Trio House Press

@triohousepress.org

Publishing diverse, distinct poetry since 2012 - and, in 2024, creative nonfiction and more! @KrisBigalk.bsky.social - executive editor; @NatashaKane.bsky.social - marketing/acquisitions editor https://www.triohousepress.org

Try your hand at the traditional three-line Korean poetic form Sijo. This form is organized technically and thematically by line and syllable count. Check out past winners and consider entering Sejong Cultural Society's International Sijo Competition. No fee. $500 grand prize. #poetrycontest #sijo

Sejong International Sijo Competition – Deadline September 30

Enter the 2026 Sejong International Sijo Competition. Poets worldwide can submit an original English-language sijo for a chance to win cash prizes up to $500. Free entry.

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On 9/14/26, 7:30 pm, I will read with Karen Poppy at the Sacramento Poetry Center, 1719 25th St., Sacramento, CA. My reading will be from THE COSMOS AND ME: NEW AND SELECTED POEMS (Trio House, 2026), which contains poems selected from ones I've written over about 50 years! This event is FREE.

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What makes a poem different from any other use of language is that it remains the sole place designed _expressly_ to make available those connections that are hidden when language is being used for another purpose. -- Matthew Zapruder, “The Machine of Poetry”

On July 1, Reuben Gelley-Newman (l.) celebrated the launch of his debut poetry collection, Dear Dear (Trio House), at the Strand Bookstore in Manhattan. Joining Gelley-Newman in conversation was fellow poet KC Bratt-Pfotenhauer (r.). (Christi McQueen)

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On what would be his 75th birthday, poet Reuben Gelley Newman and scholar Matt Marble join Carolyn Zaldivar Snow for a roundtable on Arthur Russell's radical gentleness, his uncategorizable output, and the serendipitous webs his music keeps spinning. The Radically Earnest Legacy of Arthur Russell:

The Radically Earnest Legacy of Arthur Russell

Poet Reuben Gelley Newman and scholar Matt Marble join Carolyn Zaldivar Snow for a roundtable on Arthur Russell's radical gentleness, his uncategorizable output, and the serendipitous webs his music keeps spinning.

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