“Three Black teens from suburban Belleville— Juan Atkins, Derrick May, and Kevin Saunderson—sensed that Kraftwerk’s robot music did more than set them free from the city’s musical past; it also rhymed with the conditions of Rust Belt Detroit.” www.nplusonemag.com/issue-47/rev...
Acid Rhythms | William Harris
To uncover Detroit’s acid communist past, you have to tell its left-political history alongside its cultural history, to see how organizers and artists worked in divergent ways, at the same time and p...
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