Alasdair King

@alasdairking.bsky.social

Professor of Screen and Media Arts @qmul.ac.uk Tracking finance and AI in contemporary film and post-cinematic art. New Book: The Financial Image: Finance, Philosophy, and Contemporary Film (Palgrave Studies in Literature, Culture and Economics)

Not sure whether a ‘Digital Art Museum’ would really deliver but #teamLab’s Borderless at Azabudai Hills, Tokyo certainly delivers state-of-the-art spectacle. Just as fascinating here to people-watch how visitors interact with the flux of images. We’re a long way from the Lumière Brothers …. or?

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This week’s Melanie Gilligan film on Weird Economies is The Bay Area Protests (2016-2022), a compelling exploration of three moments of widespread protest in the Bay Area between 2009 and 2011. More in my accompanying piece: weirdeconomies.com/contribution...

Allegories of a Future Collective | Weird Economies

The artist and filmmaker, Melanie Gilligan, may be best known for her trilogy Crisis in the Credit System (2008), Popular Unrest (2010), and The …

weirdeconomies.com

We are pleased to invite contributions to Money on the Left: History, Theory, Practice. Money on the Left publishes peer-reviewed articles about monetary arrangements, knowledges, and cultures with the aim of promoting ecosocial justice.

Call for Papers

We are pleased to invite contributions to Money on the Left: History, Theory, Practice. Money on the Left publishes peer-reviewed articles about monetary arrangements, knowledges, and cultures with…

moneyontheleft.org

I’m organizing an international workshop next week at Roskilde University: Speculating the Future: Fictional Worlds and Financial Realities. We’ll explore how speculative fiction helps us understand speculative finance & future-making. The keynote will be delivered by Sherryl Vint from UC Riverside.

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