Forbidden Worlds Film Festival

@fwfilmfestival.bsky.social

Genre film festival dedicated to screening repertory action, sci-fi and horror films from around the world on the biggest screen in the South West. Forbidden Worlds returns: 22-24 October 2026 linktr.ee/FWFilmFestival

50 Years of Who Can Kill a Child? poster for an expo celebrating cinema's most evil kiddies including Children of the Corn, The Bad Seed and Village of the Damned. (I shall be visiting this expo when I get a mo.)

What the skeet said, plus the poster is huge, hanging on a pink wall, and there's a bunch of passers-by below it.

From provocative precursors like Mario Bava’s The Girl Who Knew Too Much to sanguinary standards such as Dario Argento’s Deep Red, Patrick Sproull recommends twenty stylishly violent giallo films. Read the full story on Journal. https://boxd.it/3pm

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On the one hand, Blood and Black Lace (Bava) for the richness of the palette and Argento Suspiria/Deep Red. Also, Don’t Look Now, with its nods to Giallo and The Masque of the Red Death (Roeg as cinematographer) On the other, in stark contrast, The Innocents

Farran Smith Nehme 🇱🇧@selfstyledsiren.bsky.social · 5d ago

What's the most beautiful horror movie you've ever seen? I would say Kwaidan, though I realize that's a pretty basic answer. But given Kwaidan as a benchmark, can you recommend a horror (or horror-adjacent) movie in that league, or even more gorgeous?

A hooded figure makes its way through a snowy nighttime landscape—and the sky is lit up by eyes. From Masaki Kobayashi's KWAIDAN (1965)

Get ready for your new favourite slasher! If you’ve never experienced Michele Soavi’s Stagefright, then get ready to have your world rocked with one of the most fun and bloody Italian slashers ever made. 24 October at Bristol Megascreen as part of The Big Scream: European Slaycation!

A spotlight catching Owl Man lurking in the rafters of a theatre.