De Gruyter Brill Ancient Studies

@dgb-ancientstudies.bsky.social

News from the Classical, Ancient Near Eastern & Egyptian Studies department at De Gruyter Brill @degruyterbrill.bsky.social. Posts by our editors.

📚 New publication! In her book, Leanne Madelon Jansen challenges the image of Cicero as a failed statesman. On the contrary, historians portrayed him as an exemplary political figure, whose words and deeds became crucial to the historical reconstruction of the collapse of the Roman Republic.

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✨We are thrilled to announce the publication of the first printed volume of #WPR! 📖 “Cicero’s 'Academics' and Their Reception”, edited by Francesco Verde, is now available as the first independent commentary of the series, exploring one of the most influential works in the history of Platonism.

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Today, the sun will disappear for a moment. Ovid tells us why: it is not the Moon coming between the Earth and the Sun, but Apollo’s love for Leucothoe that makes him turn pale! «nec tibi quod lunae terris propioris imago obstiterit, palles; facit hunc amor iste colorem.» (Ov. Met. 4.200–203)

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Curious about what the 2026 Latin Word of the Year will be? After "retotatototato" (the sound of a fanfare) in 2024 and "rhonchissātor" (a snorer) in 2025, the next winner hides among the entries of the newly published fascicles - XIII and XIV - of the Thesaurus Linguae Latinae. Place your bets! 🎺

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It was a great pleasure to attend the "Ständige Ägyptologenkonferenz" again, which took place this year in Leipzig at the “Fakultät für Sportwissenschaften”; many thanks to the organizers. After so many great meetings and conversations, we’re already looking forward to next year’s SÄK in Munich!

Interior View of the Faculty of Sports Science in LeipzigEntrance of the Faculty of Sports Science in LeipzigBooth Book ExhibitionCovers of displayed books

📚 Trends in Classics – Supplementary Volumes, no. 200: "Greek New Comedy Beyond Menander", edited by Virginia Mastellari, challenges the long-dominant “Menandrocentric” view on Greek New Comedy by turning to Menander’s contemporaries and the wider landscape of late-Classical and Hellenistic comedy.

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