CREATe

@create-glasgow.bsky.social

Centre for Regulation of the Creative Economy, University of Glasgow

๐ŸŽฎ Critical Takes | The Xbox "Reset" What can Microsoft's restructuring of Xbox tell us about the future of creative autonomy in the games industry? Edited by Sebastian Martin, this #NowTrending explores what the Xbox reset reveals about consolidation, labour, and game development.

๐Ÿ“ฃ Research in Focus | Digital Regulation at TILTing 2026 Can the Digital Services Act regulate addictive design in live-service games? Weiwei Yi reflects on her doctoral research at TILTing 2026 and discusses monetary dark patterns, consumer protection, competition policy, and internet governance.

๐Ÿ“„ The Concept of โ€˜Lawful Accessโ€™: New ECS Opinion It examines the concept of lawful access across the EU copyright acquis and provides guidance on its interpretation in copyright exceptions and limitations, including for text and data mining, machine learning, and AI model training.

๐Ÿ“ฃ Researching Regulatory Innovation: The UK DRCF As digital technologies and AI develop at unnerving speed, can regulation keep pace? A new article by Philip Schlesinger and Martin Kretschmer explores the UK's DRCF as an innovative model of cross-regulatory collaboration.

We remember our colleague and friend, Professor Morten Hviid, whose remarkable contribution to CREATe, to competition policy, and to the wider academic community will continue to inspire. Morten will be remembered as a generous colleague, inspiring mentor, and exceptional scholar.

๐Ÿ“ฃ Upcoming Symposium | Conflict, Coordination, and Legal Responses regarding Competition Policy and Industrial Policy As AI, innovation, and industrial policy reshape markets, our forthcoming symposium explores how competition law can respond through comparative and interdisciplinary perspectives.

๐Ÿ“ CREATe at the 21st ASCOLA Annual Conference Competition law, digital regulation and AI were at the heart of this year's ASCOLA Conference. CREATe's Magali Eben, David Reader and Liana Japaridze contributed to discussions on digital regulation, competition enforcement and competition policy.

๐ŸŒ The geopolitics of digital regulation Professor Philip Schlesinger, Professorial Fellow at CREATe, delivered a keynote on The geopolitics of digital regulation at the international colloquium The Theory of Cultural Industries: An International Perspective, held in Paris on 17โ€“18 June.

๐Ÿ“ฃ ๐—ก๐—ฒ๐˜„ ๐—ฏ๐—น๐—ผ๐—ด | Can we CREATe a Pro-Consumer AI Regulation? by ๐——๐—ฟ ๐—”๐—ป๐—ป๐—ฎ ๐—ž๐—ฎ๐˜๐—ต๐—ฎ๐—ฟ๐—ถ๐—ป๐—ฎ ๐—ฆ๐˜‚๐˜‡๐˜‚๐—ธ๐—ถ-๐—ž๐—น๐—ฎ๐˜€๐—ฒ๐—ป (Independent Researcher). ๐Ÿ”— Read the full blog ๐Ÿ‘‰ www.create.ac.uk/blog/2026/07...

Can we CREATe a Pro-Consumer AI Regulation? - CREATe

create.ac.uk

๐Ÿค– AI-driven research and data protection: CREATe response to the ICO consultation Based on the UKRI Metascience AI project, led by Dr Zihao Li, the response examines how copyright and data protection law shape AI research โ€” from data acquisition and model training to deployment and reuse.

๐ŸŒ Beyond Spectacle: Measuring Real Impact in Immersive Difficult Heritage XR Can immersive experiences deepen understanding? How do we centre community voices? And what does meaningful impact look like? This blog explores ethical XR through trauma-informed design and community voices.

๐ŸŽฎ The end of physical games? The Fallout 4 meme captures the mood. The law explains why. Sony's move away from game discs isn't just nostalgia โ€”it's about copyright, ownership, consumer rights and game preservation. As gaming goes digital, this debate has implications far beyond the games industry.

๐Ÿ“… Upcoming online talk | 30 September 2026 How can the history of a painting change the way we see it today? Join CREATeโ€™s Dr Elena Cooper for a free online talk exploring Abraham Solomonโ€™s First Class and Second Class โ€” two pioneering Victorian paintings. ๐Ÿ• 7.30pm #ArtHistory #Copyright

๐Ÿ“… Upcoming online talk | 30 September 2026 How can the history of a painting change the way we see it today? Join CREATeโ€™s Dr Elena Cooper for a free online talk exploring Abraham Solomonโ€™s First Class and Second Class โ€” two pioneering Victorian paintings. ๐Ÿ• 7.30pm #ArtHistory #Copyright

Forthcoming Online Talk: โ€˜Rediscovering the paintings First Class and Second Class by Abraham Solomonโ€™ by Dr Elena Cooper - CREATe

create.ac.uk

๐ŸŽฅ ๐—ช๐—ต๐—ฎ๐˜ ๐—บ๐—ฎ๐—ธ๐—ฒ๐˜€ ๐˜๐—ต๐—ฒ ๐—–๐—ฅ๐—˜๐—”๐—ง๐—ฒ ๐—ฆ๐—ฝ๐—ฟ๐—ถ๐—ป๐—ด ๐—ฆ๐—ฐ๐—ต๐—ผ๐—ผ๐—น ๐˜€๐—ฝ๐—ฒ๐—ฐ๐—ถ๐—ฎ๐—น? Hear it from our participants. Watch the highlights and hear what participants had to say about their experience ๐Ÿ“ฝ๏ธ #CREATe #SpringSchool #LawAndTechnology #CreativeIndustries #AI #Copyright #CompetitionLaw #UniversityOfGlasgow youtu.be/A1hKTeR5uVc?...

CREATe Spring School 2026 - Remaking Creativity

YouTube video by CREATe University of Glasgow

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๐ŸŽญ ๐—ก๐—ฒ๐˜„ ๐—ฏ๐—น๐—ผ๐—ด | Law, the Arts, and the Digital World by ๐—˜๐—น๐—ฒ๐—ป๐—ฎ ๐—–๐—ผ๐—ผ๐—ฝ๐—ฒ๐—ฟ. This blog reflects on two recent arts productions relevant to CREATeโ€™s research themes. ๐Ÿ”ถ ๐—”๐—ฟ๐—ฒ ๐—ฌ๐—ผ๐˜‚ ๐—ช๐—ฎ๐˜๐—ฐ๐—ต๐—ถ๐—ป๐—ด? by Georgie Dettmer ๐Ÿ”ท ๐—š๐—ฟ๐—ฒ๐˜† ๐—Ÿ๐—ถ๐—ป๐—ฒ๐˜€, an exhibition curated by Dr Marie Hadley and Dr Adam McDade. ๐Ÿ“– Read the full blog ๐Ÿ‘‡

Law and the Arts: Reflections on the play โ€˜Are you Watching?โ€™ by Dettmer and the exhibition โ€˜Grey Linesโ€™ by Hadley and McDade - CREATe

create.ac.uk

๐Ÿ“ฃ ๐—ก๐—ฒ๐˜„ ๐—ฏ๐—น๐—ผ๐—ด | Can we have a platform regulation without AI regulation? by ๐—ฆ๐—ฒ๐—ท๐—ฎ๐—น ๐—–๐—ต๐—ฎ๐—ป๐—ฑ๐—ฎ๐—ธ (University of the West of England). ๐Ÿ”— Read the full blog ๐Ÿ‘‰ www.create.ac.uk/blog/2026/06...

Can we have a platform regulation without AI regulation? - CREATe

create.ac.uk

๐Ÿ’ก #CREATeAI: Trends in Regulating AI in the Creative Economy Reflecting on competition authoritiesโ€™ attempts to address the use of publishersโ€™ content in AI, Magali Eben reflected ๐Ÿ‘‡ ๐Ÿ—ฃ๏ธ What do you think? ๐—œ๐˜€ ๐˜๐—ต๐—ฒ ๐—น๐—ฎ๐˜„ ๐—ฎ๐—น๐—ฟ๐—ฒ๐—ฎ๐—ฑ๐˜† ๐˜๐—ผ๐—ผ ๐—น๐—ฎ๐˜๐—ฒ ๐˜๐—ผ ๐—บ๐—ฒ๐—ฎ๐—ป๐—ถ๐—ป๐—ด๐—ณ๐˜‚๐—น๐—น๐˜† ๐˜€๐—ต๐—ฎ๐—ฝ๐—ฒ ๐—”๐—œ ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—ฐ๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ฒ ๐—ฒ๐—ฐ๐—ผ๐—ป๐—ผ๐—บ๐˜†?

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๐Ÿ“ฃNew blog | Time to dress the emperor? #CJEU judgement in #Meta (๐—–-๐Ÿณ๐Ÿต๐Ÿณ/๐Ÿฎ๐Ÿฏ) by Ula Furgal In this blog, she explores these wider implications of the CJEU's ruling and asks whether bargaining frameworks can really address the structural limitations of the press publishersโ€™ right. Full blog below ๐Ÿ‘‡

Time to dress the emperor? CJEU judgement in Meta (C-797/23) - CREATe

create.ac.uk

๐Ÿ“ฃNew blog | Copyright protection of prompted generative AI outputs in the United Kingdom (๐—”๐—œ ๐—ฅ๐—ฒ๐—ด๐˜‚๐—น๐—ฎ๐˜๐—ถ๐—ผ๐—ป: ๐—˜๐—–๐—ฅ๐˜€โ€™ ๐—ฃ๐—ฒ๐—ฟ๐˜€๐—ฝ๐—ฒ๐—ฐ๐˜๐—ถ๐˜ƒ๐—ฒ๐˜€) In this blog, Cody Rei-Anderson (Edinburgh Napier University) explores: How will copyright law treat works produced by or with the assistance of generative AI?? ๐Ÿค–โš–๏ธ๐ŸŽจ

Copyright protection of prompted generative AI outputs in the United Kingdom: A preliminary taxonomy - CREATe

create.ac.uk

๐Ÿ’ก#CREATeAI: Trends in Regulating AI in the Creative Economy Following his presentation on โ€œEmpirical effects of opting-out: new data from DeviantArtโ€, Kristofer Erickson reflected ๐Ÿ‘‡ ๐—›๐—ผ๐˜„ ๐˜€๐—ต๐—ผ๐˜‚๐—น๐—ฑ ๐—ฟ๐—ฒ๐—ด๐˜‚๐—น๐—ฎ๐˜๐—ผ๐—ฟ๐˜€ ๐—ฑ๐—ถ๐˜€๐˜๐—ถ๐—ป๐—ด๐˜‚๐—ถ๐˜€๐—ต ๐—ฏ๐—ฒ๐˜๐˜„๐—ฒ๐—ฒ๐—ป #โ€œ๐—ฐ๐—ผ๐—ป๐˜๐—ฒ๐—ป๐˜โ€ ๐—ฎ๐—ป๐—ฑ #โ€œ๐—ฑ๐—ฎ๐˜๐—ฎโ€ ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—ฎ๐—ด๐—ฒ ๐—ผ๐—ณ ๐—”๐—œ?

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