Chris Vognar

@chrisvognar.bsky.social

TV/Pop Culture Critic, The Boston Globe. Concerned citizen. Ally.

Been writing this story in my head for about a year, ever since I saw Ross McElwee’s soul-baring doc Remake when I was in Venice. It’s a remarkable film, about love, loss (McElwee’s 27year-old son Adrian died of a drug overdose in 2016), time, and the redemptive power of the moving image.

‘And then suddenly, you’re gone’: With the searing ‘Remake,’ Cambridge documentary giant Ross McElwee grapples with the death of his son - The Boston Globe

What started as a conversation about turning his film "Sherman's March" into a narrative feature turned into something else entirely.

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I’ve grown fascinated by the viral online animal stars of 2026 (full disclosure: I get excited every time I see a turkey or bunny on the streets of Cambridge). The orb-like raccoon Jimothy is the hot new critter, but as a Bay Area guy I gotta roll with Chonkers the sea lion.

Jimothy the raccoon is just the latest attraction in the year of the internet animal star - The Boston Globe

Here on the East Coast, at least we have our turkeys.

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Hey, it’s my first piece for the Boston Globe Magazine, about what it’s been like living in Boston (ok, Cambridge) after 50 years in Cali and Texas. Though I would never presume to call myself a Masshole, much less a Bostonian, I already feel less like an outsider here than anywhere else I’ve lived.

Goodbye, affordable Houston. Boston, you’re my home. - The Boston Globe

After 30 years in Texas, the move east came with some culture shock. And some revelations about what home means.

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So we beat on, boats against the current, borne back ceaselessly into… more consideration of “The Great Gatsby. Because let’s face it: There’s always another occasion to explore the eternal pull of F. Scott Fitzgerald’s sophomore novel. The Broadway musical hits Boston this week.

Why we’re borne back ceaselessly into ‘The Great Gatsby,’ on stage and film - The Boston Globe

As Broadway in Boston brings "The Great Gatsby" to town, critic Chris Vognar looks back at how other adaptations have fared.

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Reading and writing about more fiction these days, which has been a great pleasure. Returning to my English major roots. Here’s my review of Daniel Mason’s wonderfully dry, intellectually frisky new novel Country People, about a California academic family finding new adventures in Vermont.

In Daniel Mason’s ‘Country People,’ newcomers to small-town New England find a fantastical conspiracy - The Boston Globe

Academic spouses Kate and Miles are the heart of Daniel Mason’s wonderfully dry, intellectually frisky novel about a California family finding new adventures and learning new tricks in rural New Engla...

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Wrote a few words on Frederick Douglass’ 1852 speech What to the Slave is the Fourth of July?, which takes a blistering approach to a theme that always feels ripe this time of year: the wide chasm between American ideals and American reality.

With ‘What to the Slave Is the Fourth of July?’ Frederick Douglass challenged American hypocrisy - The Boston Globe

The speech, given at a meeting organized by the Rochester Ladies’ Anti-Slavery Society, stands as one of his major achievements.

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Not a big fan of Larry David’s new U.S. history sketch comedy romp Life, Larry and the pursuit of Unhappiness. And yet, given the current national spirit as the big 250 approaches, pettiness does seem more appropriate than piety.

‘Life, Larry, and the Pursuit of Unhappiness’ gives Larry David a bigger canvas, but he’s still Larry - The Boston Globe

A sketch comedy show about American history offers a parade of celebrity guest stars and some hit or miss concepts.

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Eureka Day, Jonathan Spector’s uproarious, contentious word salad of a play, gave me a jolt of recognition as a native Berkeleyan. The play isn’t just set in Berkeley; it ~is~ Berkeley, in all its passive-aggressive, more-righteous-than-thou glory. I love my hometown. Which means I can laugh at it.

As a Berkeley native, ‘Eureka Day’ made me feel seen (but not othered) - The Boston Globe

The Huntington's latest show satirizes a certain kind of overbearing parent.

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In the hothouse of anxiety that is TV in the streaming age I’ve noticed a particular strain: messed up teens in a state of numbed-out crisis amid deeply flawed parenting. And I’m not just talking about Euphoria. Happy Father’s Day!

Sex, drugs and cyberstalking: On TV, the kids are definitely not all right - The Boston Globe

In "Adolescence," "Euphoria," and others, youth misbehavior runs rampant, and seems to reflect our ongoing anxiety about kids.

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Now that that the season 1 secret is out of the bag (he’s an alien!) Sugar can get down to the business of doing private eye stuff and providing a platform for a crafty Colin Farrell performance. I like this show. It lets us see contemporary L.A. through the eyes of an interplanetary outsider.

Colin Farrell and ‘Sugar’ are back for a second season, the big secret out of the bag - The Boston Globe

Now, the show can just be a private eye series with its own distinct sensibility.

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Had some fun coming up with my ten favorite TV actors working today. This idea started with my admiration for Claire Danes and my interest in whatever Matthew Rhys does, then grew from there through conversations with my editors.

Claire Danes. Matthew Rhys. Who are the best actors and actresses working on TV today? - The Boston Globe

Sure, movie stars are appearing on TV these days. But here's a list of the actors who have made a home on the small screen.

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The new Cape Fear series doubles down on the dysfunctional family angle of the Scorsese movie, and amps it up for the age of social media, cyber-stalking, and impure drugs. I tracked 69 years of Cape Fear, which has gone from novel to movie to movie to TV with a Max Cady-like refusal to go away.

‘Cape Fear’ has changed names, locales, and formats. Now, it’s an Apple TV series. - The Boston Globe

How does the new Javier Bardem series compare with two prior movies and the original novel?

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In this week’s Autopilot feature I wrote about HBO’s Perry Mason, set in a ‘30s California of bad dreaming, of race and class divisions, dirty cops, and have and have-nots. It burned brightly for 18 episodes, then faded into the hazy Los Angeles sunset.

HBO’s ‘Perry Mason’ was a reboot steeped in noir, complete with a bedraggled LA antihero - The Boston Globe

Matthew Rhys starred in a new take on the classic PI that was more radical reimagining than traditional remake.

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In this week’s One Special Thing feature: Victoria Wasylak provides a smart look at how the 2014 movie Frank — starring Michael Fassbender as a troubled rocker in a giant papier-mache head — pokes holes in tortured artist tropes. www.bostonglobe.com/2026/05

The myth of the tortured artist comes to a head in ‘Frank’ - The Boston Globe

The 2014 dark comedy is a takedown of the “tortured artist” trope, although its legacy is often reduced to “that movie with the kooky guy and the fake head.”

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