Benjamin Freed

@brfreed.bsky.social

internet clown posting bad/dumb/horny takes about the movies, the Knicks, media, or cyber. still not here for work, that’s the other site | see you at the movies: http://letterboxd.com/brfreed/

I'm seeing a lot of SUPERHERO MOVIES ARE BACK posts in the wake of #BrandNewDay's success. Spider-Man movies were breaking box office records well before the MCU existed. They are a cinema phenomenon onto themselves, because Spider-Man is a singularly resonant and relatable character.

Related to everything Matt writes here, Spider-Man 2 is remarkable because it makes Peter and Mary Jane's relationship the main story, while Spidey's conflict with Doc Ock is a secondary concern. There's not another comic-book movie that centers a recognizable human relationship this strongly.

Matt Singer@mattsinger.bsky.social · 5d ago

A tribute to Spider-Man 2, which among other strengths, boils down Spider-Man's eternal appeal to a single image: This one of Peter Parker's closet.

"Wilson isn’t saying anything more in these two paragraphs than 'I prefer that other film' and its 'stylish spareness'...More insidious and inconspicuous than her casual disdain for anything bigger than life in cinema, is the laziness of her analysis." 🎯 animus-magazine.ghost.io/a-tale-as-ol...

A Tale as Old as Time

Emily Wilson’s piece on Christopher Nolan’s The Odyssey evinces an archaic perspective on cinema’s value as art

animus-magazine.ghost.io