@alexandra20-03.bsky.social

I think it is interesting how people especially from the outside might interpret that something is "deep-rooted" even though that might not be the case. I found someone saying this in a comment:

From my perspective, trying to show Koreans how foreign people are “jealous” or want to be Korean feels a bit strange. It is one thing to show that foreigners enjoy K-pop, K-dramas, fashion, food, or cover dances.

I think that subtle "lolita" types of sexual objectification is extremely harmful for young people to see and it sends the wrong message. It is not normal to teens to act seductively or exploit their innocence as something that is desirable or sexy.

1. "I killed her because women ignored me.” Obviously this is an extreme example but the fact that the man that killed a woman in the public bathroom in Gangnam blamed the women. She was killed because she was a women and he tried to make it seems it is the womens fault that this happened.

Masculinity can be fragile in everyday ways. My brother is almost 16 and has normal teenage pimples, but even buying concealer feels difficult because makeup is still seen as “for women,” or as something that could make people question his sexuality.

I think it is too simple to say that the Korean government “made K-pop” or “made #Hallyu.” The government helped, but it did not create the music, films, idols, stories, or fan culture by itself.

I understand the idea of parasocial relationships in K-pop: fans feel close to idols, and companies protect that fantasy because it sells. So I get why boy groups often avoid having a clear female love interest in music videos, because it might make some fans feel excluded or jealous.

In the article “Musicians, the Music Industry, and Suicide” by Musgrave and Lamis (2025), the authors discuss how musicians, including K-pop #idols, can face serious mental health risks because of pressure, perfectionism, cyberbullying, and exhausting industry expectations.

I read this article about how conservative South Korean lawmakers want immigration authorities to publish crime statistics on foreign nationals, broken down by nationality and visa status. Those who oppose this fear that these measures could fuel xenophobia. www.scmp.com/news/asia/ea...

South Korea’s proposed foreign crime bill sparks xenophobia fears

Critics say a bill to publish crime stats on foreign nationals stigmatises immigrants and ignores data showing their lower crime rates.

scmp.com

Kim Gwang-seok was not only very popular, but also a really influential folk-rock singer, and he first started his career in the group Dongmulwon, which debuted in 1988 and became widely successful.

I saw this Unseen Japan post about how a poll made by Rohto Pharmaceuticals shoes that for the first time in history the percentage of women who didn't want children exceeded that of men with women fearing how that will impact their career.

Bild

Park’s rule reached far beyond politics. It also shaped culture and music, showing how power tried to control not only people’s lives, but also their voices.

Choi Seung-Hee was a colonial era dancer and moderniser. Her styles included ballet and modern dance as well as traditional Korean danced styles mixed

I read this article about Takeshima day and how it still a dispute of the territory. This article is clearly written from the point of view that showcases the problem being South Korea and Japan as the victim.

Takeshima Day: Persistently Demanding Resolution from South Korea Necessary

Japan-South Korea relations are on an upward trajectory, with leaders frequently visiting each other, confirming broad cooperation across various fields.

japannews.yomiuri.co.jp

I think that how reasonable or unreasonable it is to expect nationalism is dependent on the context. For example it is more understandable to be offended by something that has a deep historical meaning for example the Rising Sun flag for the Koreans.