Jeremy Simmons

@caeliambulator.bsky.social

Ancient historian @UChicago. Author of Sea of Treasures: A Cultural History of Ancient Indian Ocean Trade (2026). More than occasionally talks about the doggo. Opinions my own.

Resistance to what we may call "the new global antiquity" is usually expressed in one of the three following ways: 1. This isn't new at all. 2. It's not "global," bro. 3. It can't be done. There is some truth to all three! But let us reflect a bit on these claims... 1/20

At Haneda about to head home. Already reminiscing about the time I spent in jazz kissa while in Tokyo—each with a different, but impeccable vibe. Even got to see Dug before its final day in operation (people were queuing in a typhoon to get in)!

After my talk today, I drove up to Katsuren-jo, one of many Ryukyu castles on Okinawa, dating to the 15th century. This one has the added bonus of turning up a small hoard of fourth-century Roman coins, which was in the news a while back. A cool mystery!

View of the central fortification, Katsuren-jo, OkinawaOuter fortifications, Katsuren-jo, OkinawaMuseum display of fourth-century Roman coins discovered at Katsuren-jo, Okinawa Museum display of foreign coins found at Katsuren-jo, Okinawa. Google Translate of main label in Japanese: “A total of 10 Western coins were discovered in the fourth enclosure and outside the castle. Nine are believed to be Roman Empire coins, and the remaining one is thought to be an Ottoman Empire coin minted in 1687, but the circumstances of how these coins came to Katsuren Gusuku are unknown”

Some absolute gems of ancient Japanese art in the Tokyo National Museum, including haniwa of the Kofun period (mid-first millennium CE), terracotta figures which accompanied those buried in large tumuli. Also a lovely clay conch from the second millennium BCE!

Some stray thoughts on gap-filling. Take them for what they are 1. Gaps in archives are not like rips in clothing; they don't have a well defined and wholly known, or in the broadest sense wholly knowable, shape or extent. You can't cut a patch for them or fill them with putty and smooth them over.

Peter Whitewood@pwhitewood.bsky.social · 2mo ago

Rebranding a hallucination as a ‘critical confabulation’ that can fill archival gaps is a big no from me.

<center-right spends half a century waging a war to discredit humanities knowledge bc it challenges their counter-majoritarian political project> Media: “why is nobody majoring in English? Because it became too woke.”

The tell of ai generated text isn't the em dash or three-part list or any other feature of English grammar, syntax, or punctuation. It's the vagueness. The lack of meaning. The inability to refer to specific experiences. Because it doesn't understand meaning and it has no experiences.

Emperor Abby (the first pope)@arobertswrites.com · 2mo ago

The paranoid part of me wants to listen to the people who are like, "Beware of the toupee fallacy! You can't spot all ai-generated text, only the bad ai-generated text." But all the generated output I've encountered lacks meaning and specificity, which is pretty damning for written communication.