Berlinale announces the world premiere of Brett Morgen’s immersive David Bowie “Stage” at the Uber Arena next February. Read More: cineramafilm.com/2026/10/27/b...

Wildwood (review): Laika returns with a riveting and utterly spellbinding feast for the eyes and mind. By @calumcooperfilm.bsky.social Read More: cineramafilm.com/2026/10/26/w...

TV Choice: Enjoy a bubbling cauldron full of scary films, TV terrors, and spooky sounds on BBC iPlayer and Sounds this Halloween. By Neil Baker. Read More: cineramafilm.com/2026/10/24/t...

User Manual for a Broken Machine (review): Words, movement, and music combine to explore personal and social histories. By Jane Yung. Bloomsbury Festival. Read More: cineramafilm.com/2026/10/21/u...

Minotaur (BFI London Film Festival) review: Zvyagintsev’s film is a grim, gripping, and haunting cinematic experience. By Theo Smith. Read More: cineramafilm.com/2026/10/20/m...

Julie Hesmondhalgh will receive the Lifetime Achievement Award at the inaugural Great British Theatre Awards this November. Read More: cineramafilm.com/2026/10/20/j...

Studiocanal Classics has announced the 20th Anniversary 4K Re-release of Guillermo Del Toro’s masterpiece Pan’s Labyrinth. Read More: cineramafilm.com/2026/10/19/p...

7 Miles Out (BFI London Film Festival) review: Carol Morley’s coming-of-age film enthrals, delights, and brings a tear to the eye. By Neil Baker. Read More: cineramafilm.com/2026/10/18/7...

Elephants in the Fog (BFI London Film Festival) review: Abinash Bikram Shah’s debut feature is a masterclass in atmospheric immersion. By Neil Baker. Read More: cineramafilm.com/2026/10/18/e...

The Nature of Forgetting (review): Movement, images, and live music explore human life and relationships in Theatre Re’s striking production. By Jane Jung. Read More: cineramafilm.com/2026/10/17/t...

Counterattack: Youth (review): A real pub setting elevates the intimacy between four lifelong friends in Gain Amy Park’s drama. By Jane Jung. Lambeth Fringe. Read More: cineramafilm.com/2026/10/17/c...

Black Church Bay (BFI London Film Festival) review: Jones' film is muddy, grey and open-ended as its knotty, unnerving tale unfolds. By Neil Baker. Read More: cineramafilm.com/2026/10/16/b...

Josephine (BFI London Film Festival) review: De Anaújo and team cut to the bone of dense issues with devastating precision. By @calumcooperfilm.bsky.social Read More: cineramafilm.com/2026/10/16/j...

Coward (BFI London Film Festival) review: Achingly beautiful and deeply intimate, this is Lukas Dhont’s best film to date. By Neil Baker. Read More: cineramafilm.com/2026/10/15/c...

Whalefall (review): Austin Abrams is swallowed whole by a sperm whale in a bizarre, rather than exciting survival movie. By @calumcooperfilm.bsky.social Read More: cineramafilm.com/2026/10/15/w...

TV Choice: Brad Caleb Kane breathes new life into the Friday the 13th franchise this Halloween as we return to Crystal Lake. By Neil Baker. Read More: cineramafilm.com/2026/10/15/c...

Iván & Hadoum (BFI London Film Festival) review: Ian de la Rosa’s sun-drenched love story is tender, real, and organic in construction. By Neil Baker. Read More: cineramafilm.com/2026/10/13/i...

Nightborn (BFI London Film Festival) review: Hanna Bergholm’s movie revels in wince-inducing horror, leaving the audience squirming. By Neil Baker. Read More: cineramafilm.com/2026/10/13/n...

Rose (Berlinale) review: a haunting folk tale where historical and contemporary discussions of gender identity merge. By Neil Baker. Reviewed at Berlinale. Read More: cineramafilm.com/2026/02/23/r...

These Violent Delights (review): Hampson and Sansom’s passionate take on Romeo and Juliet marks the arrival of a new generation. By Jane Jung. Read More: cineramafilm.com/2026/10/13/t...

Stolen Memories (BFI London Film Festival) review: Davidsen’s film isn’t afraid to tackle knotty discussions on the reliability of memory. By Neil Baker. Read More: cineramafilm.com/2026/10/12/s...

Ketticè (BFI London Film Festival) review: Tortorici’s film rejects all rules and forges its own path, just like the teens it follows. By Neil Baker. Read More: cineramafilm.com/2026/10/12/k...

Franz & Marie (review): Howard and Oakley’s poignant tragedy comes to life through folk music and performance. Charing Cross Theatre. By Jane Jung. Read More: cineramafilm.com/2026/10/12/f...

Geronto (BFI London Film Festival): Sherwood and Pluck’s short film is a poignant, beautiful, and powerful exploration of age-difference intimacy. By Neil Baker. Reviewed at Edinburgh International Festival. Read More: cineramafilm.com/2026/08/15/g...

Filipiñana (BFI London Film Festival) review: Rafael Manuel’s bold debut feature is a sensory adventure in vision and sound. By Neil Baker. Reviewed at Berlinale. Read More: cineramafilm.com/2026/02/21/f...

Elsinore (BFI London Film Festival) review: Scott’s powerful performance drives Stone’s exquisite story of Charleson’s Hamlet. By Neil Baker. Read More: cineramafilm.com/2026/10/11/e...

The Social Reckoning (review): Sorkin’s film is rightfully furious about where we are and where we’re going, but it lacks dramatic punch. By @calumcooperfilm.bsky.social Read More: cineramafilm.com/2026/10/09/t...

The Devil Is in Me (BFI London Film Festival) review - Salisbury’s timeless exploration of teenage rebellion is wickedly sharp. By Neil Baker. Read More: cineramafilm.com/2026/10/08/t...

Bundle (BFI London Film Festival) review – a young man’s world collapses into a suffocating nightmare of no escape in Milillo’s powerful short. By Neil Baker. Read More: cineramafilm.com/2026/10/08/b...

The Last Snow (BFI London Film Festival) review – a masterclass in using light, colour, and shadow to create nail-biting moments of terror. By Neil Baker. Read More: cineramafilm.com/2026/10/08/t...