Ana Parejo Vadillo

@veryverso.bsky.social

Poetry and Art. Passenger.

This review of a book about Eric Hobsbawm manages to avoid saying where he worked for his whole career: Birkbeck. He was (t)here from 1947-1982, then emeritus, then President, 2002-2012. A university focused on giving education to working class people. www.theideasletter.org/essay/the-ce...

The Century of Eric Hobsbawm

Eric Hobsbawm’s enduring power lay in his ability to synthesize vast historical processes into compelling narratives that made the modern world legible. Yet, argues Traverso, the celebrated Marxist hi...

theideasletter.org

Only 3 more days to submit to the roundtable on Olga Tokarczuk's 18th Century that @kasiaiskasia.bsky.social and I are organizing for the 2026 ASECS. Your abstracts have to go through the ASECS portal, but please reach out to us individually if you're thinking of submitting & have any questions.

Deidre Lynch@drbibliomane.bsky.social · 11mo ago

#18thc pals, pls RT: @kasiaiskasia.bsky.social & I are assembling a roundtable for the American Society for 18th-C Studies mting in Philly in April, on Olga Tokarczuk's 18th Century. Abstracts due 9/22. Pls help us think together about this fabulous novelist's wayward ways with our period & its 📚.

Olga Tokarczuk's Eighteenth Century, Co-chairs Katarzyna Bartoszyska and Deidre Shauna Lynch 
We are assembling a roundtable on the novels of Nobel laureate Olga Tokarczuk. We hope to identify other scholars who are interested in how her fiction lays claim to the legacy of eighteenth-century literature and philosophy, repurposing the Enlightenment’s encyclopedism and universalism and its concepts of print communications, the public sphere, and the trans-national republic of letters. How do we re-see our period
—its modernity, its concerns with gender, nature, violence, nation—through the lens provided by this 21st-century Polish novelist? Alternately, how might we trace continuities from the eighteenth century to the present in the formal experiments or thematic concerns of novels such as Drive Your Plow Over the Bones of the Dead and The Books of Jacob, and what new architectures of totality or concepts of voice might we discover by doing so?

79 people shot in Gaza over the weekend: There is no excuse for starving people and then opening fire on civilians desperately lining up for food. None. Congress must not give Netanyahu another penny of unconditional military aid.

Bild

I loved every minute of this. What a wonderful conference. With thanks to the brilliant @juliemariewise.bsky.social and @yivory.bsky.social Papers by new scholars in the field were 🔥🔥And there was a #MichaelField strand too!

Julie Wise@juliemariewise.bsky.social · last yr.

What a fantastic event this has been! Smart papers, witty conversations, good friends, old and new. Thanks to extraordinary co-organizer @yivory.bsky.social, keynotes @kristinmahoney.bsky.social and @veryverso.bsky.social, as well as everyone else who made this weekend happen. Now, time for a nap.

Publicity announcement for a conference, featuring a drawing of a woman in 1890s dress, rendered in bold yellow, white, and black

“Terrible things are happening outside. Poor helpless people are being dragged out of their homes. Families are torn apart. Men, women, and children are separated. Children come home from school to find that their parents have disappeared.” Diary of Anne Frank January 13, 1943

Can’t be repeated often enough ‘The UK’s creative industries are vital to the economy. Valued at £124bn, they are worth more than the life sciences, aerospace and automotive industries combined. Arts and culture alone contribute an impressive £34.6bn.’ on.ft.com/42hzVmL

The UK should take a leaf from France’s book to boost arts funding

Tax breaks for corporate sponsors can benefit the creative sector at a time of dwindling public funds

on.ft.com