Brian Trapp

@btrapperkeeper.bsky.social

Range of Motion (@acrebooks.bsky.social, 2025); Steinbeck Fellow 2021-22; Work in Kenyon Review, Southern Review, Longreads, and Brevity. https://linktr.ee/btrapperkeeper

This month, the Northwest Review published the first issue of its relaunch! Read our member spotlight to learn more about the magazine’s new direction and the “eclectic group of writers who take formal risks and often write with heart and humor” in this issue. www.clmp.org/news/member-...

Member Spotlight: Northwest Review - Community of Literary Magazines and Presses

We spoke with Brian Trapp, editor in chief and fiction editor of the Northwest Review, in our latest member spotlight.   What is the history behind the Northwest Review? When was it founded and what…

clmp.org

Portland! This Saturday 5/23 Melissa Hart and I will be speaking at two Multnomah County Library branches about being a sibling of someone with physical and intellectual disabilities. Join us in talking about the joys, challenges, and human experiences of being a sibling or family member.

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Thanks to @wbur.org for adapting my essay into an audio piece. You can hear me and Danny at age 5, 8, and 25, including us joking about who is the evil twin. But it also wonderful to hear my mom talking to Dan again. Please check it out and share. www.wbur.org/cognoscenti/...

My twin brother was disabled, but I don't consider myself a 'glass child'

"Sometimes I had to be my brother’s arms, legs, eyes and voice," writes Brian Trapp. "It often didn’t feel like a burden, more like an alternative way of moving through the world."

wbur.org

"If we extend the satellite metaphor...it shows how our lives bend to the increased gravity of our #disabled siblings in profound ways. The satellite makes no claims to a syndrome, as if trying to compete with a sibling’s diagnoses." Acre's @btrapperkeeper.bsky.social for NPR. tinyurl.com/3avkm68u

My twin brother was disabled, but I don't consider myself a 'glass child'

"Sometimes I had to be my brother’s arms, legs, eyes and voice," writes Brian Trapp. "It often didn’t feel like a burden, more like an alternative way of moving through the world."

wbur.org