chad black

@chadblack.bsky.social

Impostor. Latin America, Theory, Marx, Freud, Lacan, Horror, Monsters. Cycling, trail running, music. RDU, TYS, UIO, ABQ, BAL, SAN

One of the more depressing aspects of the use of AI in higher education is watching smart people with advanced degrees enthusiastically participate in their own cognitive deskilling.

It's a tragedy that we continue to individualize bearing the risk of mobility, largely in response to the irrational and emotional place of the automobile in American life.

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I like the idea that the shows I like all happen in the same universe. It's rewarding to see that Brianna Barksdale not only ended up in witness protection, but got a medical degree and became a hospital administrator in Pittsburgh. Those gangster/administrator skills definitely overlap.

This is quite absurd, of course. And unsurprising for an economist in a law school. But, it's also the same mentality that in 2017 gave us historians saying, "the confederate statutes weren't even put up until the 1920s," as if that fact, put in the right order, changed their meaning.

Aparna Nair@disabilitystor1.bsky.social · 3mo ago

"History involves sorting and organizing hundreds of thousands of facts" I remain astounded by how loud and wrong people are about what history actually is.

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Megan Stevenson
@MeganTStevenson
I haven't heard people talking about this, but AI is an absolute game changer for doing historical research. History involves sorting and organizing hundreds of thousands of facts— a massive logistical/memory problem made so delightfully easy with agentic research. 1/
1:31 PM · Jul 29, 2026
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Megan Stevenson
@MeganTStevenson
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Jul 29
I did an OCR conversion of all my PDFs to make text files, built a semantic search index, and can just let my agents roam free to answer questions, fact-check, dig up interesting stories, quotes, etc. It takes a lot of the hard work out, as well as a lot of the human error. 2/2

Goya's capricho No. 6, "Nadie se conoce," has that excellent ambivalence of meaning both "No one knows themselves" and "No one knows each other." The masquerade performs the way that the monstrousness of the neighbor mirrors the monstrousness of the self, and the other way around.

Capricho 6 by Francisco Goya, inscribed in Spanish "Nadie se conoce." The image shows a masked man bowing before a masked woman, as if at a masquerade ball. Behind are weird and frightening visages in tall striped hats, one of whom looks down upon the scene.

Fascism is the recreation and repetition by Capital of the conditions of its own emergence. When social reproduction starts to fail, Capital returns to, repeats its original crisis.