Bode Sulaiman

@bodesulaiman.bsky.social

Another day, another account.

"It’s always fascinating whenever any filmmaker has two movies opening in the same year, but with Linklater, it’s especially notable since he’s still one of the most eclectic and versatile American filmmakers that we have." We have two Richard Linklater reviews from TIFF, reviewed by Bode Sulaiman:

TIFF 2025 — ‘Blue Moon’ and ‘Nouvelle Vague’ Reviews: Double the Link, Double the Later

Richard Linklater brings a double feature out of biopics of two people who've influenced his filmmaking style greatly.

cinemafromthespectrum.com

"It helps that Ferreira is such a talented performer, nailing Grace’s optimism in the beginning and her crushed realities as the film progresses." Bode Sulaiman reviews Mile End Kicks, from this year's TIFF, down below:

TIFF 2025 — ‘Mile End Kicks’ Review: Growing Pains in Montreal’s Indie Rock Scene

Chandler Levack's sophomore feature film is an endearing portrait of finding your own place in Montreal's music scene.

cinemafromthespectrum.com

"For a directorial debut from one of the most famous actors working today, I suppose that’s not nothing of a start." Scarlett Johansson's directorial debut, Eleanor the Great, which premiered at TIFF 2025, reviewed by Bode Sulaiman over here:

TIFF 2025 — ‘Eleanor the Great’ Review: An Ambitious Directorial Debut that Drops the Ball and Never Quite Recovers

Scarlett Johansson steps behind the camera and makes some strange creative choices.

cinemafromthespectrum.com

"You wish there were more time spent exploring any of it in a deeper way, but it seems more focused on getting through its premise, which seems to get busier and more formulaic as it goes along, introducing more that the studio has traversed before." Read our review of Elio here:

‘Elio’ Review: Pixar’s Latest is Perfectly Fine, Nothing More, Nothing Less

The latest original from Pixar is serviceable enough.

cinemafromthespectrum.com