Assisted Lab

@assistedlab.bsky.social

ERC project on #aesthetics #law & #ethics of assisted dying. To participate in our archive on films, texts, & other media that influence debates around assisted dying 👉 https://assistedlab.ch/

New in the archive: Daniele Pieroni's 'Trascolorare' — the Tuscan poet's meditation on death written before his assisted death in May 2025. This poetical testament became entangled with the legal battles for assisted dying in Italy👇 By @pittella.bsky.social assistedlab.ch/textual/tras...

Assisted Lab's Living Archive of Assisted Dying – ‘Trascolorare’ by Daniele Pieroni

When the poet Daniele Pieroni had a legal assisted suicide, his meditation on death known as ‘Trascolorare’ gained widespread circulation.

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Sharing today our first entry from Uruguay, 1st Latin-American country to carry out a comprehensive euthanasia reform, written by @pittella.bsky.social Florencia Salgueiro's viral social-media thread about her father Pablo, who slowly died from ALS, became part of parliamentary records there.

Assisted Lab's Living Archive of Assisted Dying – 'Hace un año murió mi padre' by Florencia Salgueiro

In 2021, Florencia Salgueiro wrote a Twitter thread that would become a parliamentary record in Uruguay, leading up to the country's euthanasia reform.

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New entry on Spanish play ‘Celebraré mi muerte’ by physician Marcos Hourmann. In 2005 he helped 82-yr-old Carmen die in a Spanish ER, and was fired & sued by the hospital. See @pittella.bsky.social on how this documentary play tries to reclaim his narrative agency. assistedlab.ch/performative...

Assisted Lab's Living Archive of Assisted Dying – 'Celebraré mi muerte' by Marcos Hourmann

Dr. Hourmann’s monologue invites the audience to become the jury he never had, after helping a 82-year-old woman die in Spain, in 2005.

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🎉New Podcast🎉 Very excited to share that our episode with Peter Torres Fremlin @desibility.bsky.social, Joe Wood and Vanessa Rampton is now available! Listen here for an incredibly rich discussion on assisted dying, disability politics, and what agency really means. assistedlab.ch/podcasts

Assisted Lab's Living Archive of Assisted Dying – Podcasts

Assisted Lab is a research group based at University of St Gallen, Switzerland, with research affiliates in Canada, Northern Ireland, and the Netherlands, which investigates the cultural productions –...

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The novel 'Komt een vrouw bij de dokter' by Kluun depicts Stijn's struggle to cope with his wife's cancer diagnosis. As she chooses an assisted death, Dutch readers and viewers of the film adaptation had more to say about Stijn’s behaviour and actions than Carmen’s. assistedlab.ch/textual/komt...

'Komt een vrouw bij de dokter' by Kluun

As Carmen chooses to end her life, assisted death is one of the novel’s topics; yet, readers and viewers of the film adaptation had more to say about Stijn’s behaviour and actions than Carmen’s.

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Read Jordan McCullough's "The Bioethics of Fiction" and the whole new issue of l'esprit créateur FREE #S2O #OpenAccess at @projectmuse.bsky.social tiny.one/2p9fad55 It's a special issue on "Future Worlds of Health," guest edited by Benjamin Dalton, Benjamin Gagnon-Chainey, and Kaliane Ung

NEW ISSUE OUT NOW
L'Esprit Créateur
65.4, Winter 2025
Special Issue: Future Worlds of Health
Guest Editors: Benjamin Dalton, Benjamin Gagnon-Chainey, and Kaliane Ung

#S2O #OpenAccess at Project MUSE
 
CONTRIBUTORS
Tobias Barnett
Jennifer Bélanger
Jennifer Boum Make
Madeleine Chalmers
Naomi Jacobs
Hyunjin Kim
Maïté Marciano
Jordan Owen McCullough
Vincent Mousseau
Cris Robu
Mariana Past

HOPKINS PRESS JOURNALS
www.press.jhu.edu/journals/lesprit-createur
Assisted Lab@assistedlab.bsky.social · 4mo ago

✨new publication ✨from Assisted Lab's Jordan McCullough on the potential of fiction for bioethical reflection on assisted dying in L'Esprit Créateur @hopkinspress.bsky.social dx.doi.org/10.1353/esp....

This documentary 'T is Goed Zo' follows the last three months of Eelco de Gooijer, a 38-year-old Dutch man suffering from severe mental health problems who decides to end his life by euthanasia. Analysis by Sophia H. Rüfer 👇 assistedlab.ch/visual/t-is-...

'‘T Is Goed Zo' by Jesse van Venrooij

This documentary follows the last months of Eelco de Gooijer, a 38-year-old Dutch man suffering from severe mental health problems who decides to end his life by euthanasia.

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'Bis dass der Tod' by author and physician Jens Petersen, a fictional account of a ‘mercy killing,’ won the prestigious Ingeborg Bachmann Prize and challenges the reader's ethical thinking For an analysis by @marcakeller.eurosky.social for Assisted Lab 👇 assistedlab.ch/textual/bis-...

'Bis dass der Tod' by Jens Petersen

'Bis dass der Tod' by author and physician Jens Petersen, a fictional account of a ‘mercy killing,’ won the prestigious Ingeborg Bachmann Prize

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Novel 'Ik omhels je met duizend armen' by @ronaldgiphart.bsky.social of @detaalstaat.bsky.social discusses euthanasia in the Netherlands when there was no law, but doctors could perform it without risking prosecution. Analysis by Wouter Schrover for Assisted Lab👇 assistedlab.ch/textual/ik-o...

'Ik omhels je met duizend armen' by Ronald Giphart

The novel presents an ambivalent perspective on autonomy and dependency, but ultimately offers a distinctly positive view of assisted dying.

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2/3 I'm thrilled to share some insights at Bielefeld University on Mar/6, during the MED METHODS event, dedicated to Experimental Research. ℹ️ My intervention is titled: «Expiring visas: Outlining the right to die through bordercrossing narratives in Spanish and Portuguese.» Here's my abstract.

Carlos Pittella, Assisted Lab

Expiring visas: Outlining the right to die through bordercrossing narratives in Spanish and Portuguese

Do we need a visa to die? How to get one? What if it expires before we do? From ancient mythologies to Hollywood, the process of dying has been narrated as a migration with checkpoints—to the underworld, to heaven, through cycles, rivers, tunnels... Contemporary representations of assisted dying contend with that bordercrossing in symbolic and pragmatic ways; agency over death may be granted here, but unthinkable there. For example, in José Saramago’s 2005 novel 'As intermitências da morte', suddenly, within the limits of one country, people can no longer die; the questions then converge towards the border, to who is willing to cross it, and the consequences of crossing it.

This workshop will invite participants to reimagine the bureaucratic borders of assisted dying, inspired by cultural objects from Latin America and the Iberian peninsula reviewed in Assisted Lab’s Living Archive of Assisted Dying. We will approach the narratives constructed by these multimedia objects (novels, featured films, memoirs, blogs) as a means to unpack the complexity of the assisted dying debate. Throughout the workshop, we will collectively map values, expectations, and trade-offs involved in such bordercrossings, challenged by the dilemmas of those who decide to migrate to die (e.g. Tomás González’s 2011 novel La luz difícil, Gina Montaner’s 2024 memoir Deséenme un buen viaje), as well as how differently those decisions reverberate through borders (e.g.
Leo Zelig’s 2016 film Translúcido) or across media (e.g. Ana Estrada’s 2019–2024 blog)...

'Translúcido' follows the last day of Rubén, an Ecuadorian immigrant in NYC who decided to forgo cancer treatment & end his life. An ECU/VEN/USA co-production, the film has reverberated differently in the 3 countries. I've written for @assistedlab.bsky.social about the film & its repercussions.

'Translúcido' by Leonard Zelig

The film follows the last day of Rubén, an Ecuadorian immigrant living in NYC, who decides to forgo cancer treatment and end his life by midnight.

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