Elaine Calder

@calderbennett.bsky.social

Retired. Used to manage arts organizations: orchestras, theatres and an opera company, in both Canada and the US. Working on my Italian, in part by visiting Venice once or twice a year.

If you ever, you know, wonder about Americans, read this and let me know if you think you could identify a similar gathering of people in your native land. I mean, they really are strange, aren't they? Not sure this explains Trump.....https://www.lrb.co.uk/the-paper/v48/n11/patricia-lockwood/diary

lrb.co.uk

Tonight I'm watching a performance of Brahms' first piano quartet from the Seattle Chamber Music Society, and as Inon Barnatan follows his part on an iPad I realize that long before the arrival of AI, technology eliminated one job: that of the low or no-paid page turner.

My Italian isn't great but as far as I can tell: a jeweller named Ruggero followed three people who had robbed him out onto the street and shot two of them. He was convicted, tried, found guilty and sentenced. He didn't express remorse or beg for mercy. 1/n

I'm returning to Venice Mar 19 to Apr 2, and will see JENUFA with the great Canadian soprano Joyce El-Khoury, and several orchestral concerts at La Fenice including one led by Jukka-Pekka Saraste. I knew J-P in the 1990s when I was at the Canadian Opera Company and he was MD at the Toronto Symphony.

I snagged a seat at the bar this evening at Lumache, a tiny hard-to-get-in-to restaurant here in Victoria. The bacalà mantecato is delicious, but it's not transporting me back to Venice. Picky, picky.

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Terrific book. Once you understand that La Serenissima operated on credit, from the Merchants of Venice to the poorest of citizens, while Christians were forbidden to engage in usury, the dependence on the Jewish community - no matter how reluctant - makes complete sense. OK. It took me a while.....

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Somewhere there is a photo of me in Venice in 1971, aged 24, wearing a pink Pucci print dress and standing on the staircase of an interior courtyard. Aside from the magic of Venice, what I remember is absence: no credit cards, no Euros, no crowds of tourists, no temperatures higher than 30C+.

I'm seeing op-eds saying Andy Burnham is a nice guy and a great politician, but the UK needs a lot more than that to solve its problems, starting with the impact of Brexit. Is it time for a technocrat? A Mark Carney or Mario Draghi, willing to make tough decisions because they're not chasing votes?

This is a really sobering fact check. It was 25C in Victoria today and HOT. I've been in Rome in 31C and it was REALLY HOT. I cannot imagine being anywhere - humid, dry, whatever - at 41C and not wanting to curl up under a wet blanket and wait for the temperature to drop. A lot.

Abbey@abbeyarletto.bsky.social · last mo.

When reality surpasses fiction! Top: fictional forecast for August 2050, broadcast by French TV in 2014 to warn about the consequences of global warming. Bottom: Real French forecast for yesterday, June 22, 2026.

My friend John Allison is the editor of OPERA magazine, and in the August edition he writes about opera and AI under the title "Artistic Intelligence." I particularly like his concluding sentences: 1/n

"Not the work but the timing" is something I've heard a couple of times now as planned productions of plays and operas meet with protest. Symphonic and chamber music performances get off scot free.

London Review of Books@lrb.co.uk · 3mo ago

‘It was refreshing to speak with a group of 𝘒𝘭𝘪𝘯𝘨𝘩𝘰𝘧𝘧𝘦𝘳 protesters who had actually listened to the work and read the libretto: the opera wasn’t bad, they said; the timing was.’ @oliviagiovetti.bsky.social on Luca Guadagnino’s new staging in Florence. www.lrb.co.uk/blog/2026/ma...