Fionn MacPherson

@fionnmacpherson.bsky.social

She/they/whatever-the-hey Writer, I suppose. Fiction editor for Lost Souls magazine. Living as an uninvited guest on Ngunnawal and Ngambri country Check out my other stuff here 👉 https://linktr.ee/fionnmacpherson

Lost Souls’ very own Editor in Chief Ben O’Mara is hosting a workshop “Skin in the Game” next Saturday! Come along to learn everything there is to know about recounting the truth of the darkness in your everyday life.

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Love the theme “Terminally Online” and honoured to do the cover art (that cute little cymothoa exigua just wants to help)! I can’t wait to read these stories! 🤩 💻 🖤

Fusion Fragment@fusionfragment.bsky.social · last wk.

Saros SF #7 is nearly here! Release date coming soon, so get ready for stories by @adamdelrey.bsky.social, Alexandra Nyx, Mir Rainbird, Mathew Lebowitz, Becks Simpson, and @kirkvanderbeek.bsky.social. Edited by @thompsinator.bsky.social, this issue features cover art by @chpearcewrites.bsky.social!

The cover of Saros #7 shows a woman on her phone, while faces peer at her. A small wormy caterpillar type insect emerges from her mouth.

My story 'Like Water' is free to read now! "In exchange for two large cod, the wise-woman extracts Minke’s first language and wraps it in a piece of sailcloth...." Thank you to the @havenspec.bsky.social team for giving this one a home!

Haven Spec Magazine@havenspec.bsky.social · last mo.

👀August 2026 Fiction👀 "Like Water" is a short story by E.M. Linden / @emlinden.bsky.social about losing the things we hold most dear when we are made to assimilate. Read it here! havenspec.com/fiction/like...

Teaser image of the short story "Like Water" by E.M. Linden in Haven Spec Magazine, Issue 25, published August 2026. The text in the image is an excerpt of the piece over the cover image, titled "Quietness in Amber" and made by Caroline Jamhour. The image features a contemplative woman, her eyes closed, standing in shoulder-deep water beside a crescent moon, her hair flowing on the water's surface.

I've never used AI in my work, and never will. More: I have amendments made to all my contracts, ensuring AI is never used in any part of the process (cover, editing, etc.). Fuck AI. Support human art.

Site Selection is open @laworldcon.bsky.social Your vote provides start up money for #Meanjin2028 #Brisbanein2028. And please support us as Mates/Virtual Mates! Along with WSFS supplement (bought with Site Selection), this is the cheapest way to join the convention www.brisbane28.org/support-us/s...

Support the Bid - Brisbane in 28

Buy merch, contribute donations, grab an attending membership! Your gateway to support the Brisbane in 28 bid.

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So excited to have my helpful fungus friend (?) story included in this alongside this excellent lineup! 🍄 🔪 I am intrigued by all the story titles, can’t wait to read the rest 👀 🖤 📼 📚

Merc Fenn Wolfmoor@mercwolfmoor.bsky.social · 3mo ago

I am SO happy to announce the table of contents for [RECORDED]: An Anthology of Found Media Stories, coming to haunt you on October 13th, 2026! 🎥 📚💙 www.backerkit.com/c/projects/m...

"A Memorandum on Military Etiquette in the Fourth Year of the Fae Crusade" by Nick Badot

"Helpdesk Ticket: Work Stoppage" by Bridget D. Brave

"NeuraCoat" by PS Cavanaugh

"The Last Episode of Captain Moonbeam’s Fun-Time Galaxy" by William R. Crichton

"Sleepless in the Notes App" by Megan Diedericks

"Case File 09987-296: Wildgrove Zoo" by Taylor Ellison

"Paracon 2026 Preliminary Schedule" by Dylan Freeman

"Witness Us Witness You" by Andreas Hort

"Mabaruga - the Ancient" by Diana J Kamieniarz

"The Seven Sins Of Selena Nielsen" by Hannya Kay

"The Old Mill" by Seoung Kim

"Side Effects" by Sam Logan

"The Man in the Leaves: an Index Case" by Aster Loxley

"The Pulling Hour" by Kieran McCaffrey

"The Masundanyika Files" by Masimba Musodza

"Cypress Hymns" by Jorja Osha

"Go Eat Some Worms with Callie Cooks" by C. H. Pearce

"What Follows Out of the Woods" by C. Piveral

"Federal Bureau of Ontology" by Rose Skye

"How to Breed Your Own Wish Fish - Babylon Curses Weekly, originally published October 31, 1899 [amended to include Sir Lamington’s letter to the Editor, 21 November 1924]" by Liv Strom

"Shelley’s System Data for the Play Test of Sinister Susurrations" by Catherine Tavares

Quick mini watercolour of Sara (Desiree Akhavan) from Creep 2 (2017)! Plus progress sketches. Creep (2014) & Creep 2 a masterclass in horror/comedy, I could not tell if I wanted to cover my eyes because of The Office-style relatable awkwardness or the unnerving found footage horror 🙈 😱

watercolour sketch of Sara (Desiree Akhavan) from Creep 2. Artist’s watermark reads www.chpearce.netwatercolour sketch of Sara (Desiree Akhavan) from Creep 2. Artist’s watermark reads www.chpearce.netsketch of Sara (Desiree Akhavan) from Creep 2. Artist’s watermark reads www.chpearce.net

I've a surprise new release coming out, and I'm not mucking around: you can pre-order now, and own it in a couple of weeks (July 7) This Machine Kills Billionaires features the thrilling, multi-award-winning novella, 'The Hidden God', a triptych of bonus short stories, & more.

Cover of book and it looks fucking sick. Huge purple head (someone sort of cybergod), looming in the background over the silhouette of a woman. Also notes that the release date is July 7.  This Machine Kills Billionaires being unboxed. Interior of book. The internals are excellent. Here is the opening page for The Hidden God, which has a quote from Camus: "For anyone who is alone, without god and without a master, the weight of days is dreadful. Hence one must choose a master, god being out of style." Back cover with blurb: 

Billionaires start dying in bizarre accidents, sending shockwaves through the markets and the media. But for philosopher Izanami (Izzy) Jones, it's just a vaguely amusing, if disturbing, item in the news. 

Izzy is the reluctant employee of a Silicon Valley tsar. She’s been tasked by him to give moral instruction to the world's first Artificial General Intelligence, Huldo. Izzy knows it is merely a box-ticking exercise, required by government regulation before her boss is granted full control over the AGI. 

But when Huldo reveals itself to be far more, and far less, than it appears, suddenly the abstractions of her work become very real. What moral constraints on a god? What righteous damnation for man? Izzy must make the impossible choice, before it is too late.

We are calling for writers and artists in the ACT and surrounding regions to submit their work for the inaugural Reembodied Anthology, making its debut at the 2026 SpringOUT festival. Submissions are open now until July 31st at flightedpages.com/reembodied.

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Site Selection for the 2028 Worldcon is now open! Only members of LAconV can vote. The $50 USD voting fee gets you a WSFS membership to the 2028 Worldcon with access to Hugo Nominating and Voting and the Hugo Voter's Packet. And the winning bid gets that money up front to help finance the Worldcon.

Los Angeles Worldcon@laworldcon.bsky.social · 4mo ago

Site selection for the 2028 World Science Fiction Convention is now open! Please visit our site for bidding info and how to cast your vote: www.lacon.org/siteselection

Site selection now open

Magabala was thrilled to see that Richard Lewer has won the 2026 Archibald prize with this stunning portrait of Pitjantjatjara Elder, senior artist and ngangkari (traditional healer) Iluwanti Ken. Illuwanti Ken is also featured in Magabala's 'Traditional Healers of Central Australia NGANGKARI.'

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