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no. 7 on the chump list majordomo at the tonearm sprinkled liberally with amorous intrigues

𝗧𝗵𝗲 𝗧𝗼𝗻𝗲𝗮𝗿𝗺 𝗧𝗼𝗱𝗮𝘆: Arina Korenyu speaks with arc rae, a French producer in Berlin who happens to have a cellist in the next room, about the mouse pointer hidden in the cover art that gave his label tech-anxiety, the graffiti that nearly named his album, and the art of drawing straws →

Half Chance, Half Sculpture—arc rae on 'Bow and Arrow'

The Berlin-based French producer discusses 'Bow and Arrow,' a record assembled from improvised cello and randomized sample slices, and the working life behind it, in which every day at the computer is a straw pulled blind and most of them come up short.

thetonearm.com

elegantly burrowing from beneath and right into your email inbox, it's this week's Talk Of The Tonearm newsletter — a missive rich in curated recommendations and clickable links galore + a newsletter-exclusive feature on Dave La Rose, the producer behind the incredible new album 'Havana' 🪏 →

Built on Borrowed Sound

This week: Danalogue, Curió Curió, M. Geddes Gengras, Myth Math, St. Silva, and Chris Molanphy. Plus, Dave De Rose of Agile Experiments finished a record with an Athenian bus ticket.

thetonearm.com

𝗧𝗵𝗲 𝗧𝗼𝗻𝗲𝗮𝗿𝗺 𝗧𝗼𝗱𝗮𝘆: Bill Kopp speaks with M. Geddes Gengras, who cured twenty years of synth-obsessed solitude by mailing tracks to friends and banning second takes, the results intricately assembled into his new album, 'Guest List' →

The Company of Others — M. Geddes Gengras and 'Guest List'

On his fourth album for Hausu Mountain, and his first on vinyl, the restless synthesist talks improvisation, the burden of the solo record, and the surprises that arrived in the mail.

thetonearm.com

𝗧𝗵𝗲 𝗧𝗼𝗻𝗲𝗮𝗿𝗺 𝗧𝗼𝗱𝗮𝘆: Lawrence Peryer floats through deep space with Danalogue, one-third of The Comet Is Coming, on his solo debut 'Teleportations' — they talk about a Moebius comic that became a civilization, editing tape like triple-distilled vodka, + why imagination might be the last form of hope →

Danalogue Leaves Gravity Behind — 'Teleportations'

Best known for his work in The Comet Is Coming and Soccer96, Danalogue steps out on his own with 'Teleportations,' a record built on vintage synthesizers that turns grief and upheaval into a voyage through deep space.

thetonearm.com

𝗧𝗵𝗲 𝗧𝗼𝗻𝗲𝗮𝗿𝗺 𝗧𝗼𝗱𝗮𝘆: Carolyn Zaldivar Snow talks with St. Silva, the Vermont musician who forages his field recordings, about the chicken of the woods, an ex-megachurch ear for 'the spirit hovering over the waters,' and why he won't make music for wellness playlists →

Listening to the Land — The Mystical Turn of St. Silva

The Vermont musician behind 'Forager' talks foraged field recordings, a boyhood spent in Indiana megachurches, and why he wants no part of the wellness playlist.

thetonearm.com

giving in to The Odyssey tonight, but more curious about the arthouse theater screening it than the movie itself — the Enzian Theater, which I've been regularly going to for about 30 years, recently installed an upgraded sound system and 70mm capability, so I'm excited about giving those a spin

𝗧𝗵𝗲 𝗧𝗼𝗻𝗲𝗮𝗿𝗺 𝗧𝗼𝗱𝗮𝘆: Carl Dexter speaks with Matthew S, founder of the copyright-baiting label Illegal Art, about the untraceable PO Box that started it, how the sampling ethos extends to his new Myth Math project, and his AI-suspicious students who bond over memes rather than music →

Illegal Art, Myth Math, and the End of Anonymity

Nearly three decades after 'Deconstructing Beck', Matthew S sheds the pseudonyms to release the 'Tongues' EP as Myth Math, discussing his return to sampling, a collaboration with a former student, and the ethical quandaries AI poses to a career built on borrowed sound.

thetonearm.com

this week's issue of the Talk Of The Tonearm newsletter is spurting into the air like a once dormant geyser spewing curations, recommendations, and salutations into the atmosphere (and email inboxes worldwide) Mystery Circles artist Tyler Pursel also tells us the score in a newsletter-exclusive bit

Harmonies We Sing to Ourselves

This week: Suzanne Ciani, Steven Hall of Nirosta Steel, Shana Falana, Nolan Hildebrand, Mixol, and Danalogue. Plus, Philadelphia's Tyler Pursel wants his record to sound like a tree with a computer inside of it.

thetonearm.com

𝗧𝗵𝗲 𝗧𝗼𝗻𝗲𝗮𝗿𝗺 𝗧𝗼𝗱𝗮𝘆: Lawrence Peryer speaks with synth pioneer Suzanne Ciani about handing her one-woman Buchla to a 50-piece orchestra on 'CIANI/ORKEST', keeping fifty players in time with a tiny Korg drum machine, decades of playing to folks who wouldn't listen, and finally saying 'yes' at 80 →

Suzanne Ciani — Speaking the Word of the Buchla

On the occasion of CIANI/ORKEST, Suzanne Ciani discusses handing her solitary Buchla music to a 50-piece orchestra, the ocean and the wave beneath her compositions, and the young players bringing analog modular synthesis back.

thetonearm.com

𝗧𝗵𝗲 𝗧𝗼𝗻𝗲𝗮𝗿𝗺 𝗧𝗼𝗱𝗮𝘆: Meredith Hobbs Coons talks with Shana Falana, self-appointed ringleader of The Goddess Party, about a gold-sequined choir singing Bulgarian folk and Kate Bush, self-marriage vows to a mirror, the activism of joy, and a cult worth joining →

Shana Falana, the Goddess Party, and a Cult Worth Joining

The Hudson Valley musician and Goddess Party founder on self-marriage, Bulgarian choral music, and running a benevolent hierarchy, ahead of 'The Wedding,' a two-night rite of borrowed gowns and mirror-held vows.

thetonearm.com

𝗧𝗵𝗲 𝗧𝗼𝗻𝗲𝗮𝗿𝗺 𝗧𝗼𝗱𝗮𝘆: Jon Buckland gets loud with Nolan Hildebrand, a Toronto composer working both the academy and the DIY basement — on a t-shirt insisting sound art is just funded noise, startle-response experiments, bending DLLs into rhythm, and noise as euphoria, not gore →

The Euphoric and Exuberant Noise of Nolan Hildebrand

After the release of 'Noise Trip Explosion', the Toronto composer and Black Galaxie noise artist talks doctoral research, acoustic startle experiments, and why it's worth keeping his wildest studio accidents.

thetonearm.com

𝗧𝗵𝗲 𝗧𝗼𝗻𝗲𝗮𝗿𝗺 𝗧𝗼𝗱𝗮𝘆: Carolyn Zaldivar Snow sits with Arthur Russell collaborator Steven Hall (aka Nirosta Steel) and talks about love songs written to a lifetime of boys, scoring a gangster movie for the Taiwanese mafia, Buddhist bubblegum, and the harmonies he only sings to himself →

I Still Miss Someone — The Boys of Nirosta Steel

Guitar in hand and Arthur Russell forever at his shoulder, Steven Hall turns half a century of desire into harmony he mostly sings to himself.

thetonearm.com

watching Mike Figgis’s Timecode and when two women characters are revealed as lovers some lady in the middle of the theater loudly shouted “Lesbians!” in a tone similar to how Seinfeld would say “Newman!”

Boner Vivant@dougtilley.bsky.social · last yr.

Got me thinking.. What's the strongest reaction you've seen an audience member have to a scene in a cinema? During the birthday party scene in SIGNS I saw a whole row of young women literally throw their popcorn in the air like a cartoon.

I am sooooo excited about who is on our podcast tomorrow — someone I've been following since I was in my early teens when I was coveting the then-unobtainable synths found within the pages of Keyboard, a magazine on which our guest was frequently a cover star … 🌟