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Christopher Nolan’s adaptation goes for modern psychology over textual ‘fidelity’, eschewing not just the silliness of toga-clad deities perched in the heavens, says Beatrice Loayza, but the itchiness of dogmatic truths

‘The Odyssey’: The Feelgood Film of the Year

Christopher Nolan’s adaptation goes for modern psychology over textual ‘fidelity’, eschewing not just the silliness of toga-clad deities perched in the heavens, says Beatrice Loayza, but the itchiness of dogmatic truths

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