Vernon Miles

@corbie.bsky.social

Writer/Producer for FOX 5, formerly ALX/ARLnow. Archmage of the College of Winterhold. He/Him.

I appreciate a swift response from an agent I'm querying for my book but I feel like less than 12 hours is *too* quick. You don't want to... like think about it a little bit or something? Or read the query?

The funny thing about being an Xbox kid is realizing all your classics were like generic brand knockoffs. “Hmm, Zelda? Crash Bandicoot? Haven’t heard of them. We do have all the Ty the Tasmanian Tiger games though!” “Mario Kart? Oh you mean Ty Kart…”

Ty the Tasmanian Tiger Ty Cart

The comics subreddit brought up characters with consistently high quality and I think the best answer for that is easily Thor. If you skip the 90s, you've got five decades of 10/10 runs from his start with Lee and Kirby, then Simonson, Straczynski, Aaron, Cates and Ewing

Lee/Kirby ThorSimonson ThorStraczynski ThorAaron Thor

I think House of the Dragon season 2 was underrated but now everybody is saying season 3 is an upswing but I feel like I'm going crazy because the season seems way more meandering after like the third episode.

It’s so funny learning that A Storm of Swords lost the Hugo award to Goblet of Fire. Truly the fantasy equivalent of Shakespeare in Love beating Saving Private Ryan at the Oscars.

I love prophecies in stories that mean nothing to the characters and everything to the reader. In A Storm of Swords a seer lays out huge plot points of the next few books then Arya and company are like

Bild

It's funny that the universal criticism of House of the Dragon s2 was the plotline where an Targaryen prince spends the whole season in Harrenhal working out his psycho-sexual feelings about his mom with a witch. Then in s3 they do the EXACT SAME PLOT with a different prince.

Watching Oppenheimer and it's fucking great obviously but it's also got the same energy as every Aaron Sorkin thing where every character talks to and about the protagonist like they know the other person is the protagonist and everything revolves around them.

With the obvious obligatory exception of moments involving my wife and son: the best times of my life were comic-cons. It's hard to explain the pure bliss of working a comics booth there, being paid to hang out with your friends in a room full of fellow nerds all having the time of their life.

One thing that rules in ASOIAF is the stuff that's original to Martin that just fits naturally with the medieval-ish world, like the Night's Watch as an alternative to execution.

I've watched more Star Wars and Marvel stuff than I care to admit but the franchising of Lord of the Rings still disgusts me on a deep level. The other stuff is all blatantly commercial at its core, but turning the works of Tolkien into slop earns you a high place in creative hell.