Sean DiLeonardi

@sdileonardi.bsky.social

Writer, literary critic, Pittsburgher, professor, director of the Center for Digital Studies (he/him) https://www.seandileonardi.com/

Whalefall by Daniel Kraus was great. Did some things on the page I don’t think I’ve seen. Which every novel should try to do. Like the protagonist, I lost my dad too young. So I wasn’t ready for the absolutely gutting father/son dynamic that is the backbone of the story.

Sometimes the semiotic square articulates a relation of concepts that are synthesized in things; sometimes it articulates a relation among things that resolve as concepts. How can it be both? Because the semiotic square is a cootie catcher

Jameson's version of a semiotic square from Nostromo. Abstract terms duplicate character names and general categoriesKrauss's version of a semiotic square to grapple with minimalism

True or false: the phrase ‘Easter egg’ describes something ‘new.’ That is, sign systems (literature or otherwise) have always engaged in complex acts of signification (allusion, symbol etc) but the referent that rewards a tiny in group (fans) is distinct and therefore, we need a theory of the egg.

rn you can't own tv stations that cover more than 39% of the country (by pop). The Trump FCC calls that "outdated" and wants to replace it with a "case-by-case" review (i.e., cronyism and corruption, as is their wont.) It might seem intuitive that with instant global streaming availability,

My life is a hamster wheel of complaining about universities outsourcing services to private, for profit companies (who make everything worse) instead of allowing the brilliant minds from within to build and maintain things that work for us.

As our bargaining committee sits down with uni lawyers to advocate for me and lots of other workers, I’m at the Carnegie (named after a strikebreaker) admiring this representation of the Pinkerton riot of 1892

Pinkerton Riot, Pittsburgh by Raymond Simboli (1948)

Finished Monstrilio by Gerardo Sámano Córdova. It you’re unfamiliar, I highly recommend. A wholly original, brilliantly crafted, and devastatingly brutal allegory for grief and loss. Literary horror at its finest.

Cover of Monstrilio.

Here’s the essay I’d like to write: In 2022, Jordan Peale made an alien flick about the difficulty of being a Black creator of blockbusters in the shadow of Spielberg (opening scene is ET, rest of film is Jaws, starting with rodeo=beach, digestion scene=WarWorlds) In 2026, Spielberg responds. /2

The follow up to Tender Is the Flesh, The Unworthy by Agustina Bazterrica (trans. Sarah Moses) hypnotized me with its first words. Came out a few hours later. Its brevity leaves you wanting more; its harrowing world makes you feverish.