Cathy Waters

@catherinefaver.bsky.social

Professor Emerita of Victorian Literature and Print Culture, Dickensian and long-distance walker.

A lithographer at work, from the title page of Charles Hullmandell's The Art of Drawing on Stone: Giving a Full Explanation of the Various Styles, of the Different Methods to be Employed to Ensure Success, and of the Modes of Correcting, as Well as of the Several Causes of Failure (1824).

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All fiction titles from the English Catalogue, Volume 4 have now been added! That means 1862–1889 are complete. Next up: the 1890s... • 27,471 title entries • 6,770 author entries (most with bios) Big thank you to my students from last semester who assisted me to this milestone.

A graph of the number of titles published per year, 1837 to 1901, showing an increasingly steep increase up to the 1890s

Reupping this as we hit the last two weeks before the cfp deadline. Dickens Day is an inclusive conference aimed at academic and enthusiast alike: we welcome proposals from postgraduates, professors and independent researchers on “Dickens and family”. Further details at www.sas.ac.uk/news-events/...

Pete Orford@peteorford.bsky.social · 4mo ago

The CFP for Dickens Day 2026 is live! We warmly invite proposals linked to this year’s theme of “Dickens and family” (both in his life and work). The deadline is 15 June, and the day itsef will be on Saturday 10 October at Senate House, London. All are welcome! www.sas.ac.uk/news-events/...

'Only a human being can effectively be accountable for the accuracy, integrity and originality of research. Thus, only human beings should write papers. Some journals...make this accountability requirement abundantly clear.' But quite a lot do not.

Research Professional News@resprofnews.bsky.social · 2mo ago

Opinion: Human oversight. Alan Finkel explains how to navigate the risks of AI use in research. Free to read. www.researchprofessionalnews.com/rr-news-uk-v...

A brilliant performance of the Bardell v Pickwick trial at this afternoon’s Celebration of the Life of Michael Slater, from Miriam Margolyes, Malcolm Andrews and two members of the #Dickens family, Gerald and Mark Dickens. A wonderful tribute to a great and much-missed Dickensian.

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A reminder that abstracts for the @dickenssociety.bsky.social Dickens on Screen online event are due in 7 days! 👇✍️🎦

Chris Louttit@drchrislouttit.bsky.social · 4mo ago

Some exciting news: I'm organising an online event on the topic of Dickens on Screen for @dickenssociety.bsky.social! More info on the Society's website 👇. Abstracts of 100-200 words & short bio due by May 11th. The event itself will be on June 6th in the afternoon (East-coast US time).

That's a model for a 'patriotic curriculum'. It's Shakespeare and Austen and Zephaniah; it's slavery, abolition and post-emancipation apprenticeship; it's Anglo-Saxons, Picts and Ugandan Asians; it's pride and anger and an insistent demand for scrutiny. It's not binary: it's historical. 6/6

Sign on a building: 'We are here because you were there'. There is a brick building in the background and a security camera below the sign.

What a wonderful day at the V&A / National Art Library talking about Dickens's Compostional Process and ways of engaging wide audiences with his material archive. @dickensnotes.bsky.social is on Bluesky now too 😀

Cathy Waters@catherinefaver.bsky.social · 5mo ago

A slide of imperative verbs (addressed to himself? Or to the narrative?) gleaned from Dickens’s memoranda and notes as part of www.dickensnotes.com project and a session with the manuscripts themselves in the V&A National Art Library. Thanks to Anna Gibson and Adam Grener for a great workshop!

A slide of imperative verbs (addressed to himself? Or to the narrative?) gleaned from Dickens’s memoranda and notes as part of www.dickensnotes.com project and a session with the manuscripts themselves in the V&A National Art Library. Thanks to Anna Gibson and Adam Grener for a great workshop!

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