花ち//commission open

@angel-hanachi.bsky.social

website: https://yumekawahanachi.neocities.org commission info: https://yumekawahanachi.neocities.org/commission Retard obsessed with men and ribbons, hello :) マレーシア人/18歳♀️/146cm/44kg/アホ/🩷idm+deathcore+nu metal/TW: traumacore+gore/EN+MY+日本語 OK ˚ ༘♡ ·˚

"You see that statue? I wittled it myself. But they don't call me Joe the Woodwittler. And that vase? I made it myself. But they don't call me Joe the Glassblower. But you fuck ONE kid..." Found this on a shock site from 1997 and I'm ngl, this joke is clever and funny asf

I'm contemplating publishing physical copies of the manga using Kindle Direct Publishing in the future but I'm on the fence about it because since it's so easy to use, it's notorious for it's users being AI writing scammers and mindless profit hustlers. What do y'all think?

The thing I like about Invader Zim's sound design is the scarcity of BGM compared to a lot of cartoons I've seen. It's mostly just eerie ambience and short musical sound effects broken only by the characters' vocal shenanigans with actual BGM being reserved for intense scenes.

I don't like men who unironically avoid everything that is "gay" not because of "tOxIc mAScUlInItY" but because it indicates a man who has no personality independent of the peer pressure or social pressure he experiences. I want a man, not a cardboard cut-out shaped like a man.

If anyone's wondering what drove me to create that, I was rewatching some of my fav Disney XD shows from my childhood like Detentionaire, Randy Cunningham, Supa Strikas, Crash and Bernstein and such, and felt so much nostalgia I was driven to make my own urban "shounen".