Tyne Daile Sumner
@tynedaile.bsky.social
ARC DECRA Fellow: literary studies | digital humanities | surveillance | President, Australasian Association for Digital Humanities: https://aa-dh.org/ | current project: surveilit.com | everything else: tynedaile.com
I'm pleased to have an essay on surveillance, culture & technology in this new volume out with Perimeter Books - CONSENT, A Reader (edited by Annika Aitken and Kyla McFarlane). Available for order here: www.perimeterbooks.com/products/con...
CONSENT, A Reader
What does consent look like, today? This was the guiding question behind the Potter Museum of Art’s Interdisciplinary Forum, CONSENT. Over the last decade, we have seen a seismic shift in society’s un...
perimeterbooks.com
CFP: 'AI in Australian Literature' forms.cloud.microsoft/pages/respon...
Microsoft Forms
forms.cloud.microsoft
My new article is now out in Critique: Studies in Contemporary Fiction 'Platform Subjects: Algorithmic Surveillance & Contemporary Fiction' Open access here: www.tandfonline.com/doi/full/10....
I'm delighted to have a chapter in this wonderful new book with Edinburgh University Press Telepoetics: Writing the Phone in Literature, Culture and Theory (Eds Sarah Jackson, Philip Leonard, Annabel Williams) edinburghuniversitypress.com/book-telepoe... Open access: www.jstor.org/content/oa_c...
Telepoetics
Telepoetics
edinburghuniversitypress.com
I’m not at all surpised by the Jamir Nazir Commonwealth Prize / Granta fiasco (it was bound to happen at some point), but we should be deeply concerned that literary culture can no longer verify authorship through reading alone (no, AI detectors are not a solution). open.substack.com/pub/jamescos...
AI can write prize-winning fiction. Now what?
The controversy surrounding Jamir Nazir's The Serpent in the Grove, published by Granta, shows that reading is no longer enough to establish authorship
open.substack.com
Now that it's official, I'm thrilled to share the news about my next position! Later this year I'll be joining @torontomet.bsky.social as a Tier 2 Canada Research Chair in Textual Futures & Assistant Professor of English. www.torontomu.ca/research/new...
Faculty of Arts at TMU gains new Canada Research Chair
torontomu.ca
We're excited to launch the CFP for the next Canadian-Australian Partnership for Open Scholarship (CAPOS) conference! 'Co-opting Cultural and Literary Labour? Platform Infrastructures of Agency, Authority, and Experience in the Age of Open Scholarship' Details: inke.ca/co-opting-cu...
Co-opting Cultural and Literary Labour? Platform Infrastructures of Agency, Authority, and Experience in the Age of Open Scholarship | Implementing New Knowledge Environments (INKE) Partnership
inke.ca
@tullyb.bsky.social & Justin O'Connor's piece is a must read: How can we reframe ‘culture’ as an essential public infrastructure? 'What would change if arts and culture were understood ... as a public good essential to democratic and liveable communities?' www.indailysa.com.au/inreview/com...
How can we reframe 'culture' as an essential public infrastructure? - InReview | InDaily, Inside South Australia
What would change if arts and culture were understood not simply as industries to be monetised, but as a public good essential to democratic and liveable communities?
indailysa.com.au
New kind of phone but no one can call you on it and it only contains your favorite thing to read. Also it’s made out of paper.
My new essay in the latest issue of Cordite Poetry Review — 'Algorithm non grata: The relentless banality of LLMs' cordite.org.au/essays/algor...
Algorithm non grata: The relentless banality of LLMs
In regurgitating the dominant scientific account of human evolution, LLMs adopt a particular stylistic posture: one that privileges qualification over commitment, context over certitude, expansion …
cordite.org.au
📢 Announcing the #DH2026 Keynote Speakers! 🔹 Maciej Eder – 2026 Antonio Zampolli Prize (stylo & Computational Stylistics Group) 🔹 Kim Hyeon – Pioneer of Digital Humanities in South Korea 🔹 Kirsten Thorpe – Indigenous Education & Research, UTS 🔗 dh2026.adho.org/keynotes/ #DigitalHumanities #ADHO
Keynotes – DH2026 in Daejeon, South Korea
.logo-wrap{ padding-top:55px; } .logo-link{ display:inline-block; } .logo-img{ width:60%; max-width:240px; height:auto; /* 기본 위치 */ transform: translateX(-7%); } @media (max-width:768px){ .logo-img{…
dh2026.adho.org
Looking forward to speaking about #surveillance & #digitalhumanities on this panel later in the month. Details below 👇
Australasian Association for Digital Humanities (aaDH)@aadh.bsky.social · 6mo agoWe're excited to share details of our first event of the year! 'Digital Humanities on the Edge: Infrastructure, Surveillance, Platforms, Artificial Intelligence.' Friday 27th March 11am AEDT (via Zoom - link to follow) Details & registration: events.humanitix.com/digital-huma...
Compiled Sean DiLeonardi, Becca Cohen, and Dan Sinykin, the International Bestsellers Dataset gathers data about international bestselling books from 2013 to 2022.
Find your next read in this dataset of international bestsellers.
In most situations when I say “I need the data,” I’m referring to gossip, and it’s less of a “need” than what some would call a “messy curiosity.” But recently, I came across a Substack post analyz…
buff.ly
At long last our Special Issue on 'The Modernist Face in/as World Literature' is now out in Journal of World Literature, edited by Anca Parvulescu (Washington University in St. Louis) and me! Our Introduction is open access here: brill.com/view/journal...
brill.com
