Cominsitu

@cominsitu.bsky.social

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Check out the interview Santiago and I did with Hans-Peter Gruber about his biography of Felix Weil: on Argentina, marxism, revolution, the Frankfurt school, and Judaism. What a life he led! I’m jealous.

Historical Materialism Journal@histmat.bsky.social · yesterday

Now online: 'An Interview with Hans-Peter Gruber on the Life and Work of Felix Weil: Argentine, Millionaire, Marxist, and Founder of the Frankfurt School' by Jacob Blumenfeld and Santiago M. Roggerone.

The poem itself is multiple, in its historical and temporal locations. It combines material culture and social practices and linguistic forms from multiple eras of Greek. It's a poem about time, and the possibilities and hazards of a quest to overcome time.

There is a lot to say about the Nolan Odyssey movie. But one point that I think has not been emphasized enough is: this is a film about living in LA, as Nolan, my erstwhile British compatriot and age mate, has done for years. I gather it’s a strange place.

Es ist da! Es geht um Aufstieg, Niedergang und Nachleben der fossilen Moderne; um moderne Geschichte als Naturgeschichte; um die materielle Vermittlung des Sozialen durch Kapital und Kohlenstoff; um Kritik an sozialen Verhältnissen, die buchstäblich Natur geworden sind. shorturl.at/FJnFc

Fossile Moderne. Buch von Andreas Folkers (Suhrkamp Verlag)

Was immer der »Motor« moderner Gesellschaften sein mag, fossile Brennstoffe sind... | Buch von Andreas Folkers versandkostenfrei & direkt vom Verlag kaufen

suhrkamp.de

Herzlichen Glückwunsch zum 60. Geburtstag heute, Rahel Jaeggi! Pünktlich zum Fest lotet dieser Band das Spannungsfeld von Materialismus und Emanzipation neu aus: zwischen Freiheit und Notwendigkeit, zwischen Geist und Materie, zwischen Bewahrung und Revolution. Out now!

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Cassirer, cited by @alfatau.bsky.social, on the «mythical rearmament» of Germany, which preceded its military rearmament: «Our technical age has birthed a ‹new technique of myth,› so that myths can now ‹be manufactured in the same sense and according to the same methods as any other modern weapon.›»

Cominsitu@cominsitu.bsky.social · 3w ago

new Toscano @alfatau.bsky.social on poltical myth! With Hegel, Cassirer, Adorno, Jesi, Benjamin, all our friends are there. communispress.com/myth-fascism...

Die Bundesregierung plant per Bundesgesetz Vergesellschaftung auf Landesebene zu verbieten, obwohl 2021 58% der Berliner*innen für eine Vergesellschaftung stimmten. 🗣️ Elif Eralp ist Spitzenkandidatin für die Linke im Herbst und war auf der Sicher-Wohnen-Konferenz im Mai.

‘James Joyce stands out​ among the great modernist writers for his belief in tolerance, equality, democracy, progress and the preciousness of the everyday. If he is outrageously experimental, he is also in thrall to the mundane and disregarded.’ Terry Eagleton: www.lrb.co.uk/the-paper/v4...

Terry Eagleton · Starveling Rabblement: Joyce’s Politics

If Joyce’s politics were hard to decipher, it was partly because he concealed his Parnellism behind something of the...

lrb.co.uk

I say this without hyperbole, that the federal govt's banning of the IWO during the Red Scare was perhaps one of the greatest catastrophes for an inter-racial Marxist left and also, a Jewish-Yiddishkayt left in the U.S. 7/8

The Jewish section of the IWO, the JPFO, helped build a dozen other socialist language/ethnic clubs, including the African American Lincoln-Douglass Society, the pan-Spanish language Cervantes Society, the Italian American Garibaldi Society and so on 4/8

My original title for this essay was: an American Bund? I find it funny when people say there was no Jewish Labor Bund in the US, since US Bundists founded 2 Yiddishkayt Jewish socialist organizations, the Arbeter Ring & the IWO, aligned with the Socialist Party & the Communist Party rsp 1/8 🧵

Jacobin@jacobinmag.bsky.social · 3w ago

In the early 1900s, the Jewish People’s Fraternal Order fought for multiracial democracy and Yiddish culture, building solidarity across ethnic and racial lines — until it was destroyed by the Red Scare.