kind of femme fatale, and, uh, that twist. My latest for Joysauce:

Malia Pyles is a new kind of femme fatale in 'Cape Fear'

She shares the film inspirations, emotional discoveries, and on-set collaboration that shaped her captivating performance in the miniseries.

joysauce.com

Matt Johnson's TONY is proof that you don’t need to change a great old recipe to deliver a delicious dish. Conventional, cozy, coming-of-age flick first. Anthony Bourdain origin flick second. Makes me want a lobster roll real bad. My review: www.rendyreviews.com/movie-review...

'Tony' Review: A Soulful Anthony Bourdain Coming-of-Age Story with Plenty of Heart

Sincere, cozy, warm, and anchored by a winning Dominic Sessa performance, Matt Johnson’s Tony is proof that you don’t need to change a great old recipe to deliver a delicious dish.

rendyreviews.com

SPIDER-MAN: BRAND NEW DAY: Once Holland hurt himself doing his own stunts, I knew Destin would cook, and man what a meal. Undeniably the best-looking (and feeling) MCU Spidey flick yet, despite occasionally contending with its own intentions. My review:

'Spider-Man: Brand New Day' Review: Tom Holland's Most Mature Spidey Adventure Swings Back to Basics

By trading multiversal chaos for personal stakes, Brand New Day spins Holland's strongest and most heartfelt Spider-Man outing yet.

rendyreviews.com

It brings me no joy to share that Kore-eda’s streak hits a “404 error” with SHEEP IN THE BOX — a disappointingly tone-deaf and overly sentimental sci-fi drama about a family that gets a humanoid son to replace their dead one. At least there's LOOK BACK soon. www.rendyreviews.com/movie-review...

'Sheep in the Box' Review: Hirokazu Kore-eda Hits a 404 Error With a Cloying Sci-Fi Melodrama

A huge miss for Kore-eda, Sheep in the Box is a tone-deaf, drab, and hollow family melodrama that desperately needs humanistic realism to balance its cloying, sentimental phoniness.

rendyreviews.com

“It delivers a gratifying cinematic experience to the fanbase, as visually mesmerizing as it is a worthy storytelling contribution to a brilliant fantasy series." @rendy.bsky.social reviews AVATAR AANG: THE LAST AIRBENDER:

Avatar Aang review: New Paramount+ animated film justifies theatrical experience

A gratifying cinematic experience as visually mesmerizing as it is a worthy storytelling contribution to a brilliant fantasy series.

rogerebert.com

THE INVITE's set design details all the cracks in Joe and Angela’s bond, from countless picture frames to cluttered bookshelves across each corner. For RR Members, I spoke to production designer Jade Healy about turning the troubled couple's apartment into the film's quietest character. Read here:

How 'The Invite' Production Designer Jade Healy Made an Apartment the Real Star of Olivia Wilde's Marriage Story

The production designer of 'The Invite' talks with Rendy Reviews about turning Angela (Olivia Wilde) and Joe's (Seth Rogen) apartment into the film's quietest character.

rendyreviews.com

Oh my GOD(s), I loved THE ODYSSEY. It sprints with the baton handed off from OPPENHEIMER via a searing critique of the male psyche. Introspective, poignant, epic, and truly awe-inspiring. It's among his best work since INTERSTELLAR. More in my review: www.rendyreviews.com/movie-review...

'The Odyssey' Review: Christopher Nolan Defies Modern Blockbuster Norms With His Most Soulful Epic Yet

An introspective, poignant, and unfathomably epic that transforms Homer's myth into Christopher Nolan's most emotionally resonant film yet.

rendyreviews.com

Filed at 1768 words.....damn it Nolan. Got me going as long as your movie. Hope to the GODS (my editor) trims it nice enough whilst the review encapsulates my unwavering love for it. See you tomorrow

GAIL DAUGHTRY AND THE CELEBRITY SEX PASS is so gloriously stupid (complimentary). David Wain and Ken Marino made the best Wizard of Oz movie of the decade and the funniest comedy of the summer. John Slattery MVP. I might finally watch MAD MEN now. www.rendyreviews.com/movie-review...

‘Gail Daughtry and the Celebrity Sex Pass’ Review: We’re Off to Hump the Wizard

David Wain’s Gail Daughtry and the Celebrity Sex Pass is a hilarious Wizard of Oz riff, reviving the joyful absurdity and rapid-fire comedy modern theaters desperately need.

rendyreviews.com

OBSESSION and BACKROOMS have paved the way for Gen-Z filmmakers, as their demo driving the box office. But beyond horror and white-male-made films, plenty of finished indies are acquisition-ready. Here are 10 great Gen-Z movies in need of distribution. www.rendyreviews.com/features/gen...

10 Great Gen-Z Made Movies in Need of Distribution

Zillennials are actually saving the box office with the success of Obsession and Backrooms. Well, buy these movies made by them!

rendyreviews.com

Hi friends. Lil #journorequest, would any animation professionals like to chat about the Avatar: Aang movie debacle — how it's being handled, the leak, *gag* paramount — for a reportive piece. feel free to dm or email me: rjones1325 at [gmail] dot com

Hey now, this all-star finally wrote about Shrek for work. Talked to a few animation experts — including TV showrunners to ex-Pixar vets — who all had something to say about the new Shrek art style discourse. Read my report via @goldderby.com: www.goldderby.com/film/2026/sh...

Why early ‘Shrek 5’ footage has Shrek fans seeing green: ‘Look how they massacred my boy’

Gold Derby surveyed animation experts about the Ugly Sonic-style social media controversy surrounding Shrek's makeover.

goldderby.com

Just filed my Minions & Monsters review. It's gonna get a tad bit personal. One that might be a lil too deep given literal Minions but I am actually pretty proud of the piece. So here's to that tomorrow.

SUPERGIRL may be the DCU's second entry and it crashes like an early-DCEU relic — slap-dab between BvS and Suicide Squad. Drab, ugly, misdirected, poorly written. It's a space-western that nerfs its lead and makes her more concerned with her dog than trafficked children. YUP, that's my Supergirl!

‘Supergirl’ Review: A Woman of Tomorrow Trapped in Yesterday’s Superhero Movie

Milly Alcock proves she’s a worthy Supergirl, but this dull adaptation grounds Kara before she can soar, trading heart and heroism for generic blockbuster grit.

rendyreviews.com