Joshua Rothkopf

@joshuarothkopf.bsky.social

Film Editor, Los Angeles Times | Member, LAFCA | Vice-Chair, National Society of Film Critics | I'm watching a movie right now.

It felt electric being in the room when Julianne Moore rocked the audience of THE DEBUT with a monologue for the ages. At Telluride, our Glenn Whipp sat down with Moore and Paul Giamatti to discuss the comedy scene of the year. www.latimes.com/entertainmen...

Julianne Moore and Paul Giamatti talk about the funniest scene you'll see in a movie this year

Midway through Jesse Eisenberg's "The Debut," there's a scene that makes the audience go wild. Its actors sat down with us to discuss how they did it.

latimes.com

There really is nothing else this year like John Malkovich in WILD HORSE NINE: a spooky creation with a thousand-yard stare that adds a backstory we can only guess at. No redemption here, only release. Haunting to the extreme. Read our interview with him: www.latimes.com/entertainmen...

John Malkovich is still finding new ways to be John Malkovich

At 72, John Malkovich is still working relentlessly, contemplating mortality and finding absurdity everywhere, from octopus attacks to the Oscars.

latimes.com

Jordan Firstman is at a pivot point, between what we know him for and CLUB KID, his forthcoming feature, a writing and directing debut of real wisdom. I enjoyed visiting him and chatting about the work he's done to get there. www.latimes.com/entertainmen...

After years of the snarky grind, ‘Club Kid’ feels transformative for Jordan Firstman

A real screenwriter and director emerges with his feature debut, a Cannes knockout coming from A24. But getting there required a pivot to to the heart.

latimes.com

We still love getting in John Malkovich's head and WILD HORSE NINE is his best work in years: a complex and funny turn about a professional secret keeper gone rogue. For our fall preview, Josh Rottenberg sat down with him. www.latimes.com/entertainmen...

John Malkovich is still finding new ways to be John Malkovich

At 72, John Malkovich is still working relentlessly, contemplating mortality and finding absurdity everywhere, from octopus attacks to the Oscars.

latimes.com

Wild essay by @selfstyledsiren.bsky.social on one of my all-time favorites. Still no bigger flex than following up DRACULA, one of Hollywood's earliest proto-blockbusters, with FREAKS.

Farran Smith Nehme 🇱🇧@selfstyledsiren.bsky.social · 3mo ago

Tod Browning, one of the most fascinating figures in American movies, was #BornThisDay in Louisville, Kentucky, in (most likely) 1880. To celebrate, I'm posting the essay I wrote for @criterion.bsky.social's box set in 2023. www.criterion.com/current/post...

Tod Browning, in an intriguingly loud houndstooth (? check, anyway) suit, consults with Lon Chaney (in costume as Alonso) on the set of their greatest movie collaboration, THE UNKNOWN.

"I’ve been telling this story in all my films for years." Christopher Nolan sits down with Kenneth Turan to discuss his personal journey into THE ODYSSEY, along with its casting, physical effects and the one actor whose take made everyone on set applaud. www.latimes.com/entertainmen...

The intimate odyssey of Christopher Nolan’s latest epic: ‘I’ve been telling this story in all my films’

Christopher Nolan explains ‘The Odyssey’: The director discusses how he made the epic new film starring Matt Damon that was shot entirely on Imax.

latimes.com

THE ODYSSEY is staggering. Earthy, ghostly, weighty, touched by humor and grandeur alike. It's pure cinema. Obviously the story is about returning home, but in a larger sense, this is also a return home to the robustly entertaining action movies that cinema was invented to tell.

DISCLOSURE DAY works best as someone’s desperate fantasy to recreate the monoculture, made by an artist who used to define it. (The villain clearly prefers one-to-one streaming.) The ending is basically Spielberg begging us to rewatch E.T. He believes in movies more than aliens.