@chriswmwhite.bsky.social

Music theorist & autism dad. Forthcoming book= The AI Music Problem, Routledge. Sometimes in Slate and the Chicago Tribune. The last King of Rome.

It is not our part to master all the tides of the world, but to do what is in us for the succor of those years wherein we are set, uprooting the evil in the fields that we know, so that those who live after may have clean earth to till.

"As anyone who has cooked chicken breast in a microwave or made music with a generative AI will attest: even if this technology is faster, convenient, and more complex, it is not necessarily better." <- pleased w myself for that lil phrase from the intro of my new music & AI book project #softlaunch

Hey y'all— come get paid to study computer-assisted music analysis (partially with me!) this summer in NYC. Applications are here: institutes.ams-net.org, and the longer description is.... [in the comments]

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I'm conflicted about this footnote I just wrote: a thread: I would only ever venture to place these kinds of thoughts in a footnote, but LLMs do provide a certain comfort for those of us working in esoteric text-based scholarly fields. ...

Got a working paper on Music and #AI with a bunch of coauthors. Gives a lay of the land in industry and academia. And, because AI has the potential to change how we think about expression, art, and education, we argue humanistic thinkers need a seat at the policy table. zenodo.org/records/1453...

The Future of Musical Knowledge in the Age of Machine Learning

Machine learning and methods of artificial intelligence (AI) have become increasingly present for music practitioners, music researchers and music listeners. Going beyond the more widely-known cases o...

zenodo.org

Re Musical #GenAI, musical datasets are MUCH smaller than those in other media. Here's an infographic showing when a human would need to start reading/listening/watching to consume the whole dataset. In a landscape of ice-age-length data, music lives in a world of American and Maoist revolutions

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As far as I can tell, the Bill Murray Xmas special on Netflix just contracted a dozen talented folks, rented the Carlisle for three hours, turned on the cameras, and taped a bunch of one-take Christmas musical numbers. AND I LOVE IT. Strong recommend.

“Ok hear me out— what if she blows out all the lightbulbs in Emerald City in her last belted sustain?” “But that doesn’t make any sense” “And what if there’s pulsing green lightning in the clouds behind her” To whoever said yes to that ridiculousness: thank you

Reviewing an article with lots of content from #ChatGPT, and English seems to not be the authors' first language. I'm torn about how to think about this. Love the cultural accessibility AI allows, but lots of sentences aren't "by" the authors, and (worse) don't communicate their intended ideas

Musical creativity both recombines inherited materials and adheres to set expectations. Here's a graphic I made: music boxes adhere to expectations but make nothing new, R. Scott's Electronium made new music but 100% randomly. #GenAI and #Humans are special bc they maximize both

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1) The ways keys are NOT transpositionally equivalent (e.g., how pieces in B major behave differently that in Bb) and how that changes over time (with @theorymeg.bsky.social) 2) Basically 1% of atonal 20th-c. music actually uses strict transposition, even tho we obsess over it in the classroom

dankettercello@danielketter.com · 2y ago

Bluesky academics, let’s get to know each other! Quote this & tell me: 1) a project you are working on & 2) an odd idea/theory you aren’t working on but keep thinking about 1) strategies for musical “informance” 2) chords aren’t real #AcademicSky