Daniel Allen

@danielallen.bsky.social

Creator, Cinematic Sense. Bylines: Loud and Clear, Little White Lies, Film Stories, The Quietus, In Review Online, The Film Magazine. Portfolio: https://muckrack.com/daniel-allen-30 Freelance inquiries: https://cinematicsense.home.blog/contact/

RIP Sam Neill. Will obviously be remembered for Jurassic Park, but he was also so good in The Piano and Hunt for the Wilderpeople. Could do chilling horrors as well as warm comedies. A stately presence that will be greatly missed.

Sam Neill in Jurassic Park (1993)

Luca Guadagnino's OpenAI film ARTIFICIAL has been dropped by Amazon, and it still hasn't found a new distributor. For Cinematic Sense, I talk about how bad that is, as well as the ramp-up of AI usage in the film industry and the worrying consequences...

Let's Talk About Artificial and AI's Takeover of The Film Industry

As Luca Guadagnino’s OpenAI biopic is dropped by Amazon, let’s talk about the worrying AI takeover of the film industry…

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Steven Spielberg's new film Disclosure Day is out in cinemas today. And for Cinematic Sense, one of our guest writers, Thomas Tobutt, has written about how his previous alien films have evolved over the years. #DisclosureDay #Aliens

Steven Spielberg and the Evolution of His Alien Films - Cinematic Sense

As his new film Disclosure Day is released, let’s look at how Steven Spielberg has explored the extraterrestrial in his films…

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Steven Spielberg's new film Disclosure Day is out in cinemas today. And for Cinematic Sense, one of our guest writers, Thomas Tobutt, has written about how his previous alien films have evolved over the years. #DisclosureDay #Aliens

Steven Spielberg and the Evolution of His Alien Films - Cinematic Sense

As his new film Disclosure Day is released, let’s look at how Steven Spielberg has explored the extraterrestrial in his films…

cinematicsense.blog

For Cinematic Sense, the David Lynch Retrospective continues with our first trip to Twin Peaks. Lynch and Mark Frost's mystery series quickly became a phenomenon when it first aired. Based on Season 1, it is not hard to see why...

David Lynch Retrospective: Twin Peaks Season 1 - Cinematic Sense

David Lynch’s mystery series Twin Peaks quickly became a sensation when it aired. Watching the wonderful first season, it is not hard to see why.

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For Cinematic Sense, my review of Julia Loktev's epic (and absolutely vital) documentary about dissident Russian journalists, MY UNDESIRABLE FRIENDS: PART I - LAST AIR IN MOSCOW (available now on MUBI)... cinematicsense.blog/2026/06/05/f...

Film Review: My Undesirable Friends: Part I – Last Air In Moscow

Julia Loktev’s epic journalism documentary My Undesirable Friends: Part I – Last Air in Moscow is gigantically dense, staggering and vital.

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It's been 36 years since David Lynch won a Palme d'Or and divided #Cannes with Wild At Heart. For Cinematic Sense and the David Lynch Retrospective, I look at this Wizard of Oz-inspired road trip crime film that remains a daring pulse of energy... cinematicsense.blog/2026/05/21/d...

David Lynch Retrospective: Wild At Heart - Cinematic Sense

David Lynch’s Palme d’Or winner Wild At Heart is a lover’s road trip movie - and a daring pulse of energy.

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Nicolas Winding Refn’s Drive is great. Its score is iconic. But did you know about the rescored soundtrack from Radio 1 and Zane Lowe? For Cinematic Sense, I examined this alternative version and why it was worth it (at least in theory)... cinematicsense.blog/2026/05/15/f...

Remembering The Time When Drive Got A Rescore - Cinematic Sense

Nicolas Winding Refn’s Drive is great. Its score is iconic. But did you know of its rescored soundtrack filled with new songs?

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New review for Cinematic Sense. Richard Linklater's Nouvelle Vague takes on Godard and the birth of the French New Wave. It's fine and well-shot, but offers little substance for anyone except die-hard cinephiles... cinematicsense.blog/2026/05/07/f...

Film Review: Nouvelle Vague Is *Only* For The Cinephiles - Cinematic Sense

Richard Linklater’s Nouvelle Vague looks at the making of Jean-Luc Godard’s Breathless but offers little substance for anyone except die-hard fans.

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