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A magazine founded on the suspicion that modern life is worth examining. thepointmag.com

In this newly published interview, the late historian Carlo Ginzburg reflects on a lifetime of uncovering forgotten voices, arguing that the best history doesn't confirm what we already believe—it reveals the unexpected humanity hidden in the archives. thepointmag.com/dialogue/sea...

Searching for the Unexpected | The Point Magazine

This interview with Carlo Ginzburg, which we are publishing here for the first time, was conducted a decade ago at the University of Chicago.

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This is a previously unpublished, decade-old conversation between David Gutherz (with the help of "co-conspirator" Oliver Cussen) and the late Carlo Ginzburg. Below the piece, you'll find a screenshot of Ginzburg's Foucault anecdote, which appears in the text. thepointmag.com/dialogue/sea...

Searching for the Unexpected | The Point Magazine

This interview with Carlo Ginzburg, which we are publishing here for the first time, was conducted a decade ago at the University of Chicago.

thepointmag.com

“It almost feels as if we’re inside an AI-generated photo—not just because the surrealism of the weather has compounded that of the event but also because, when it comes down to it, none of this really means anything.” A dispatch from UFC Freedom 250:

Drain the Slop | The Point Magazine

It’s 8:15 p.m. on Friday, June 12th, and we’re at the base of the Lincoln Memorial, a few hundred of us, for the UFC Freedom […]

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“Their point is not really to tell us things about the world so much as to change our ways of seeing it: throwing sudden light; showing up what is beneath the surface as if in an x-ray; making the familiar strange, stupid, often hideous.” Lorna Finlayson on the films of Frederick Wiseman:

Wiseman’s Children | The Point Magazine

The first Frederick Wiseman film I saw, and the one that remains my favorite so far (Wiseman made a lot of films, and I have yet to see more than a fraction of them), was his seventh: Juvenile Court.

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“It Was Just an Accident” is a departure for Jafar Panahi—a thriller at times reminiscent of Scorsese. But instead of mobsters navigating the violent codes of the underworld, he gives us a cat-and-mouse struggle between former political prisoners and the intelligence apparatus of the state.

Panahi’s Laboratory | The Point Magazine

In Taxi (2015), Jafar Panahi stages a brief but haunting moment that, in retrospect, feels like the seed of his most recent film, It Was Just an Accident(2025).

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“I enjoy watching games with my family so much that I sometimes get depressed even after a win. I feel suddenly adrift, my adrenaline dissipating as I return to my dull life. What is there now, I wonder, to be excited about?” New on Forms of Life, Tim Aubry on family life with the Knicks:

A Part of It | The Point Magazine

After my parents divorced, my dad started his own advertising agency in Manhattan and determined that his efforts to woo clients would be immeasurably enhanced […]

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