i'm not going to watch the Dean of Doom video on Necromantic Thirst because i want to beat that wad for myself first, but from what i gather, MtPain27 glazed Porcupine Tree super hard in it (aka: was correct in it)
i've already written three spooky midis that rely on the seashore sound. what's the harm in a fourth?
had a conversation with a friend about how cool weird time signatures are and inspiration struck. i just know this song is gonna end up being like 8 minutes long
fellow musicians, what is the best time signature and why is it 7/8
i had this idea on a car ride in michigan a few years back and tried turning it into a song for Not Even Remotely Fair but i didn't have enough ideas. revisiting it now for another project. more synth/rock songs need hand percussion
inaugural bluesky WIP snippet. idk where this will go yet. enjoy
up in here with a pocket full of big green plasma balls that will explode and project forty damaging tracers in a cone from out of my eyeballs