Angelisa Fontaine-Wood (she/her/phd) #amquerying

@angelisawood.bsky.social

...fled hellscapes, virtual and hardcopy, residing now in a shoebox of a garret, under the shadow of a castle. Between these book-lined walls, I read arcana, drink champagne, and write. angelisawood.blogspot.com and ko-fi.com/angelisa

PSYCHOPOMP & CIRCUMSTANCE won the World Fantasy Award for Best Long Fiction! Congratulations to all the finalists and winners! I’m honored to share this space with you. Enormous thanks to @audthentic.bsky.social for accepting this award on my behalf and reading my acceptance speech so beautifully.

A medusa head centerpiece (snakes alert, her eyes closed) on a silver tray covered in flowers and a faux skull in the middle of a table covered in a white cloth. There is a sign above it reading "Ancestral Futures".

Beside it sits the World Fantasy Award Statue. Hands holding the World Fantasy Award statue: Image of the World Fantasy Award statue -  a winding, crooked tree trunk (possibly haunted or a portal to another dimension from the hole near the base) in front of a bronze disk that may be the sun or the moon. 

The statue is engraved with Eden Royce Psychopomp & Circumstance World Fantasy Award 2026 Best Long FictionThe large print cover of PSYCHOPOMP & CIRCUMSTANCE. Same as the original cover, but more of the main character Phee's upswept hairdo is visible. 

A sepia-tone profile of a young Black woman against floral wallpaper, reminiscent of 1850s ambrotype photography. She is wearing a high-necked collar, and her coily hair is upswept to reveal dangling skull earrings. A skeletal hand rests on her shoulder.

Text reads: PSYCHOPOMP & CIRCUMSTANCE EDEN ROYCE
"A deeply loving exploration of grief, loss, and the righting of past wrongs."—Moniquill Blackgoose, author of To Shape a Dragon's Breath

She read the card again, as a ghost of litter blew around her sodden feet. Rattled the old door. Locked. The alleyway escaped each way into darkness, but she stood firm. 'Holiday of a lifetime. #Travel', the card promised. Far off, footsteps, coming slowly toward her as the night closed in. #vss365

Between tick & tock lies a dislocated hour. Home to things with names too terrible to say. In the lost hours, in the gained hours, temporal spirits come through. Between tick and tock, some swear they can hear a soul trapped in time, scratching at glass. #ClocksGoBack

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Children without a manglewurzels find other beets or squashes to carve into spirit lanterns for Mad Punkle night. Those with newfangled pumpkins carry them along the lanes like glowing orbs in some coronation procession for ancient kings and queens. – Joanna Vickers, 1982 #VOH

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We ride autumn's roads wondering if the dappling will be the last of the year before everything becomes naked and grey. We ride and half-hope for a glimpse of those ghosts who used this road long before tarmacadam. The highway as a continuity with the dead. – #DAKilroy

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Some streets are observed by a twitching, net curtain network. Others are scrutinised by spirits. Ghosts of the glass responding to soda-lime stasis with stares. They see our comings and goings lived as if there is no end. Let us forgive their jealous watching. – #CJosiffe, 1982

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If anybody in the trans community in the UK is looking at Christmas and dreading it, or planning to spend the time alone, then get in touch via email: contact@essehouse.co.uk Nobody *needs* to spend xmas on their ones.

I walk in autumn's boneyards feeling more sympathy for the grave guardians than I do for the corpses in them. Time, weather and man are all their brutalisation. Many will speak for the dead, but few give voice to their faithful lithic lookouts. They need a union. – #DAKilroy, 1982

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