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The New Yorker

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Unparalleled reporting and commentary on politics and culture, plus humor and cartoons, fiction and poetry. Get our Daily newsletter: http://nyer.cm/gtI6pVM Follow The New Yorker’s writers and contributors: https://go.bsky.app/Gh5bFwS

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The New Yorker@newyorker.com · 2h ago

Unlike Nathan Fielder’s past work, “You Can See Everything” isn’t very funny, according to Naomi Fry. Instead, it’s a haunting exploration of the limits of other people’s knowability. www.newyorker.com/culture/crit...

We Can Never Understand Elizabeth Holmes, or Nathan Fielder

Unlike Nathan Fielder’s past work, “You Can See Everything” isn’t very funny, according to Naomi Fry. Instead, it’s a haunting exploration of the limits of other people’s knowability.

newyorker.com

The New Yorker@newyorker.com · 15h ago

“Once Upon a Time in Harlem,” which Richard Brody described as “one of the greatest cinematic works of creative nonfiction” he’s ever seen, opens today. Revisit Brody’s review from before the film was completed. newyorkermag.visitlink.me/9SCGOk

“Once Upon a Time in Harlem” Is a Film for the Ages

William Greaves’s great historical documentary, centered on a 1972 reunion of Harlem Renaissance luminaries, is still awaiting completion.

newyorkermag.visitlink.me

The New Yorker@newyorker.com · yesterday

Rosalyn Drexler was a novelist, a sculptor, a painter, a playwright, an Emmy-winning comedy writer, and a professional wrestler. Her work is taking off, again, across New York’s art, fashion, and book worlds. www.newyorker.com/books/second...

The Rosalyn Drexler Renaissance

Rosalyn Drexler was a novelist, a sculptor, a painter, a playwright, an Emmy-winning comedy writer, and a professional wrestler. Her work is taking off, again, across New York’s art, fashion, and book worlds.

newyorker.com

The New Yorker@newyorker.com · yesterday

In a world where the most powerful institutions seem to prefer that we be anodyne and dumb, Fontaines D.C., a young quintet from Dublin, brings a raucous intelligence to its songs. www.newyorker.com/culture/pop-...

Fontaines D.C., the Irish Punks Who Know Their Yeats

In a world where the most powerful institutions seem to prefer that we be anodyne and dumb, Fontaines D.C., a young quintet from Dublin, brings a raucous intelligence to its songs.

newyorker.com