Art Spell

@artspell.bsky.social

Your morning brew of art world media. https://www.artspell.media/

Today’s Editor’s Pick is 'The Promises Auction Houses Make to Secure Major Consignments' by Phin Jennings for @ocula.com. Auction houses compete for major consignments through financial guarantees and legacy-building opportunities, potentially diverting art from museums.

The Promises Auction Houses Make to Secure Major Consignments

Blockbuster estate sales have invigorated the art market. But can auction houses maintain the momentum and keep acquiring these mega-consignments, and what does this pattern mean for the rest of the a...

ocula.com

Today’s Editor’s Pick is 'Estate fallouts expose challenges of posthumous art ownership' by Riah Pryor for @theartnewspaper.bsky.social. Recent lawsuits highlight ongoing challenges around art valuation, authenticity, copyright, and estate planning following artists’ and collectors’ deaths.

Estate fallouts expose challenges of posthumous art ownership

Recent US lawsuits, including a row over underpricing, reveal weaknesses in the market

theartnewspaper.com

Today’s Editor’s Pick is 'These 18 Artists Are Dominating U.S. Museums Right Now' by @benadavis.bsky.social for @artnet.bsky.social. Jeffrey Gibson and Kara Walker lead Davis’s U.S. museum artist rankings, and there has been continued interest in themes of race, heritage, identity, and nature.

These 18 Artists Are Dominating U.S. Museums Right Now | Artnet News

A quarterly ranking of living artists with the most U.S. museum shows—led by Jeffrey Gibson and Kara Walker this round.

news.artnet.com

Today’s Editor’s Pick is 'Is the Price Right? At New York Fairs, Everyone’s Seeking the Perfect Number' by Katya Kazakina for @artnet.bsky.social. New York’s fall art fairs reveal a cautious but active market, with galleries finding that more accessible pricing is helping attract buyers.

Is the Price Right? At New York Fairs, Everyone's Seeking the Perfect Number | Artnet News

At the Armory Show, Independent 20th Century, and U-Haul Art Fair, galleries are finding that modest prices can bring hesitant buyers back.

news.artnet.com

Today’s Editor’s Pick is 'Independent 20th Century, the Mise en Abyme of Art Fairs' by @valentinadl.bsky.social for @hyperallergic.com. Di Liscia praises the fair for spotlighting overlooked artists while critiquing its role in the art world’s growing commercialization and institutional convergence.

Independent 20th Century, the Mise en Abyme of Art Fairs

Despite the mind-boggling amount of spectacular works on view, I was reminded at each turn that the Breuer Building has been turned into an art mall.

hyperallergic.com

Today’s Editor’s Pick is 'An Unequal Artist Legacy Field Defines Who Gets to Be Remembered' by Anna Lee for @hyperallergic.com. A report by Joan Mitchell Foundation highlights systemic inequities in artist legacy work, particularly for underrepresented artists

An Unequal Artist Legacy Field Defines Who Gets to Be Remembered

A new report from the Joan Mitchell Foundation highlights deep structural issues affecting legacy work across the arts.

hyperallergic.com

Today’s Editor’s Pick is '‘Poor Management’ Is Driving Workers from US Art Museums' by Imogen Lees for @ocula.com. A new study finds that poor management, low pay, and burnout are driving workers to leave U.S. art museums.

‘Poor Management’ Is Driving Workers from US Art Museums

A new study of almost 700 former art museum workers suggests that a lack of communication and accountability at board and director level is a key factor in staff departures, alongside low pay and burn...

ocula.com

Today’s Editor’s Pick is 'Are Fairs and Museums Getting Too Cozy?' by Sonia Manalili and @reallifemaggie.bsky.social for @artnet.bsky.social. Examining the growing trend of art fairs facilitating museum acquisitions and the potential impact on curatorial independence.

Are Fairs and Museums Getting Too Cozy? | Artnet News

Art fair museum prizes multiply, Bonhams tests artist resale royalties model, and Christie's London's biggest-ever single-owner sale.

news.artnet.com

Today’s Editor’s Pick is 'Fair-Brokered Museum Prizes Are Multiplying. Here’s Why' by @reallifemaggie.bsky.social for @artnet.bsky.social. Carrigan argues that museum acquisition prizes at art fairs benefit both sides but raise concerns about the commercialization of curatorial decisions.

Fair-Brokered Museum Prizes Are Multiplying. Here's Why | Artnet News

There's been a recent uptick in museum-acquisition prizes at art fairs, including Armory Show's new PAMM and Bronx Museum funds.

news.artnet.com

Today’s Editor’s Pick is 'Art Historicism and the Remaking of the Present' by Jason Rosenfeld for The Brooklyn Rail. Rosenfeld explores how contemporary artists are using art history to reshape the present and create deeper connections in an era flooded with imagery.

Art Historicism and the Remaking of the Present | The Brooklyn Rail

With the recent return to figuration and ascendance of portraiture in contemporary painting, historical reference has returned as a viable method to convey authenticity and engage with tradition in an...

brooklynrail.org

Today’s Editor’s Pick is 'The art world’s billionaire problem is getting worse, research suggests' by Anny Shaw for @theartnewspaper.bsky.social. Rising wealth inequality is pushing the art market around ultra-wealthy buyers and trophy works, creating a more fragile ecosystem.

The art world’s billionaire problem is getting worse, research suggests

A new paper links widening wealth inequality to the market’s growing reliance on ultra-rich collectors

theartnewspaper.com

Today’s Editor’s Pick is 'Larry Gagosian Isn’t Losing Much Sleep Over the Great Wealth Transfer' by Daniel Cassady for @artnews.com.web.brid.gy. Larry Gagosian argues that a potential flood of inherited art could drive prices down, creating a buying opportunity for collectors.

Larry Gagosian Isn’t Losing Much Sleep Over the Great Wealth Transfer

Larry Gagosian says the Great Wealth Transfer could create a buying opportunity as heirs sell inherited art. Here’s what it could mean for the market.

artnews.com

Today’s Editor’s Pick is Collector Amanda Precourt Skipped the Vanity Museum to Give Denver a Community Art Space by Elisa Carollo for the Observer. Collector Amanda Precourt transformed an abandoned industrial building into the Cookie Factory. observer.com/2026/08/gall...

Collector Amanda Precourt Skipped the Vanity Museum to Give Denver a Community Art Space

She founded Cookie Factory, her 5,000-square-foot art space, as a privately funded nonprofit to avoid competing with local institutions like the Denver Art Museum and MCA Denver for donors.

observer.com