Andrew Otis Weiss

@thatweissguy.bsky.social

The Spirit of '92 incarnate. Hippie ideals, punk attitude, and a grunge wardrobe. REMINDER: I don’t fucking work for you.

Had to convoy behind Maura to the muffler place in North Reading and the drive there was causing serious Dr. Manhattan quantum fugues. “It’s 1979…1982…1985…1988…1989…1996…2011…2025….2026…yadda yadda yadda.” Lot of entanglement with my past selves along that stretch.

“It’s 3D chess!” I scream ignoring the mountains of evidence that the parties involved would even need to play 3D chess to achieve an outcome even if they actually had the brain cells to play such a game.

I regret not having a recording of my mother speaking. Not for sentimental reasons but because she had a really strange accent. Army base English with touches of Michigan UP, Alabama, and West Texas laid over Boston English.

In my fifth-grade class, there was a book on one of the shelves in the back about various historic disasters, and I was obsessed with it. Couldn't remember the title, only that it was a coffee table jobber and had lurid chapter titles in big block text. Finally found a scan yesterday.

Bild

Dude who studies the history of the Top 40 format here: It is *absolutely* possible to miss a high charting song in the wild, ESPECIALLY so in the age of the algorithm and radio audiences siloed off and radio nowhere near as ubiquitous a part of life as it used to be.

It is weird when I watch or read something about the Titanic's facilities and services which treat them as well-established entities even though the ship sunk five days into its maiden voyage. "It was a place where passengers would play music and hold dances..." Well for less than a week, right?

Chihiro game impressions, one week in: OutRun 2: It's OutRun 2 (a good thing) House of the Dead 3: It's House of the Dead 3 (a good thing) Ollie King: Flashy, stylish but a big step down from Top Skater and Air Trix Ghost Squad: Fun, but the card progression stuff is a mess in practice

I sensed it but not enough to articulate at the time, but the "poptimism" trend always struck me as being less about bringing down elitist barriers and more about inverting them. Going from "Oh, you don't listen to Bartok? Tsk tsk" to "YOU MUST KNOW THIS TAYLOR SWIFT JAM, YOU ASSHOLE."

Found a 1991 MTV doc about Gen X before it fully became a brand, and despite the typical demo fluffing it answered the question of "why are they like this?" 35 years ago. Spoiler: Because they are the opposite of a monolithic block and just weakly connected by a few cultural touchstones.