Alzamon | Middle Grade Comics & Artwork

@alzamon.bsky.social

Alberto González, Costa Rican 🇨🇷 children's illustrator, middle grade comics author, character designer. Not sure of what I'm doing but I do anyway. Portfolio 👉 alzamon.com Newsletter 👉 newsletter.alzamon.com Elsewhere 👉 go.alzamon.com

I just love looking at Ed Benedict's early designs for Hanna-Barbera characters. He embraced the UPA style and understood how to make these designs work within limited animation. He was one of the artists who gave the studio its identity in the early years.

I usually design my business cards to be conversation-starters. But at after too many endless awkward discussions at recent events, I realized I needed a new type of card. The conversation-ender.

A stack of business cards reads in English and Korean: Generative AI is unethical, annoying, and anti-art. Anything it touches will fail, and be a mark of shame on human history. I do not wish to discuss this further.

I am building a website for my Coativille (Villa Pizote) comic series and realized I needed an expanded version of the comic's cover for a responsive background. Of course I can never settle for simple 🥲 so it has expanded into an A3-sized spread that can double as guard pages. Now on to coloring...

A3-sized double page spread for my Villa Pizote (Coativille) ongoing comic series, at its current inking stage. Coloring to emulate the original cover design goes next.The original cover of my self-published comic.

Crowdfunding a la Kickstarter et al sadly isn't a thing in my country yet so financing creative projects is extremely hard as is unless you get lucky to win a state grant or pony up the moolah yourself. Therefore Matt's "experiment" is of special interest to me and I'm glad he's succeeding at it.

Matthew Dow Smith@matthewdowsmith.bsky.social · last wk.

A really lovely little writeup on @smashpages.bsky.social about THE AFTER SCHOOL VILLAIN SOCIETY and the help that made it happen --

Dang yall, thanks so much for the support 😭 Usually I ignore the random AI accusations but I wanted to take the chance to talk about how important it is to do your research in times like these. Didn't expect to get soooo many kind comments though! We gotta stick together, my beloved art community ♥️

Kasey Gifford@kaseygifford.bsky.social · last wk.

Wow. LOISH got accused of using Ai to make her art. I started following her on early deviantart. I remember first seeing her paintings in college. This is ridiculous, no one is safe. Artists Ive followed for actual decades are getting harassed because their work has been stolen and regurgitated.

When some comics became intangible online, paper became *visible* to artists again, leading to beautiful new paper comics. Now, when some "art" becomes inhuman, *we* become visible to ourselves again. What beautiful new *human* art might be the result?

Screenshot of a Tweet from Pope Leo XIV. It reads: 

"In this era of artificial intelligence, it is becoming urgen to distinguish human art from what machines produce. There is an ontological difference, even before an aesthetic one, between art and what a machine can generate through statistical calculation based on millions of images created by others. Algorithms lack the spark of humanity. For this reason, the Church wishes to renew an alliance with artists and cultural institutions to safeguard our humanity."

Have been thinking about this (it was bound to happen sometime anyway) but what I think it will happen is younger artists having harder than ever to prove their work isn't deceitful slop. At least I still have some old, horrible amateurish sketchbooks from the 90s to provide as evidence. :P

Kasey Gifford@kaseygifford.bsky.social · last wk.

Wow. LOISH got accused of using Ai to make her art. I started following her on early deviantart. I remember first seeing her paintings in college. This is ridiculous, no one is safe. Artists Ive followed for actual decades are getting harassed because their work has been stolen and regurgitated.

¡Viva las bibliotecas! ¡Viva los libros! ¡Viva al Cultura, las historias y las personas! Os dejo, en petit comité, una propuesta ilustrada que no salió adelante para un proyecto de @squidandpig.bsky.social. Nunca lo habíamos publicado ni compartido. Ositos lectores que se parten de risa ;) #art

Osito lector de humor.
El Barroquista@elbarroquista.bsky.social · 2w ago

De hecho, creo que no somos conscientes de que las bibliotecas públicas llevan años padeciendo una presión tremenda, por diferentes motivos, y que no es tan raro que veamos (no demasiado lejos sen el futuro) su progresiva desaparición.

The same could be said from picture books, GNs and the like. Even if AI´s sources were finally ethically correct and all that to produce them, they would still suck in the sense that creative art and writing are intimate exchanges between *human* minds and worlds, not fabricated hallucinations. 📚

Jeff VanderMeer@jeffvandermeer.bsky.social · 2w ago

They quoted me in this New Yorker piece about AI today. www.newyorker.com/culture/the-...

“Let’s say there’s a world or time line I exist in where A.I. has been subject to regulation. It is ethical. It has no footprint environmentally,” the novelist Jeff VanderMeer, a prominent critic of A.I., told me over the phone. “With those guardrails in place, would I read an A.I. book? All I can say is no. And the reason is, in part, because I want to read something coming from a particular mind.” Using A.I., he said, “feels like a betrayal of the whole point of why you’re a writer.”

Remember, fellow artists: it’s okay for your sketchbooks to be messy. That’s kind of the point. It doesn’t have to be fancy like those sketchbook tours on Instagram. Funny thing is I gotta remind myself that sometimes too. lol