Ian McHugh

@tonemonkey.bsky.social

I’m a blues musician and DJ, host of Blues is the Truth and compère at the Ealing Blues Festival. Currently working my way through listening to 1001 Albums to listen to before you Die and sharing my opinions which are many. https://linktr.ee/ian.mchugh

105/1001 The White Stripes-Elephant. It’s blues modernised, but stripped of subtlety. Riffy, simplistic and with a lot of push, the songs stand out for the most part. Very well made garage rock may be an apt description. #1001albums

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104/1001 Elvis Costello- Imperial Bedroom. Devoid of the big hits, it’s still diverting. The recording and production are incredible and experimental, the songs are good. It just didn’t have that moment where the recognisability lifts the experience, so it’s one for another listen. #1001albums

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103/1001 Johnny Cash-American IV: The Man Comes Around. Late period with Johnny sounding vulnerable and old, but still very capable of capturing emotion with his voice. Astoundingly well chosen covers it’s not just about Hurt. #1001albums

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102/1001 Joni Mitchell-Hejira. Not my favourite Joni Mitchell album but not far off. This has hugely inventive instrumentation and performance wonderful moving songs and Joni’s voice soaring above it all. Wonderful. #1001albums

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101/1001 Richard and Linda Thompson-I Want to See the Bright Lights Tinight. A near perfect record with great songs and performance. One of my favourites. I came at it the wrong way time wise and am always hearing where a band I admire got that idea when I listen to this which just adds to the fun.

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99/1001 LCD Soundsystem-Sound of Silver. I’ve always enjoyed this record. Electronic music with rock sensibilities and a way of being accessible and musically impressive. Get Innocuous builds and builds and the New York I Love You is as melancholy a love song as has ever been dedicated to a city.

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98/1001 Maxwell’s Urban Hang Suite. It’s groovy and soulful in a way that seems more contrived than, say D’Angelo. It just seems like Maxwell was trying to deliver to a brief and not from the soul. Perhaps too polished? #1001albums

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97/1001 Depeche Mode-Violator. There’s a real thrill of recognition when the hits come up when I listen to this. I like that because the rest of the album doesn’t disappoint, it all exists in one space stylistically and in terms of quality, I just don’t know it all yet. #1001albums

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93/1001 The Byrds-The Fifth Dimension. Eight Miles High is a classic, the rest of the album less so. I don’t like their take on Hey Joe, with added lyrics and no menace, the pass at a Scottish folk song is bland & the rest sounds like they’ve thought about what a Byrds record should be and made that

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92/1001 The Cure-Pornography. The Cure have always been accessible goth-y music and this is a good example of why that is. I didn’t recognise any of the hits, but I wasn’t put off. There’s enough sensibility to be accessible but this isn’t pop music. It’s darker, more interesting. #1001albums

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91/1001 Malcolm McLaren-Duck Rock. It’s an attempt to grab the zeitgeist & does manage to be prescient for the tropes of later hip hop & to beat Paul Simon to ‘bring African influence’ to western music (that was ‘borrowed’ from African slave descendants). Double Dutch has a groove though. I enjoyed

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88/1001 Pink Floyd-The Wall. I don’t get all the fuss about Floyd. This seems to me to be rather full of its own cleverness, goes on too long & really is pleased with itself. My favourite parts are how well recorded it is & the little rhythm guitar parts on The Wall. The rest leaves me cold.

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86/1001 The War On Drugs-Lost in the Dream. There’s a folky ambience to this. Sound wise I’ve heard similar things on modern Dylan records, but this is less demonstrative, more insidious, and it does its best to insinuate itself into your consciousness rather than demanding attention. #1001albums

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Gil Scott-Heron/Brian Jackson-Winter in America. Groove leads you into a protest against social injustice. This isn’t a divisive record, it’s warm and welcoming yet it deals with some serious stuff in a way that is accessible to all. A wonder. #1001albums

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The Cardigans-First Band on the Moon. It’s easy to see why Lovefool was the hit it was. It’s so accessible fun and joyous. That’s not to say the rest of the album is not good it’s just that it goes to some interesting places that people drawn in by the single won’t expect. #1001albums

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81/1001 Iron Maiden-thé Number of the Beast. It’s Maiden. Expect gallopy beats and the whole thing to be pompous like an unironic Spinal Tap yet strangely good and you’re there. It’ll never be my favourite but it’s not the worst ever. #1001Albums

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80/1001 John Lennon-Imagine. A very good album even if john (and Paul) never reached the same heights they did previously in their post Beatles careers this has some wonderful songs and performances. I’ve always liked oh Yoko. Contains one of the top three versions of Jealous Guy. #1001albums

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77/1001 The Lemonheads-It’s a Shame About Ray. Most of my memory of this was the cover of Mrs Robinson. I quite enjoyed the rest of it. Decent songs. Slightly Americana feeling. Not as grungy as I had filed it under. Not a bad listen. #1001Albums

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76/1001 James Brown-Live at the Apollo. I love James Brown. This album is good, but… it has always sounded like the band are playing 15% too fast. It’s like the band are being paid by the song not the hour and they have a bar to get to. It doesn’t quite let the funk breathe. #1001albums

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