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birds.objkt.social

@birds.objkt.social

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birds.objkt.social@birds.objkt.social · 5d ago

https://objkt.com/tokens/KT1VYHDQPVRudf68M3B8HTML1xafXnNqAjKy/184?ref=tz1Yqs7LmADXXKNP7KfyvdTC8mjHGzQKXfiz

The Landscape I Carry

Some landscapes exist beyond us. Others become part of who we are. A face holds the traces of a place — its silence, its wildness, its memories. The land moves across the skin, while life continues quietly beneath it. Perhaps we never truly leave the places that have shaped us. Perhaps we carry them, unseen, wherever we go.

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birds.objkt.social@birds.objkt.social · last wk.

I have just collected "░r░o░s░e░s░ ░f░o░r░ ░a░l░l░" by @kika.bsky.social on @objkt.com https://objkt.com/tokens/KT1RJ6PbjHpwc3M5rw5s2Nbmefwbuwbdxton/868523?ref=tz1Yqs7LmADXXKNP7KfyvdTC8mjHGzQKXfiz

░r░o░s░e░s░ ░f░o░r░ ░a░l░l░

░C░L░O░U░D░ ░s░e░r░i░e░s░ is a series of photographs taken not with a photo camera, but from cloud points derived from 3D scanned spaces, objects and people from my daily life. The flaws of the scanning process are integrated in the pieces. Sometimes, the “original” reality can be guessed or glimpsed. The resulting images are cryptic, sometimes poetic, sometimes almost like an organism in itself; I believe they defy our perception and the idea of a stable, rigid reality.

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birds.objkt.social@birds.objkt.social · last wk.

I have just collected "untitled" by @aempatia.bsky.social on @objkt.com https://objkt.com/tokens/KT1N9ojqqQzWWAirtFJWbmfEAFKiCozRHzQ1/10?ref=tz1Yqs7LmADXXKNP7KfyvdTC8mjHGzQKXfiz

untitled

Special piece made for Artist4colombia On August 10, 2026, a 7.4-magnitude earthquake severely affected Colombia, with its epicenter in the western part of the country—specifically in Chocó—and caused extensive damage in Pereira, Cali, Manizales, and other cities. 100% of the proceeds from this exhibition will be donated to support the affected people and communities. collage made out of printed maps and manipulated photographs. Digital intervention. 2026 aem

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birds.objkt.social@birds.objkt.social · last wk.

https://objkt.com/tokens/KT1PqhUUCgAf8TZAVa9Y6XYQj8w97y6fadjQ/135?ref=tz1Yqs7LmADXXKNP7KfyvdTC8mjHGzQKXfiz

the machine that started it all

this is my eureka moment. it happened at age three. i was peering down at the reel-to-reel video machine that was recording me. my dad held the camera. it was the moment that set in motion a life of questions. the moment that fuelled the need to create. the moment of wanting to know how things work. my eureka moment caught on tape. sony V-30H reel-to-reel video 960 x 720 mp4

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birds.objkt.social@birds.objkt.social · last wk.

https://objkt.com/tokens/KT1PqhUUCgAf8TZAVa9Y6XYQj8w97y6fadjQ/157?ref=tz1Yqs7LmADXXKNP7KfyvdTC8mjHGzQKXfiz

the shift

In ages past, when Earth was young, The plates did shift, their dance begun. A mighty push, a tectonic shove, The Rockies rose, a range to love. For millions of years, the snow did fall, Layers upon layers, a frozen wall. Slowly it moved, a glacier's crawl, Carving the land, a sculpture's thrall. The water it held, so pure and clear, Nature's own filter, without a fear. From ice to stream, a journey long, The glacier's gift, a river strong. The Rockies stand tall, a testament grand, To the forces of nature, that shape our land. And the glacier's gift, a treasure rare, The purest of waters, for all to share.

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birds.objkt.social@birds.objkt.social · last wk.

https://objkt.com/tokens/KT1PqhUUCgAf8TZAVa9Y6XYQj8w97y6fadjQ/176?ref=tz1Yqs7LmADXXKNP7KfyvdTC8mjHGzQKXfiz

TRANSITIONS 006

GIF 1920 × 1080 2024 𝘛𝘩𝘪𝘴 𝘴𝘦𝘳𝘪𝘦𝘴 𝘧𝘶𝘴𝘦𝘴 𝘵𝘩𝘦 𝘯𝘰𝘴𝘵𝘢𝘭𝘨𝘪𝘤, 𝘱𝘦𝘳𝘴𝘰𝘯𝘢𝘭 𝘦𝘭𝘦𝘮𝘦𝘯𝘵 𝘰𝘧 𝘤𝘩𝘪𝘭𝘥𝘩𝘰𝘰𝘥 𝘩𝘦𝘭𝘪𝘤𝘢𝘭 𝘴𝘤𝘢𝘯 𝘷𝘪𝘥𝘦𝘰 𝘸𝘪𝘵𝘩 𝘵𝘩𝘦 𝘦𝘹𝘱𝘢𝘯𝘴𝘪𝘷𝘦, 𝘮𝘢𝘫𝘦𝘴𝘵𝘪𝘤 𝘭𝘢𝘯𝘥𝘴𝘤𝘢𝘱𝘦𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘊𝘢𝘯𝘢𝘥𝘪𝘢𝘯 𝘙𝘰𝘤𝘬𝘺 𝘔𝘰𝘶𝘯𝘵𝘢𝘪𝘯𝘴, 𝘤𝘢𝘱𝘵𝘶𝘳𝘦𝘥 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘥𝘳𝘪𝘷𝘪𝘯𝘨 𝘧𝘰𝘰𝘵𝘢𝘨𝘦 𝘢𝘯𝘥 𝘱𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩𝘺. 𝘛𝘩𝘪𝘴 𝘶𝘯𝘪𝘲𝘶𝘦 𝘤𝘰𝘮𝘣𝘪𝘯𝘢𝘵𝘪𝘰𝘯 𝘢𝘪𝘮𝘴 𝘵𝘰 𝘫𝘶𝘹𝘵𝘢𝘱𝘰𝘴𝘦 𝘵𝘩𝘦 𝘪𝘯𝘵𝘪𝘮𝘢𝘵𝘦, 𝘱𝘦𝘳𝘴𝘰𝘯𝘢𝘭 𝘮𝘦𝘮𝘰𝘳𝘪𝘦𝘴 𝘰𝘧 𝘤𝘩𝘪𝘭𝘥𝘩𝘰𝘰𝘥 𝘸𝘪𝘵𝘩 𝘵𝘩𝘦 𝘷𝘢𝘴𝘵, 𝘪𝘮𝘱𝘦𝘳𝘴𝘰𝘯𝘢𝘭 𝘨𝘳𝘢𝘯𝘥𝘦𝘶𝘳 𝘰𝘧 𝘯𝘢𝘵𝘶𝘳𝘦.

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birds.objkt.social@birds.objkt.social · last wk.

https://objkt.com/tokens/KT1PqhUUCgAf8TZAVa9Y6XYQj8w97y6fadjQ/204?ref=tz1Yqs7LmADXXKNP7KfyvdTC8mjHGzQKXfiz

ǔ̷̲̺͛̅̒͌̐̌͜p̶̨̨͉̳̗͉̞̠̳̾̓͗͒̄̿̉͑̈́s̵̢͔͓̪̋̓̈̚͝ę̵͙̰̩͚̪̯̠̣͔̀̀͒͌̽͑ť̸̨̞̦͐̈́̐̏́͗͝

G̷̡̦͖̘̜̘͕̈́I̷̧̟̻͉̬̘̖̳̪͊̽̋͘F̷̡̛̞̦̪̯͎̭̜̘͗̉͌̽̾̄͘ ̸̡̩͖̞̙̥͙̝͕̋́͘͝͝ ̶̡͎̖͌͗͗͌̋͌͜͠1̷̦̻͚̟͚̯̄̏6̴̧͓̗͖͔̽̈́6̵̡̡̹͎̘̦͚͙͕̅͐̈́͑̆͝6̸͙̉̋̀̐̃͛x̵̲̳̅1̸͕̀̾͗͋̊̒̾͘͠͠ͅ6̷̖̠̙̽̄͂́͠6̸̨̧̳͎̜̙͉̼̹͛̃͋̑ͅ6̸̱̯̭̠̮̤͓̫̖͛́̓͛̈́̅̍̕͜ ̷̢̼̘̱̝͔͔͈̬͠ ̴̖̜̜̫̏̈́́̆́̂̓͘ͅͅ2̸̨̪̹̜̥̠̻͓̺̭͋̐̀̅̈́̍0̷̢̧̟̼͙͓̒̉͜2̵̢͉͔͇̗̐́͊̐4̸̯͚̦̖̬̋̎́̍̑̕

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birds.objkt.social@birds.objkt.social · last wk.

https://objkt.com/tokens/KT1HnwUJpcYVgLyoT9N78AywzUEub8eVPoVu/24?ref=tz1Yqs7LmADXXKNP7KfyvdTC8mjHGzQKXfiz

she is a mirror

GIF 128 Colours 1440 x 1080 2025 Dziga Vertov’s Man with a Movie Camera (1929) profoundly influenced cinema and new media by pioneering experimental filmmaking techniques and redefining the possibilities of visual storytelling. This Soviet avant-garde film, with its non-narrative, montage-driven structure, broke from traditional linear storytelling, emphasizing the camera’s ability to capture reality in dynamic, fragmented ways. Vertov’s innovative use of rapid editing, superimposition, split screens, and self-reflexive techniques showcased the medium’s potential to manipulate time and space, inspiring future filmmakers to explore non-conventional narratives and documentary forms. Its celebration of the camera as a tool for perceiving and constructing reality laid the groundwork for modern documentary filmmaking, experimental cinema, and even new media practices like video art and digital montage, influencing movements such as cinéma vérité and the development of multimedia storytelling in the digital age.

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