15 journalists for a roundtable??? they’re basically organizing a second press conference 😭
there’s a beautiful chinese lady on instagram who posts videos of herself skateboarding while wearing bandage dresses and kitten heel shoes, and for me, those videos are the cinematic highlights of this month.
been asking this question every day at least to five different person since last week 🫠
Parisian friends! Join me at L’Archipel on April 27 at 8 PM, where I’ll be presenting HAMAM by Ferzan Özpetek as part of the Mirages de la vie cinema club, thanks to the gracious invitation of @joffreyspeno.bsky.social. The film will be screened with English subtitles.
Comme promis, mon entretien avec Pedro Pinho, réalisé lors de la rétrospective dédiée au cinéaste au festival Regards Satellites, est désormais disponible en ligne. À lire sur Emitaï ! (Un grand merci à @corent-le.bsky.social pour la relecture) emitai.fr/carnet/entre...
Pedro Pinho, la polyphonie et l'impasse - Emitaï
La 4ᵉ édition du Festival Regards Satellites, qui s’est déroulée du 13 au 22 février 2026, a été l’occasion de découvrir la version intégrale du Rire et le
emitai.fr
In its latest episode, @outskirtsmag.bsky.social’s Podcast explores the work of one of the most striking figures in the history of horror cinema, Zé do Caixão, who, to me, also represents a very interesting case of pre-digital multimedia practice. Listen to it here: youtu.be/xVjPgDuh6qc?...
#006 - The Hallucinations and Bloody Exorcisms of Zé do Caixão
YouTube video by Outskirts Film Podcast
youtu.be
I’ll piss people off by saying this, but Berlinale wanted theatrics to win over politics. Given all the enthusiastic reactions, which wiped from everyone’s memory the attempts to stop journalists from exercising their right to free speech, seems like their strategy worked!
the nurse who prepared my biotherapy meds today complimented me: “mademoiselle you have so beautiful, well-defined veins!!” I guess this is how people start to compliment you when you’re ill all the time.
i think people are reacting to hamnet as if they’ve never seen a single emotionally dense film in their lives. i totally get liking the film, but the way some people react to those who didn’t like it as much feels a bit like mass hysteria.
We returned to our roots this week on the podcast, discussing the founding father of Outskirts Film Magazine: the extraordinary Boris Barnet. Our guest was Hannah Yang, curator of Doc Film Chicago's ongoing retrospective of the miraculous Soviet filmmaker. www.youtube.com/watch?v=SrYF...
#005 - A Soviet Miracle: Boris Barnet at the Outskirts (feat. Hannah Yang)
YouTube video by Outskirts Film Podcast
youtube.com
Cortisone didn’t help much with the symptoms, but I experienced delicious fits of anger on this drug - which I would have otherwise suppressed and moved on from. I thoroughly enjoyed the catharsis.
Yanco platformu için hazırladığım çifte program bugün yayınlandı. Els Opsomer'in kamerasının bir 10 Kasım sabahını yakaladığı kısa filmi "10th of November | 09:05"a Cynthia Madansky'nin Chris Marker esintili İstanbul travelogue'u "Devotion" eşlik ediyor. yanco.be/en/double-bi...
Geçtiğimiz yıl Jean-Luc Godard’ın televizyon mecrasındaki üretimleri üzerine yazdığım ve Aç Yazı’da yayınlanan metni internet siteme yükledim. Kapsamlı olmaktan son derece uzak ama ilerde üzerine daha çok yazmak istediğim bu konunun zeminini oluşturuyor. feridemercury.com/2026/01/31/t...
Telegodard
Jean-Luc Godard’ın sinema tarihine bıraktığı mirası düşündüğümüzde onu yalnızca “yönetmen” kategorisiyle sınırlandırmak büyük haksızlık olacaktır. Godard, sinemanın tarihsel değişimine tanıklık etm…
feridemercury.com
Geçtiğimiz yıl Jean-Luc Godard’ın televizyon mecrasındaki üretimleri üzerine yazdığım ve Aç Yazı’da yayınlanan metni internet siteme yükledim. Kapsamlı olmaktan son derece uzak ama ilerde üzerine daha çok yazmak istediğim bu konunun zeminini oluşturuyor. feridemercury.com/2026/01/31/t...
Telegodard
Jean-Luc Godard’ın sinema tarihine bıraktığı mirası düşündüğümüzde onu yalnızca “yönetmen” kategorisiyle sınırlandırmak büyük haksızlık olacaktır. Godard, sinemanın tarihsel değişimine tanıklık etm…
feridemercury.com
I need to find a good but very good excuse to insist on living otherwise I don’t think this has any meaning anymore
weekly update: - lost 2kg (overall 5kg) - lost a lot of blood - and will definitely lose more - lost hope - corticosteroids are not working at all - either them or those stupid antibiotics give me terrible headaches and nausea - I can only a banana and a boiled potato without vomiting
super texte de @corent-le.bsky.social sur son rapport ambivalent à Apocalypse Now, à lire dans la nouvelle revue "critique et décoloniale" Emitaï (emitai.fr) : emitai.fr/essai/lodeur...
L'odeur du napalm - Emitaï
Quels questionnements politiques, esthétiques et critiques nous animent ? Dans quelle mesure nos regards ont-ils été façonnés par la colonialité des
emitai.fr
Nous suivre sur Instagram (pas de BS désolé) : www.instagram.com/emitairevue/ Nous soutenir (on a monté le projet sans argent) : www.helloasso.com/associations...
RDV sur le site pour lire notre édito ainsi que notre dossier de lancement, à l'occasion duquel chaque membre du comité de rédaction revient sur son rapport au cinéma, à la cinéphilie et à la critique. emitai.fr/carnet/edito...
Ici et partout ailleurs - Emitaï
Revue de cinéma critique et décoloniale, EMITAÏ a deux objectifs : prendre la mesure de la colonialité intrinsèque du cinéma occidental, qui a été et continue
emitai.fr
⚡ emitai.fr est en ligne ⚡ Revue de cinéma critique et décoloniale. Fondée avec les camarades Héléna Alet-Quesneau, Lisa Durand, Simon Hoareau, Occitane Lacurie, Lola Maupas, Marcos Nuñez et Öykü Sofuoğlu. Avec un site magnifique conçu par Adrien Chuttarsing.
the wait is over. my annual film criticism wrapped stats are here
For Ultra Dogme, I wrote about the cinema of João César Monteiro, touching on a number of his films including God's Comedy, Recollections of the Yellow House and What Shall I Do With This Sword? through the perspective of Revolution. ultradogme.com/2025/12/26/j...
Blasphemy and Freedom: João César Monteiro's Post-Revolutionary Cinema - Ultra Dogme
Justine Smith dives into the defiant, bacchanalian and melancholy cinema of João César Monteiro.
ultradogme.com
Et @feridemercury.com, @untrenoculto.bsky.social, et @aguilarcandanedo.bsky.social y vont de leurs choix aussi. Le cinéma avec tous ses grands écarts de goûts, de formes, et de géographies. Lisez et écoutez @outskirtsmag.bsky.social
@outskirtsmag.bsky.social: le podcast. Notre année 2025. J'y parle du JLG qui nous reste, de Meilleurat qui refait Mouchette pour le 21ème siècle, d'un monument de Fukasaku sans yakuza, et d'une bombe documentaire d'une 20aine de minutes sur le fascisme états-uniens open.spotify.com/episode/2UiC...
Spotify – Web Player
open.spotify.com
it's really hard to make peace with autoimmune and hereditary diseases. unfortunately i have a bunch of them and there's not a single day when i don't regret being who i am.
ophthalmologist today: did you know that you have a congenital retinal disease? me: (after spending my entire life half-blind) no shit?
Had the chance to write about Hlynur Pálmason’s delightful and invigorating The Love That Remains, whose unrestrained and malleable approach to narrative and visual economy I deeply adored. www.filmexplorer.ch/detail/the-l...
The Love that Remains
filmexplorer.ch