Lincoln Conservation

@lin-conservation.bsky.social

Specialists in the conservation and restoration of historic buildings, historic artefacts, works of art, collections management and historic paint research.

The first step in conserving the painting was to remove the yellowed layer of degraded varnish. Removing the overpaint has been a slow process, but it has revealed many details, such as the ploughed fields in the background near the church spire, and the detailed costume of the Lady in Blue.

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