ASAP/Review

@asapjournal.bsky.social

ASAP/Journal is a peer-reviewed scholarly journal that explores new developments in post-1960s visual, media, literary, and performance arts. ASAP/Review is the journal's internet-focused publishing branch.

Our newest feature—on AI, writing, and the myth of the author genius—by Ryan Prewitt and K. Wilson, is now out! Read it: “we might learn from the past how to prioritize writing as a practice for the public, rather than an expression of private genius.” asapjournal.com/feature/ai-a...

AI and the Myth of the Author Genius - ASAP/Review

“The First Novel Written by AI is Here,” an article proclaimed in 2018. The author doubted AI tools could ever write a good novel but nevertheless conceded that one “might just see fragments of meanin...

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Writing in brief yet astute aperçus, Kaitlin Roberts reads moments and scenes from Leonora Carrington’s life that interweave with her own: on phone wallpapers, museum exhibits, street billboards, the deep recesses of the mind, historical texts, search engine results asapjournal.com/feature/the-...

The Smallest Unit of Hope: Searching for Leonora Carrington’s Giantess - ASAP/Review

1: The Giantess  When I first saw her in 2023, I had a job that paid me to tell stories about animals and an apartment in Berlin I rarely left. Most days I was squirreled under…

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Check out Gabriel Chazan's review of Provoking Religion: "Ultimately, the strongest argument of the book is that the historian of American culture ignores the significance of Christianity...for an exclusive focus on queer history or politics at their peril." asapjournal.com/review/queer...

Queer Religious Forms: Review of Anthony Petro’s Provoking Religion - ASAP/Review

Anthony Petro’s Provoking Religion: Sex, Art, and the Culture Wars brings forward a significant counternarrative of the role of religion in American art during the 1980s and 1990s. This period is freq...

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It’s June 👀 and our newest feature by Jason Alley is out now—and you should read it asap!! “STORIES: The AIDS Monument gifts greater Los Angeles one way to acknowledge an impossible period of loss and a parallel history of coalition.” asapjournal.com/feature/stor...

Story Time: West Hollywood’s New AIDS Monument - ASAP/Review

I first noted its edges out of my peripheral vision five days before Christmas. Twoish days later, I took in some of its luminescent glow from across San Vicente Boulevard, the sounds of queer excess ...

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Professor, cultural critic, and author Myra Bloom interviews intermedia artist and scholar, Eric Schmaltz about his latest poetry collection, I CONFESS (2026), an intimate and lyrical documentation of the extractive and poetic potential of lie detector tests: asapjournal.com/feature/trac...

Traces of the Self: An Interview with Eric Schmaltz - ASAP/Review

Eric Schmaltz’s latest poetry collection I CONFESS (2026) documents the poet’s experience of undergoing a lie detector test. At once intrigued and unnerved by this extractive method of truth productio...

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Our newest feature by David Berridge on Katherine Hubbard is out now! “A connection of photographic processes to daily lives that is not solely metaphorical and analogous, and/or something reflexively foregrounded through choices of grain, focus, and exposure...” asapjournal.com/feature/kath...

Katherine Hubbard’s The Great Room and Beyond: Oddkin in the Expanded Darkroom of the Photobook - ASAP/Review

The mirrored closet doors are part of a collection of architectural salvage. Once obtained, they sit in an already stuffed-full house in upstate New York. During the COVID-19 pandemic their new owner,...

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In our newest, Margaryta Golovchenko reviews artist Jana Sterbak’s Dimensions of Intimacy: “The flank steak from which [Vanitas] was stitched shone in the gallery light and reflected such a soft sheen that it recalled a satin nightgown eagerly awaiting to be put on…” asapjournal.com/review/jana-...

Jana Sterbak: Dimensions of Intimacy at Esker Foundation - ASAP/Review

During my visit to Jana Sterbak’s retrospective on opening night, I did not immediately recognize the famed “meat dress,” Vanitas: Flesh Dress for an Albino Anorectic (1987). The flank steak from whic...

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