Robert Daniels

@812filmreviews.com

Associate Editor at RogerEbert • Contributor: The New York Times • Screen Daily • Reverse Shot • Letterboxd

sorry to be pushing this a lot but my finances took a hit last summer when I had to step away from things when my Dad got ill/passed, then took a bigger hit when my cats got ill/pissed, then again when taxes were higher than expected, and now many freelance gigs have dried up so this is about it

🏳️‍🌈 Ms. Marya E. Gates 🦩@oldfilmsflicker.bsky.social · last wk.

If you’re a fan of my writing and would like to upgrade to a paid subscription now is the time: oldfilmsflicker.substack.com/SilentSummer... With this discount, you’d greatly support my ability to keep working as a freelancer for less than a cup of coffee a week!

I wrote a tribute to Kaylee Hottle, the deaf actress whose performance as Jia was the heart of two of the Legendary Pictures Kaiju films, Godzilla vs Kong and Godzilla x Kong. Killed at 18 in a car wreck. A staggering loss. www.rogerebert.com/tributes/wha...

What Could Have Been: Kaylee Hottle (2007-2026)

From Jean Harlow and James Dean through Simone Battle and Anton Yelchin, entertainment history is filled with instances of performers dying just as audiences

rogerebert.com

"Everything is tied up in that one word, fairytales, and I just find it so intoxicating. So, ever since then, everything I have made is a fairytale." @oldfilmsflicker.bsky.social spoke with Nicolas Winding Refn about HER PRIVATE HELL, daddy issues, RIVERDALE, & silent films:

Cinema is My Calling Again: Nicolas Winding Refn on "Her Private Hell"

An interview with the director of Drive, Only God Forgives, and this week's Her Private Hell.

rogerebert.com

Having now seen the ODYSSEY, Corey Hawkins is the high-key highlight of the supporting cast. Which isn't a surprise because he's always among the best parts of any film he's in. Hawkins is an amazingly talented actor who never gets his due flowers.

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"I realized at the end of the day that I was never going to make reality, because reality doesn’t work like that. So I decided to make unreality my canvas" At Cannes I spoke with Nicolas Winding Refn about his new film HER PRIVATE HELL (and silent film) for @ebertvoices.bsky.social

Cinema is My Calling Again: Nicolas Winding Refn on "Her Private Hell"

An interview with the director of Drive, Only God Forgives, and this week's Her Private Hell.

rogerebert.com

A very good mail day today!! My profile of THE FURIOUS’ Kenji Tanigaki in Filmmaker Mag (a debut for me) arrived. As did my contributor’s copy of I’M GONNA GIT YOU SUCKA (I wrote an essay for it).

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I spent my last night in Prague at this cocktail bar reading Margo Jefferson. I had hoped this post-fest sojourn would recharge my batteries but honestly, I’m still pretty burned out.

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^ "Nolan's script mixes in bits of The Iliad, The Aeneid, and 20th- and 21st-century translations of The Odyssey, with their own embellishments. The result is a sort of OEU (Odysseus Expanded Universe), minus a post-credits scene where Zeus asks Odysseus to join the Olympus Initiative."

"Casting actors of many nationalities and ethnicities sends the message that Homer, like Shakespeare, and so many great storytellers from so many countries, belongs to everyone." On The Odyssey and its "controversies." Loved it. A big show, intelligently told. www.rogerebert.com/reviews/the-...

The Odyssey review: Christopher Nolan has done it again

A mighty epic with a view of human nature more sophisticated than most movies of its type.

rogerebert.com

“The movie is mightily impressive, for its scale, the graceful way it moves from one time period to another, & for the tactility of its imagery. … All the fine points of production are always in service of the characters' feelings" @mattzollerseitz.bsky.social in his 4/4 star review of THE ODYSSEY:

The Odyssey review: Christopher Nolan has done it again

A mighty epic with a view of human nature more sophisticated than most movies of its type.

rogerebert.com