Tessera

Theatre Wilde & Vogel

@wildexvogel.bsky.social

Figuren - Musik - Theater Hamburg : 15.10.-16.10. TOCCATA Leipzig : 31.10.-1.11. REIGEN Leipzig : 17.12.-20.12. HOBBIT https://figurentheater-wildevogel.de

18 Posts5616 Follower 1445 Folgt

Theatre Wilde & Vogel @wildexvogel.bsky.social · 2w ago

HAMBURG PREMIERE TOCCATA 15.10. & 16.10 Flachsland Hamburger Puppentheater Bramfelder Straße 9 22305 Hamburg

Theatre Wilde & Vogel@wildexvogel.bsky.social · 2y ago

TOCCATA A nightpiece about Robert Schumann #RobertSchumann

Theatre Wilde & Vogel @wildexvogel.bsky.social · 2w ago

HAMBURG PREMIERE TOCCATA 15.10. & 16.10 Flachsland Hamburger Puppentheater Bramfelder Straße 9 22305 Hamburg

Theatre Wilde & Vogel@wildexvogel.bsky.social · 2y ago

TOCCATA A nightpiece about Robert Schumann #RobertSchumann

Theatre Wilde & Vogel @wildexvogel.bsky.social · 2y ago

TOCCATA A nightpiece about Robert Schumann #RobertSchumann

Theatre Wilde & Vogel @wildexvogel.bsky.social · 5mo ago

SPLEEN Charles Baudelaire Poems in Prose Poster: @robertvosshalle.bsky.social #CharlesBaudelaire #Lyrik #Poetry #Poesie #Theatre #Théâtre #Baudelaire

SPLEEN
Charles Baudelaire: Poems in Prose

“Which one of us, in his moments of ambition, has not dreamed of the miracle of a poetic prose, musical, without rhythm and without rhyme, supple enough and rugged enough to adapt itself to the lyrical impulses of the soul, the undulations of reverie, the jibes of conscience?
It was, above all, out of my exploration of huge cities, out of the medley of their innumerable interrelations, that this haunting ideal was born.“
Charles Baudelaire, Preface to Paris Spleen, 1869

Spleen is a kaleidoscope of pictures, so songs and miniatures, inspired by Charles Baudelaire’s collection of poems in prose Le Spleen de Paris, which was published posthumously in 1869. Mankind on the threshold to modernity is described in the scenes played out between thirst for life and longing for death, between a romantic search for infinity and a brutal triviality.

The play is open in this production: the performers are on the stage with puppets and musical instruments, Baudelaire’s texts spoken by children and recorded on tape. The magic of this kaleidoscope develops in the imagination between actors, material and audience: A sequence of pictures and live-music, that wants to counterpoint Baudelaire’s vision of the world and open it for an understanding from the present.

Directed by: Hendrik Mannes
Performance & puppets: Michael Vogel
Live-music: Charlotte Wilde
Poster : Robert Voss

Theatre Wilde & Vogel @wildexvogel.bsky.social · 6mo ago

from the archives : a music video : People get ready @glenhansard.bsky.social & @theframes.bsky.social m.youtube.com/watch?v=anPg... #music #GlenHansard #Puppet #theframes

The Frames - People get ready

YouTube video by nanolitor

m.youtube.com

Theatre Wilde & Vogel @wildexvogel.bsky.social · 6mo ago

ANIMAL FARM The Soundtrack animalfarm2.bandcamp.com @bandcamp.com Art : @robertvosshalle.bsky.social #musical #GeorgeOrwell #music #bandcamp #AnimalFarm

Theatre Wilde & Vogel @wildexvogel.bsky.social · 8mo ago

France Première: Dust - Poussières - אבק m.youtube.com/watch?v=MHAq... #Première #Cultureofmemory #Cultureofremembrance #Devoirdemémoire #Lieuxdemémoire #Théâtre #Theatre

Dust Staub Poussiers אבק

YouTube video by Golden Delicious

m.youtube.com

Theatre Wilde & Vogel @wildexvogel.bsky.social · 9mo ago

ANIMAL FARM “Old Major cleared his throat and began to sing. As he had said, his voice was hoarse, but he sang well enough, and it was a stirring tune, something between ‚Clementine‘ and ‚La Cucaracha‘.“ #GeorgeOrwell #AnimalFarm #musical #Theater #Leipzig vimeo.com/1152217224?f...

Fotoshow-Trailer Animal Farm

Wilde & Vogel [Leipzig], Florian Feisel [Stuttgart] und Genossen In Koproduktion mit FITZ Stuttgart, T-Werk Potsdam und Westflügel Leipzig Fotos Julia…

vimeo.com

Theatre Wilde & Vogel @wildexvogel.bsky.social · 10mo ago

DUST - STAUB – אבק Review by Dr. Andrea Despot and Mascha Wilke Foundation Remembrance, Responsibility and Future @evzfoundation.bsky.social figurentheater-wildevogel.de/wp-content/u...

figurentheater-wildevogel.de

Theatre Wilde & Vogel @wildexvogel.bsky.social · 11mo ago

STAUB – DUST – אבק Leipzig 16.1. - 18.1. @westfluegelleipzig.bsky.social French premiere: 27.3. Mougins 29.3. Marseille 31.3. Nice How did I become what I am, who are the others, and how can we connect? figurentheater-wildevogel.de/en/plays/dus... #Erinnerungskultur #remembrance #Théâtre

DUST - STAUB – אבק
Co-production with Golden Delicious (ISR / FR)

“I’ve called mother last week to announce her she will appear in the new piece “Dust” we are creating in Leipzig. It’s frightening to create involving family stories. Furthermore, when the stories are not just my own family, not just Ari’s, but also of Michael and Charlotte. Our grandparents could, theoretically, have met somewhere in Europe back then but happily or unfortunately they didn’t.“

Published on Social Media by Inbal Yomtovian, September 14 at 8:49 pm.

How did I become what I am, who are the others, and how can we connect? Four artists from different forms of creative expression come together to tell stories. Starting with personal memories, family stories and dreams they highlight moments which we all share but also moments which isolate us. Puppet and object theatre, movement and storytelling are accompanied and penetrated by music and merge in singing. In this evening of theatre time and space are suspended, Big Bangs and black holes of our private and collective history are connected to face the present.

Dust ist the first collaboration of Golden Delicious (Israel / France) and Wilde & Vogel (Leipzig). Golden Delicious are the object performer and actress Inbal Yomtovian and the director and performer Ari Teperberg. Both studied at the School of Visual Theatre in Jerusalem and toured Europe with their successful performance Jonathan and the Blue Table. The Figurentheater Wilde & Vogel are the musician Charlotte Wilde and the puppeteer Michael Vogel, who have influenced the international puppetry scene for 25 years. The meeting of the two groups led to a collection of motives, songs, personal stories, puppets and objects.

Directed by: Antonia Christl, Hendrik Mannes
Dramaturgy: Jonas Klinkenberg
Performers: Ari Teperberg, Michael Vogel, Inbal Yomtovian
Live-Music: Charlotte Wilde
Puppets: Michael Vogel

Theatre Wilde & Vogel @wildexvogel.bsky.social · last yr.

KRABAT A theatrical adventure with puppets, masks and music for young people from 12 years up and adults, based on the novel by Otfried Preussler. Poster: Robert Voss #Krabat #Preussler #Theatre #Puppets #Leipzig #Figurentheater #wildexvogel

Theatre Wilde & Vogel @wildexvogel.bsky.social · last yr.

SONGS FOR ALICE a concert with puppets, based on Lewis Carroll #LewisCarroll #AliceinWonderland #ThroughtheLookingGlass #Nonsens

SONGS FOR ALICE
a concert with puppets, based on Lewis Carroll

The strange white rabbit and the mysterious Cheshire Cat, the fat Duchess, the egg faced Humpty Dumpty and the fabulous Jabberwocky, the extincted Dodo or the rowdy twins Tweedle Dee and Tweedle Dum: by no means are they nice figures out of a harmless children’s story, but ludicrous representatives of a bizarre logic of the absurd and of an underlying desire. The mathematician, writer and photographer Lewis Carroll invented them to entertain his little girlfriends and collected their stories in the two novels Alice in Wonderland and Through the Looking Glass, which became classics of the world literature.

Songs for Alice extracts the poems from both volumes and transforms them into scenes and songs. Puppeteer and musicians carry us off into a somnambulant twilight zone of imagination and moments of revelation which show, why Carroll’s Texts aren’t just great children’s literature but also inspired a diversity of artists like the writer James Joyce, surrealists like André Breton, the cognitive scientist Douglas R. Hofstadter or the British comedy group Monty Python.

Directed by Hendrik Mannes, this production walks the line between theatre and concert with soulful hits and noisy explosions, expressive puppets and poetic machines, quiet moments and great ballyhoo, catchy tunes and last dances.

The White Knight: “But here I must leave you. – You are sad, let me sing you a song to comfort you.“
Alice: “Is it very long?“
The White Knight: “It’s long, but very, VERY beautiful. Everybody that hears me sing it – either it brings the TEARS into their eyes, or else.”
Alice: “Or else what?“
The White Knight: “Or else it doesn’t, you know.“

Directed by: Hendrik Mannes
Performing, Puppets : Michael Vogel
Live Music: Johannes Frisch (double bass), Philipp Scholz (drums), Konrad Schreiter (trumpet), Thomas Weber (table guitar), Charlotte Wilde (guitar, violin, vocals)
Texts: Lewis Carroll

Foto: Therese Stuber

Theatre Wilde & Vogel @wildexvogel.bsky.social · last yr.

I AM NOT IN A ROOM based on Emily Dickinson's poems and biography Texts: Emily Dickinson Choreography: Rose Breuss Dance: Kai Chun Chuang Live music, composition: Charlotte Wilde Lighting, figure interventions: Michael Vogel Poster: Birgit Karn #Dance #EmilyDickinson #Theatre

I AM NOT IN A ROOM
based on Emily Dickinson's poems and biography

Bees with ordained fuzz – a fly whose buzzing is the last thing the poet hears before her own death – the stirring crickets performing their druidic spectral hymn in late August – and, in all the poems, a multitude of dashes that open up spaces, hint at the unsaid and activate the play of the reader’s imagination: These are entries into the poetic work of Emily Dickinson.

Emily Dickinson (1830-1886) left behind an enormously extensive oeuvre with an almost inexhaustible variety of themes, almost exclusively published posthumously. The most important female American poet almost never left her parental home throughout her life, and
Influenced by our own experiences of isolation during the lockdowns of the last couple of years, the study of Dickinson’s work leads us to further themes that are still significant today: multicultural dimensions of her thinking and poetic space, ecological aspects from a deeply felt relationship to nature, as well as questions about the individual and society that culminate in the idea of becoming one with the world.

Texts: Emily Dickinson
Choreography: Rose Breuss
Dance: Kai Chun Chuang
Live music, composition: Charlotte Wilde
Lighting, figure interventions: Michael Vogel
Programming: Jakob Vogel
Costumes: Valentina Shurkal
Poster: Birgit Karn

Premiere: 2. September 2022 Westflügel Leipzig.

Theatre Wilde & Vogel @wildexvogel.bsky.social · 2y ago

TOCCATA A nightpiece about Robert Schumann #RobertSchumann

Theatre Wilde & Vogel @wildexvogel.bsky.social · 2y ago

SPLEEN Charles Baudelaire: Poems in Prose #Baudelair #Theatre

SPLEEN
Charles Baudelaire: Poems in Prose

by Figurentheater Wilde & Vogel

“Which one of us, in his moments of ambition, has not dreamed of the miracle of a poetic prose, musical, without rhythm and without rhyme, supple enough and rugged enough to adapt itself to the lyrical impulses of the soul, the undulations of reverie, the jibes of conscience?
It was, above all, out of my exploration of huge cities, out of the medley of their innumerable interrelations, that this haunting ideal was born.“
Charles Baudelaire, Preface to Paris Spleen, 1869

Spleen is a kaleidoscope of pictures, so songs and miniatures, inspired by Charles Baudelaire’s collection of poems in prose Le Spleen de Paris, which was published posthumously in 1869. Mankind on the threshold to modernity is described in the scenes played out between thirst for life and longing for death, between a romantic search for infinity and a brutal triviality.

The play is open in this production: the performers are on the stage with puppets and musical instruments, Baudelaire’s texts spoken by children and recorded on tape. The magic of this kaleidoscope develops in the imagination between actors, material and audience: A sequence of pictures and live-music, that wants to counterpoint Baudelaire’s vision of the world and open it for an understanding from the present.

Directed by: Hendrik Mannes
Performance & puppets: Michael Vogel
Live-music: Charlotte Wilde

Foto: Jaana Jur

Theatre Wilde & Vogel @wildexvogel.bsky.social · 2y ago

THE HOBBIT or There and back again after J.R.R. Tolkien Puppets & Performance: Florian Feisel, Michael Vogel Live Music: Charlotte Wilde Text & Direction: Christiane Zanger Poster: Robert Voss #hobbit #tolkien #theatre #puppet #fantasy

Theatre Wilde & Vogel @wildexvogel.bsky.social · 2y ago

STAUB – DUST – אבק 13.2-14.2. Hamburg 15.2.-16.2. Osnabrück together with Inbal Yomtovian & Ari Teperberg #Storytelling #Theatre #Erinnerungskultur #Music #Dust #wildexvogel #westfluegelleipzig

DUST - STAUB – אבק

„I’ve called mother last week to announce her she will appear in the new piece “Dust” we are creating in Leipzig. It’s frightening to create involving family stories. Furthermore, when the stories are not just my own family, not just Ari’s, but also of Michael and Charlotte. Our grandparents could, theoretically, have met somewhere in Europe back then but happily or unfortunately they didn’t.“

Published on Social Media by Inbal Yomtovian, September 14 at 8:49 pm.

How did I become what I am, who are the others, and how can we connect? Four artists from different forms of creative expression come together to tell stories. Starting with personal memories, family stories and dreams they highlight moments which we all share but also moments which isolate us. Puppet and object theatre, movement and storytelling are accompanied and penetrated by music and merge in singing. In this evening of theatre time and space are suspended, Big Bangs and black holes of our private and collective history are connected to face the present.

Directed by: Antonia Christl, Hendrik Mannes
Dramaturgy: Jonas Klinkenberg
Performers: Ari Teperberg, Michael Vogel, Inbal Yomtovian
Live-Music: Charlotte Wilde
Poster: Maayan Levin

Co-production with Golden Delicious (ISR/FR), FITZ Stuttgart, Westflügel Leipzig.

Theatre Wilde & Vogel @wildexvogel.bsky.social · 2y ago

THE FLOWERS OF EVIL 20 out of 100 poems by Charles Baudelaire 6.2. - 8.2. @westfluegelleipzig.bsky.social #Baudelaire #wildexvogel #theater #figurentheater #westfluegelleipzig #Leipzig #westfluegel #poetry #art #music

Les Fleurs du Mal - The Flowers of Evil
20 out of 100 poems by
Charles Baudelaire

Foto: Dana Ersing