Giovanni Aloi

@giovannialoi.bsky.social

Author, curator, and educator specializing in the representation of nature in modern and contemporary art. Tireless gardener. Founder and Editor in Chief of Antennae: the journal of nature in visual culture.

Yesterday, I photographed these cut flowers at a stand in Rittenhouse Square, Philadelphia. I share them today as a small gesture of compassion for those who lost their lives or were harmed in the tragedy that unfolded in Berlin, and for all who are now grieving.

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I have just received a copy of the impressive catalog of "Plumes du Paradis" (Plumes of Paradise) exhibition at the Musée du Quai Branly - Jacques Chirac in Paris, which explores the cultural and environmental colonial journey of birds of paradise from New Guinea to the world.

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It's always a joy to see the tulip tree bloom at this time of the year. One of the most spectacular North American native trees, Liriodendron tulipifera has been used by many Indigenous tribes to carve canoes as it grows particularly straight and tall.

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Hello gorgeous! Came across this baby garter snake close to the house. Unlike most snake species that lay eggs, garter snakes give birth to live young (typically 15 to 40 snakelets at a time).

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In Mina Jin’s painting, the house appears to have surrendered its traditional privilege as the symbolic center of the landscape. The houses don't register. For once we are blind to human constructs instead of plants. \

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Happy birthday, David Attenborough! 100 -- what a remarkable life spent discovering, loving, and sharing the incredible nature that makes our planet so unique. As a kid I religiously watched his documentaries. At the time, they used to play after lunch-time -- every day. Mesmerizing.

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While at MiArt recently I came across this gorgeous photograph by Joanna Piotrowska (Untitled, 2019) and of course I stopped in my tracks! Such beautiful awkwardness. The artist is interested in creating images that are open to interpretation, suggestive, but intentionally unresolved.

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Today is the 40th anniversary of the tragic Chernobyl incident. In this article for Il Sole 24 Ore, I focus on artists who have crafted new approaches to representation in order to capture the magnitude of this disaster.

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A few weeks ago, I had the pleasure to meet and interview the first Botanical Curator ever appointed by an institution: Rahel Kesselring at Beyeler Fondation in Basel. Supported by the CHANEL Culture Fund in Basel, this appointment signals a change of direction in the politics of eco-art.

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ANTENNAE ISSUE #69 'REALISM' IS NOW ONLINE! Hot off the press for Earth Day, here's Antennae's new issue dedicated to Realism and the representation of the natural world. Realism gives us the contour of a leaf while concealing the fungal networks beneath the soil; it reveals the plumage of a

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It is deeply sad that we should need an “Earth Day” at all. The very idea carries the wrong implication. The planet is not a cause among others, nor a theme to be acknowledged once a year. It is everything we have. It is the ground of every life, every hope, every future.

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Jokes aside, it is deeply sad that we should need an “Earth Day” at all. The very idea carries the wrong implication. The planet is not a cause among others, nor a theme to be acknowledged once a year. It is everything we have. It is the ground of every life, every hope, every future.

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Another vegetal gem from EXPOCHICAGO2026. rocki swiderski’s paintings of no-man's land and liminal spaces are full of fragile beauty. These paintings linger in the uneasy space where vulnerability is rooted in resilience:

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A quick visit to Miart 2026, Milan’s contemporary art fair. One thing that struck me was the near-total absence of animals and plants in the works on view. By comparison, EXPO Chicago felt like a vegetal triumph.

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Some things don't change. As I child, I was obsessed with wall lizards (Podarcis muralis Laurenti) that thrived on the perimeter wall of my kindergarten in spring and summer. Most kids played with balls and hoops. I spent time looking for them and would take friends to discover them with me.

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This year, @expochicago was a triumph of vegetal gorgeousness! I will share some of my highlights here over the next few days starting from Korean painter Manna Lee, here represented with 'Forest' (2023), a lush and intriguing oil on canvas.

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Episode #3 in the 'I'm Not an Artist' series is now available on Youtube. In this episode I talk about the artist myth, how it prevents creative people from organically developing fulfilling careers and how we might be better off without the word "artist" altogether. Is this a provocation?

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Last summer, I had the great pleasure of rediscovering Second Nature by Michael Pollan. A masterclass in thinking through our fraught relationship with nature the book anticipates human-animal studies and critical plant studies arguments by roughly 20 years. 1m

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